Sinophone Adaptations of Shakespeare [electronic resource] : An Anthology, 1987-2007 / edited by Alexa Alice Joubin.
Erişim Adresi
ISBN
9783030929930
Dil Kodu
İngilizce
Yer Numarası
EK/4436
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XV, 288 p. online resource.
Dizi
Global Shakespeares, 2947-891X
İçindekiler Notu
Chapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin -- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan -- Chapter 2. Hamlet as Political Theatre in Beijing: 哈姆雷特by Lin Zhaohua 林兆華 (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep -- Chapter 3. Hamlet as Parody in Taipei: Shamlet 莎姆雷特 (Hamlet) by Lee Kuo-hsiu 李國修 (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin -- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre -- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands 血手記 by Huang Zuolin 黃佐臨 (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin -- Chapter 5. A Feminist Macbeth in Tainan: The Witches’ Sonata 女巫奏鳴曲．馬克白詩篇by Lü Po-shen呂柏伸(2007), translated and introduced by Yilin Chen -- Part 3. Self-Identities in Traditional and Experimental Jingju Opera -- Chapter 6. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin -- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here李爾在此by Wu Hsing-kuo 吳興國, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin -- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986 .
Özet, vb.
Shakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries. .
Konu
Theater.
Oriental literature.
Adaptation (Literary, artistic, etc.).
Translating and interpreting.
Global and International Theatre and Performance.
Asian Literature.
Adaptation Studies.
Language Translation.
Oriental literature.
Adaptation (Literary, artistic, etc.).
Translating and interpreting.
Global and International Theatre and Performance.
Asian Literature.
Adaptation Studies.
Language Translation.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aSinophone Adaptations of Shakespeare|h[electronic resource] :|bAn Anthology, 1987-2007 /|cedited by Alexa Alice Joubin.
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505 0 |aChapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin -- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan -- Chapter 2. Hamlet as Political Theatre in Beijing: 哈姆雷特by Lin Zhaohua 林兆華 (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep -- Chapter 3. Hamlet as Parody in Taipei: Shamlet 莎姆雷特 (Hamlet) by Lee Kuo-hsiu 李國修 (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin -- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre -- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands 血手記 by Huang Zuolin 黃佐臨 (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin -- Chapter 5. A Feminist Macbeth in Tainan: The Witches’ Sonata 女巫奏鳴曲．馬克白詩篇by Lü Po-shen呂柏伸(2007), translated and introduced by Yilin Chen -- Part 3. Self-Identities in Traditional and Experimental Jingju Opera -- Chapter 6. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin -- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here李爾在此by Wu Hsing-kuo 吳興國, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin -- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986 .
520 |aShakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries. .
650 0|aTheater.
650 0|aOriental literature.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aTranslating and interpreting.
650 14|aGlobal and International Theatre and Performance.
650 24|aAsian Literature.
650 24|aAdaptation Studies.
650 24|aLanguage Translation.
700 1 |aJoubin, Alexa Alice.|eeditor.|0(orcid)0000-0001-9914-3578|1https://orcid.org/0000-0001-9914-3578|4edt|4http://id.loc.gov/vocabulary/relators/edt
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003 TR_AnAIT
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020 |a9783030929930|9978-3-030-92993-0
024 7 |a10.1007/978-3-030-92993-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/4436
245 10|aSinophone Adaptations of Shakespeare|h[electronic resource] :|bAn Anthology, 1987-2007 /|cedited by Alexa Alice Joubin.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXV, 288 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aGlobal Shakespeares,|x2947-891X
505 0 |aChapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin -- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan -- Chapter 2. Hamlet as Political Theatre in Beijing: 哈姆雷特by Lin Zhaohua 林兆華 (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep -- Chapter 3. Hamlet as Parody in Taipei: Shamlet 莎姆雷特 (Hamlet) by Lee Kuo-hsiu 李國修 (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin -- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre -- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands 血手記 by Huang Zuolin 黃佐臨 (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin -- Chapter 5. A Feminist Macbeth in Tainan: The Witches’ Sonata 女巫奏鳴曲．馬克白詩篇by Lü Po-shen呂柏伸(2007), translated and introduced by Yilin Chen -- Part 3. Self-Identities in Traditional and Experimental Jingju Opera -- Chapter 6. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin -- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here李爾在此by Wu Hsing-kuo 吳興國, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin -- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986 .
520 |aShakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries. .
650 0|aTheater.
650 0|aOriental literature.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aTranslating and interpreting.
650 14|aGlobal and International Theatre and Performance.
650 24|aAsian Literature.
650 24|aAdaptation Studies.
650 24|aLanguage Translation.
700 1 |aJoubin, Alexa Alice.|eeditor.|0(orcid)0000-0001-9914-3578|1https://orcid.org/0000-0001-9914-3578|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030929923
776 08|iPrinted edition:|z9783030929947
776 08|iPrinted edition:|z9783030929954
830 0|aGlobal Shakespeares,|x2947-891X
856 40|uhttps://doi.org/10.1007/978-3-030-92993-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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