Liminality, Hybridity, and American Women's Literature [electronic resource] : Thresholds in Women's Writing / edited by Kristin J. Jacobson, Kristin Allukian, Rickie-Ann Legleitner, Leslie Allison.
Erişim Adresi
ISBN
9783319738512
Dil Kodu
İngilizce
Yer Numarası
EK/4328
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XIX, 320 p. 2 illus. online resource.
İçindekiler Notu
Introduction: Threshold Thinking, Rita Bode and Kristin J. Jacobson -- Section I Early American Thresholds Introduction: Early American Women Writers: The Potentiality of the Continual Self-Creating Act, Kristin Allukian -- ‘Sweet Cement:’ Occasioning Bathsheba Bowers’ An Alarm Sounded to Prepare the Inhabitants of the World to Meet the Lord in the Way of His Judgment, Nicholas K. Mohlmann -- Beyond ‘The Bars’: Lucy Terry Prince and the Margins of the Colonial Landscape, Ann A. Huse -- The Liminal Time of Friendship: Narrative Dely in Hannah Webster Foster’s The Coquette, Molly Ball -- ‘We cannot be indifferent’: Native Americans and the Students of the Moravian Seminary for Young Ladies, Gregory D. Specter -- Section II Nineteenth Century Thresholds Introduction: Resistance and Alternative Histories in Nineteenth-century Women’s Writing, Rickie-Ann Legleitner -- Changing is Surviving: Transformation as Resistance in the Ojibwe Stories of Jane Johnston Schoolcraft, Sarah Olivier -- Inhabiting the Liminal: The Architecture of Single Life in Catharine Maria Sedgwick’s Fiction, Michelle Gaffner Wood -- Contesting Sentimentalism: Animal-Human Bonds and Boundaries in Grace Greenwood’s History of My Pets, Kerstin Rudolph -- ‘The Third Sex’: Nineteenth-Century Women Physicians in Queer, Liminal Literary Spaces, Margaret Jay Jessee -- ‘Costume de ghost’: Liminality in Grace King’s Balcony Stories, Stephanie Durrans -- Section III Twentieth-Century and Twenty-First-Century Thresholds Introduction: A Fragile Optimism: Writing Liminality and Hybridity in the Twentieth and Twenty-First Centuries, Leslie Allison -- La mujer en llamas: Legal Storytelling in Lucha Corpi’s Black Widow’s Wardrobe, Sandra Ruiz -- States of Exception and Arab American Women’s Poetry After 9/11: Liminality and Community in Suheir Hammad’s ‘first writing since’ and D.H. Melhem’s ‘September 11, 2001, World Trade Center, Aftermath’, Birgit Spengler -- Still Moving: Gabrielle Bell’s Graphic Auto-Fiction, Shiamin Kwa -- Extreme Sex: Contemporary American Women Writers at the Margins, Beth Widmaier Capo -- Afterword: Beyond Thresholds: Suggestions for Further Research and Teaching Resources.
Özet, vb.
This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offersenticing openings.
Konu
Literature __ History and criticism.
America __ Literatures.
Literary History.
North American Literature.
America __ Literatures.
Literary History.
North American Literature.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |aIntroduction: Threshold Thinking, Rita Bode and Kristin J. Jacobson -- Section I Early American Thresholds Introduction: Early American Women Writers: The Potentiality of the Continual Self-Creating Act, Kristin Allukian -- ‘Sweet Cement:’ Occasioning Bathsheba Bowers’ An Alarm Sounded to Prepare the Inhabitants of the World to Meet the Lord in the Way of His Judgment, Nicholas K. Mohlmann -- Beyond ‘The Bars’: Lucy Terry Prince and the Margins of the Colonial Landscape, Ann A. Huse -- The Liminal Time of Friendship: Narrative Dely in Hannah Webster Foster’s The Coquette, Molly Ball -- ‘We cannot be indifferent’: Native Americans and the Students of the Moravian Seminary for Young Ladies, Gregory D. Specter -- Section II Nineteenth Century Thresholds Introduction: Resistance and Alternative Histories in Nineteenth-century Women’s Writing, Rickie-Ann Legleitner -- Changing is Surviving: Transformation as Resistance in the Ojibwe Stories of Jane Johnston Schoolcraft, Sarah Olivier -- Inhabiting the Liminal: The Architecture of Single Life in Catharine Maria Sedgwick’s Fiction, Michelle Gaffner Wood -- Contesting Sentimentalism: Animal-Human Bonds and Boundaries in Grace Greenwood’s History of My Pets, Kerstin Rudolph -- ‘The Third Sex’: Nineteenth-Century Women Physicians in Queer, Liminal Literary Spaces, Margaret Jay Jessee -- ‘Costume de ghost’: Liminality in Grace King’s Balcony Stories, Stephanie Durrans -- Section III Twentieth-Century and Twenty-First-Century Thresholds Introduction: A Fragile Optimism: Writing Liminality and Hybridity in the Twentieth and Twenty-First Centuries, Leslie Allison -- La mujer en llamas: Legal Storytelling in Lucha Corpi’s Black Widow’s Wardrobe, Sandra Ruiz -- States of Exception and Arab American Women’s Poetry After 9/11: Liminality and Community in Suheir Hammad’s ‘first writing since’ and D.H. Melhem’s ‘September 11, 2001, World Trade Center, Aftermath’, Birgit Spengler -- Still Moving: Gabrielle Bell’s Graphic Auto-Fiction, Shiamin Kwa -- Extreme Sex: Contemporary American Women Writers at the Margins, Beth Widmaier Capo -- Afterword: Beyond Thresholds: Suggestions for Further Research and Teaching Resources.
520 |aThis book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offersenticing openings.
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650 0|aAmerica|xLiteratures.
650 14|aLiterary History.
650 24|aNorth American Literature.
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700 1 |aLegleitner, Rickie-Ann.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aAllison, Leslie.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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001 841298
003 TR_AnAIT
005 20260715030901
007 cr nn 008mamaa
008 180504s2018 sz | s |||| 0|eng d
020 |a9783319738512|9978-3-319-73851-2
024 7 |a10.1007/978-3-319-73851-2|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN441-1009.5
072 7|aDS|2bicssc
072 7|aLIT000000|2bisacsh
072 7|aDS|2thema
082 04|a809|223
090 |aEK/4328
245 10|aLiminality, Hybridity, and American Women's Literature|h[electronic resource] :|bThresholds in Women's Writing /|cedited by Kristin J. Jacobson, Kristin Allukian, Rickie-Ann Legleitner, Leslie Allison.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXIX, 320 p. 2 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction: Threshold Thinking, Rita Bode and Kristin J. Jacobson -- Section I Early American Thresholds Introduction: Early American Women Writers: The Potentiality of the Continual Self-Creating Act, Kristin Allukian -- ‘Sweet Cement:’ Occasioning Bathsheba Bowers’ An Alarm Sounded to Prepare the Inhabitants of the World to Meet the Lord in the Way of His Judgment, Nicholas K. Mohlmann -- Beyond ‘The Bars’: Lucy Terry Prince and the Margins of the Colonial Landscape, Ann A. Huse -- The Liminal Time of Friendship: Narrative Dely in Hannah Webster Foster’s The Coquette, Molly Ball -- ‘We cannot be indifferent’: Native Americans and the Students of the Moravian Seminary for Young Ladies, Gregory D. Specter -- Section II Nineteenth Century Thresholds Introduction: Resistance and Alternative Histories in Nineteenth-century Women’s Writing, Rickie-Ann Legleitner -- Changing is Surviving: Transformation as Resistance in the Ojibwe Stories of Jane Johnston Schoolcraft, Sarah Olivier -- Inhabiting the Liminal: The Architecture of Single Life in Catharine Maria Sedgwick’s Fiction, Michelle Gaffner Wood -- Contesting Sentimentalism: Animal-Human Bonds and Boundaries in Grace Greenwood’s History of My Pets, Kerstin Rudolph -- ‘The Third Sex’: Nineteenth-Century Women Physicians in Queer, Liminal Literary Spaces, Margaret Jay Jessee -- ‘Costume de ghost’: Liminality in Grace King’s Balcony Stories, Stephanie Durrans -- Section III Twentieth-Century and Twenty-First-Century Thresholds Introduction: A Fragile Optimism: Writing Liminality and Hybridity in the Twentieth and Twenty-First Centuries, Leslie Allison -- La mujer en llamas: Legal Storytelling in Lucha Corpi’s Black Widow’s Wardrobe, Sandra Ruiz -- States of Exception and Arab American Women’s Poetry After 9/11: Liminality and Community in Suheir Hammad’s ‘first writing since’ and D.H. Melhem’s ‘September 11, 2001, World Trade Center, Aftermath’, Birgit Spengler -- Still Moving: Gabrielle Bell’s Graphic Auto-Fiction, Shiamin Kwa -- Extreme Sex: Contemporary American Women Writers at the Margins, Beth Widmaier Capo -- Afterword: Beyond Thresholds: Suggestions for Further Research and Teaching Resources.
520 |aThis book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offersenticing openings.
650 0|aLiterature|xHistory and criticism.
650 0|aAmerica|xLiteratures.
650 14|aLiterary History.
650 24|aNorth American Literature.
700 1 |aJacobson, Kristin J.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aAllukian, Kristin.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aLegleitner, Rickie-Ann.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aAllison, Leslie.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319738505
776 08|iPrinted edition:|z9783319738529
776 08|iPrinted edition:|z9783030088705
856 40|uhttps://doi.org/10.1007/978-3-319-73851-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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