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020 |a9789811654459|9978-981-16-5445-9
024 7 |a10.1007/978-981-16-5445-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN441-1009.5
072 7|aDS|2bicssc
072 7|aLIT000000|2bisacsh
072 7|aDS|2thema
082 04|a809|223
090 |aEK/4610
100 1 |aZheng, Zhenduo.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aHistory of Chinese Folk Literature|h[electronic resource] /|cby Zhenduo Zheng.
250 |a1st ed. 2021.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2021.
300 |aX, 628 p. 8 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aUnderstanding China,|x2196-3142
505 0 |aChapter 1 What Is Folk Literature? -- Chapter 2 Ancient Ballads -- Chapter 3 Folk Literature in the Han Dynasty -- Chapter 4 Folk Songs in the Six Dynasties -- Chapter 5 Odes and Songs in the Tang Dynasty -- Chapter 6 Bianwen, a Popular Form of Literature in the Tang Dynasty -- Chapter 7 Zajuci, a Popular Literary Form in the Song and Jin Periods -- Chapter 8 Guzici and Zhugongdiao, Popular Literary Forms Featured with Singing and Saying -- Chapter 9 Sanqu, A Type of Verse in the Yuan Dynasty -- Chapter 10 Folk Songs in the Ming Dynasty -- Chapter 11 Baojuan, a Literary Form Featured with Story-telling and Singing -- Chapter 12 Tanci, a Literary Form Featured with Story-telling to the Accompaniment of Stringed Instrument -- Chapter 13 Guci and Zidishu, Popular Literary Forms in the Ming and Qing Dynasties -- Chapter 14 Folk Songs in the Qing Dynasty -- Academical Chronology of Zheng Zhenduo -- Zheng Zhenduo and His History of Chinese Folk Literature.
520 |aThis book mainly addresses the position, function, influence, and values of folk oral literature in the history of Chinese literature. Divided into 14 chapters, it systematically covers central aspects of folklore literature such as ballads, folk songs, Bianwen, Zajuci, Guzici, Zhugongdiao, Sanqu, Baojuan, Tanci, Zidishu, and so on from the Pre-Qin to the late Qing Dynasties, filling several gaps in literary history studies. It is a comprehensive literary work, and many of the materials cited here are rare and difficult to find. In addition, the book proposes some important theories, especially six highly generalized qualities of folk literature, namely that it is: popular, collective, oral, fresh, effusive, and innovative. With detailed, extensive materials, and quotations, the book represents the most systematic and comprehensive work to date on ancient Chinese folk literature. It is mutually complementary with Guowei Wang’s A Textual Research of the Traditional Chinese Opera in the Song and Yuan Dynasties and Xun Lu’s A Brief History of Chinese Fiction; all three works are regarded as the most essential classics for researching the history of Chinese literature.
650 0|aLiterature|xHistory and criticism.
650 0|aChina|xHistory.
650 0|aLiterature|xPhilosophy.
650 14|aLiterary History.
650 24|aHistory of China.
650 24|aLiterary Theory.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811654442
776 08|iPrinted edition:|z9789811654466
776 08|iPrinted edition:|z9789811654473
830 0|aUnderstanding China,|x2196-3142
856 40|uhttps://doi.org/10.1007/978-981-16-5445-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)