Artistic (Self)-Representations of Islam and Muslims [electronic resource] : Perspectives Across France and the Maghreb / edited by Ramona Mielusel.
Erişim Adresi
ISBN
9783030812348
Dil Kodu
İngilizce
Yer Numarası
EK/4648
Basım Bildirimi
1st ed. 2021.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Fiziksel Niteleme
XVI, 237 p. 3 illus., 2 illus. in color. online resource.
İçindekiler Notu
Chapter 1: Introduction -- Part I: Cinematic Representations of Islam: From Imams to Radicals -- Chapter 2: Imams and Audience in Kaouther Ben Hania’s Niche Filmwork -- Chapter 3: Representations of Radical Islam in Merzak Allouache’s most Recent Films -- Chapter 4: De-westernizing the Gaze on Islam and the Veil in French and Franco-Algerian Films – Abderrahmene Bourenane and Delphine Letort -- Chapter 5: Nicolas Boukhrief’s Made in France: Nuancing the Mediatized Approach to Islamic Terrorism -- Part II: Veiling, Islamic and Artistic Symbols and Far-Right Politics in Literary Representations of Islam and Muslims -- Chapter 6: Jeux de rubans (2011) by Emna Belhaj Yahia or the (Un)Veiling of Modern Tunisia -- Chapter 7: Eclipsing the Sun in Amira-Géhanne Khalfallah’s Le Naufrage de La Lune: Re-Appropriating Islamic Power Dynamics Through Allegory and Self-Representation -- Chapter 8: In Praise of the Transgressive Muslim Body: Portraits of Moroccan Chikhates -- Chapter 9: Islam and Far-Right Politics in Post-Contemporary Francophone Speculative Fiction: An Ethical Call to Resistance or Revival of French Orientalism? -- Part III: Representations of Islam in Music, Comic Series and Visual Arts -- Chapter 10: (P)raising Islam: When French Muslim rappers advocate for peace, love and unity in a Multicultural France -- Chapter 11: Drawing the Muslim Self: Muslim Citizenship and Contemporary Islam in France -- Chapter 12: Franco-Maghrebi Perspectives on the Islamic “Body” in a Contemporary Artistic Context: Kader Attia and Zoulikha Boubdellah -- Chapter 13: Conclusion.
Özet, vb.
Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines. Ramona Mielusel is Associate Professor of French and Francophone Studies at the University of Louisiana at Lafayette. She is interested in interdisciplinary and comparative approaches to Contemporary French and Francophone Cultural Studies with a special focus on immigration, transnationalism, multiculturalism, postcolonial studies and identity politics. She is the author of Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Farid Boudjellal et Tony Gatlif (L’Harmattan, 2015) and Franco-Maghrebi Artists of the 2000s. Transnational Narratives and Identities (Brill Publishers, 2018) as well as of several articles and book chapters. She co-edited with Dr. Simona Emilia Pruteanu the volume Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration (Palgrave Macmillan, 2020).
Konu
Mass media and culture.
Mass media and history.
Islam.
Media Culture.
Media and Communication History.
Islam.
Mass media and history.
Islam.
Media Culture.
Media and Communication History.
Islam.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
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505 0 |aChapter 1: Introduction -- Part I: Cinematic Representations of Islam: From Imams to Radicals -- Chapter 2: Imams and Audience in Kaouther Ben Hania’s Niche Filmwork -- Chapter 3: Representations of Radical Islam in Merzak Allouache’s most Recent Films -- Chapter 4: De-westernizing the Gaze on Islam and the Veil in French and Franco-Algerian Films – Abderrahmene Bourenane and Delphine Letort -- Chapter 5: Nicolas Boukhrief’s Made in France: Nuancing the Mediatized Approach to Islamic Terrorism -- Part II: Veiling, Islamic and Artistic Symbols and Far-Right Politics in Literary Representations of Islam and Muslims -- Chapter 6: Jeux de rubans (2011) by Emna Belhaj Yahia or the (Un)Veiling of Modern Tunisia -- Chapter 7: Eclipsing the Sun in Amira-Géhanne Khalfallah’s Le Naufrage de La Lune: Re-Appropriating Islamic Power Dynamics Through Allegory and Self-Representation -- Chapter 8: In Praise of the Transgressive Muslim Body: Portraits of Moroccan Chikhates -- Chapter 9: Islam and Far-Right Politics in Post-Contemporary Francophone Speculative Fiction: An Ethical Call to Resistance or Revival of French Orientalism? -- Part III: Representations of Islam in Music, Comic Series and Visual Arts -- Chapter 10: (P)raising Islam: When French Muslim rappers advocate for peace, love and unity in a Multicultural France -- Chapter 11: Drawing the Muslim Self: Muslim Citizenship and Contemporary Islam in France -- Chapter 12: Franco-Maghrebi Perspectives on the Islamic “Body” in a Contemporary Artistic Context: Kader Attia and Zoulikha Boubdellah -- Chapter 13: Conclusion.
520 |aArtistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines. Ramona Mielusel is Associate Professor of French and Francophone Studies at the University of Louisiana at Lafayette. She is interested in interdisciplinary and comparative approaches to Contemporary French and Francophone Cultural Studies with a special focus on immigration, transnationalism, multiculturalism, postcolonial studies and identity politics. She is the author of Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Farid Boudjellal et Tony Gatlif (L’Harmattan, 2015) and Franco-Maghrebi Artists of the 2000s. Transnational Narratives and Identities (Brill Publishers, 2018) as well as of several articles and book chapters. She co-edited with Dr. Simona Emilia Pruteanu the volume Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration (Palgrave Macmillan, 2020).
650 0|aMass media and culture.
650 0|aMass media and history.
650 0|aIslam.
650 14|aMedia Culture.
650 24|aMedia and Communication History.
650 24|aIslam.
700 1 |aMielusel, Ramona.|eeditor.|0(orcid)0000-0003-4832-6723|1https://orcid.org/0000-0003-4832-6723|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030812331
776 08|iPrinted edition:|z9783030812355
776 08|iPrinted edition:|z9783030812362
856 40|uhttps://doi.org/10.1007/978-3-030-81234-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 841451
003 TR_AnAIT
005 20260715025911
007 cr nn 008mamaa
008 211126s2021 sz | s |||| 0|eng d
020 |a9783030812348|9978-3-030-81234-8
024 7 |a10.1007/978-3-030-81234-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP94.6-.65
072 7|aJFD|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
082 04|a302.23|223
090 |aEK/4648
245 10|aArtistic (Self)-Representations of Islam and Muslims|h[electronic resource] :|bPerspectives Across France and the Maghreb /|cedited by Ramona Mielusel.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXVI, 237 p. 3 illus., 2 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1: Introduction -- Part I: Cinematic Representations of Islam: From Imams to Radicals -- Chapter 2: Imams and Audience in Kaouther Ben Hania’s Niche Filmwork -- Chapter 3: Representations of Radical Islam in Merzak Allouache’s most Recent Films -- Chapter 4: De-westernizing the Gaze on Islam and the Veil in French and Franco-Algerian Films – Abderrahmene Bourenane and Delphine Letort -- Chapter 5: Nicolas Boukhrief’s Made in France: Nuancing the Mediatized Approach to Islamic Terrorism -- Part II: Veiling, Islamic and Artistic Symbols and Far-Right Politics in Literary Representations of Islam and Muslims -- Chapter 6: Jeux de rubans (2011) by Emna Belhaj Yahia or the (Un)Veiling of Modern Tunisia -- Chapter 7: Eclipsing the Sun in Amira-Géhanne Khalfallah’s Le Naufrage de La Lune: Re-Appropriating Islamic Power Dynamics Through Allegory and Self-Representation -- Chapter 8: In Praise of the Transgressive Muslim Body: Portraits of Moroccan Chikhates -- Chapter 9: Islam and Far-Right Politics in Post-Contemporary Francophone Speculative Fiction: An Ethical Call to Resistance or Revival of French Orientalism? -- Part III: Representations of Islam in Music, Comic Series and Visual Arts -- Chapter 10: (P)raising Islam: When French Muslim rappers advocate for peace, love and unity in a Multicultural France -- Chapter 11: Drawing the Muslim Self: Muslim Citizenship and Contemporary Islam in France -- Chapter 12: Franco-Maghrebi Perspectives on the Islamic “Body” in a Contemporary Artistic Context: Kader Attia and Zoulikha Boubdellah -- Chapter 13: Conclusion.
520 |aArtistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines. Ramona Mielusel is Associate Professor of French and Francophone Studies at the University of Louisiana at Lafayette. She is interested in interdisciplinary and comparative approaches to Contemporary French and Francophone Cultural Studies with a special focus on immigration, transnationalism, multiculturalism, postcolonial studies and identity politics. She is the author of Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Farid Boudjellal et Tony Gatlif (L’Harmattan, 2015) and Franco-Maghrebi Artists of the 2000s. Transnational Narratives and Identities (Brill Publishers, 2018) as well as of several articles and book chapters. She co-edited with Dr. Simona Emilia Pruteanu the volume Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration (Palgrave Macmillan, 2020).
650 0|aMass media and culture.
650 0|aMass media and history.
650 0|aIslam.
650 14|aMedia Culture.
650 24|aMedia and Communication History.
650 24|aIslam.
700 1 |aMielusel, Ramona.|eeditor.|0(orcid)0000-0003-4832-6723|1https://orcid.org/0000-0003-4832-6723|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030812331
776 08|iPrinted edition:|z9783030812355
776 08|iPrinted edition:|z9783030812362
856 40|uhttps://doi.org/10.1007/978-3-030-81234-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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