Late Europeans and Melancholy Fiction at the Turn of the Millennium [electronic resource] / by Ian Ellison.
Erişim Adresi
ISBN
9783030954475
Dil Kodu
İngilizce
Yer Numarası
EK/4811
Yazar
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XVII, 274 p. online resource.
Dizi
Palgrave Studies in Modern European Literature, 2634-6486
İçindekiler Notu
1 Introduction -- 2 Detecting lateness in Dora Bruder by Patrick Modiano -- 3 Austerlitz by W.G. Sebald: A Late Fairy Tale -- 4 Exiled Lateness in Sefarad by Antonio Muñoz Molina -- 5 Concluding Remarks -- Bibliography.
Özet, vb.
“In an account informed by Benjamin and Nietzsche, Ian Ellison explores the melancholy of late modernist fictions by Patrick Modiano, W. G. Sebald and Antonio Muñoz Molina. These epigonal fictions cross the threshold between fiction and history and are gathered here as works of detection which emphasize the pathos of their own epistemological failure. Although Ellison acknowledges that these novels communicate the exhaustion of European culture and the irreconcilable violence of its past, notably against its Jews, he proposes that a rejuvenation of the future is still possible. This book is a fresh and adeptly theorised work by an emerging scholar in comparative literary studies.” --Richard Robinson, Associate Professor of English, Swansea University, UK This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence. Ian Ellison divides his time as a DAAD PRIME postdoctoral research fellow between the University of Kent in Canterbury, UK, their Paris School of Arts & Culture, France, and the Goethe-Universität in Frankfurt am Main, Germany. This is his first book.
Konu
European literature.
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
Fiction.
Comparative literature.
Literature __ Aesthetics.
European Literature.
Contemporary Literature.
Fiction Literature.
Comparative Literature.
Literary Aesthetics.
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
Fiction.
Comparative literature.
Literature __ Aesthetics.
European Literature.
Contemporary Literature.
Fiction Literature.
Comparative Literature.
Literary Aesthetics.
Kurum Adı
Eseri Alıntıla
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Dijital Kaynak
MARC Görünümü
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245 10|aLate Europeans and Melancholy Fiction at the Turn of the Millennium|h[electronic resource] /|cby Ian Ellison.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXVII, 274 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Modern European Literature,|x2634-6486
505 0 |a1 Introduction -- 2 Detecting lateness in Dora Bruder by Patrick Modiano -- 3 Austerlitz by W.G. Sebald: A Late Fairy Tale -- 4 Exiled Lateness in Sefarad by Antonio Muñoz Molina -- 5 Concluding Remarks -- Bibliography.
520 |a“In an account informed by Benjamin and Nietzsche, Ian Ellison explores the melancholy of late modernist fictions by Patrick Modiano, W. G. Sebald and Antonio Muñoz Molina. These epigonal fictions cross the threshold between fiction and history and are gathered here as works of detection which emphasize the pathos of their own epistemological failure. Although Ellison acknowledges that these novels communicate the exhaustion of European culture and the irreconcilable violence of its past, notably against its Jews, he proposes that a rejuvenation of the future is still possible. This book is a fresh and adeptly theorised work by an emerging scholar in comparative literary studies.” --Richard Robinson, Associate Professor of English, Swansea University, UK This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence. Ian Ellison divides his time as a DAAD PRIME postdoctoral research fellow between the University of Kent in Canterbury, UK, their Paris School of Arts & Culture, France, and the Goethe-Universität in Frankfurt am Main, Germany. This is his first book.
650 0|aEuropean literature.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aFiction.
650 0|aComparative literature.
650 0|aLiterature|xAesthetics.
650 14|aEuropean Literature.
650 24|aContemporary Literature.
650 24|aFiction Literature.
650 24|aComparative Literature.
650 24|aLiterary Aesthetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030954468
776 08|iPrinted edition:|z9783030954482
776 08|iPrinted edition:|z9783030954499
830 0|aPalgrave Studies in Modern European Literature,|x2634-6486
856 40|uhttps://doi.org/10.1007/978-3-030-95447-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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