Methodologies of Affective Experimentation [electronic resource] / edited by Britta Timm Knudsen, Mads Krogh, Carsten Stage.
Erişim Adresi
ISBN
9783030962722
Dil Kodu
İngilizce
Yer Numarası
EK/4774
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XII, 318 p. 11 illus., 10 illus. in color. online resource.
İçindekiler Notu
1. Introduction: Methodologies of Affective Experimentation -- 2. Affect as Disruption: Affective Experimentation, Automobility and the Ecological Crisis -- 3. Populism as Para-politics: Play, Affect, Simulation -- 4. Interspecies pedagogies: More-than-Human Experiments with Leadership in/of the Anthropocene -- 5. Engines of Affect: Experimenting with Auditory Intensities in the Jamaican Sound System Session -- 6. Experimentation in and with the Stream: Music, Mood Management and Affect -- 7. Experimentations in Pandemic Boredom -- 8. Worlding with Glitter: Vibrancy, Enchantment and Wonder -- 9. Affective Writing Experiments -- 10. Problematising Shame: Affective Experimentation on Social Media -- 11. Affective Experiments: Card Games, Blind Dates and Dinner Parties -- 12. Wind as Elementary Attraction: Case: An Avant-Garde Experiment on the West Coast of Jutland, Denmark -- 13. The Tombstones that Cried the Night Away: AnAllegory -- 14. Activating limit as method: An affective experiment in ethnographic criminology.
Özet, vb.
“This is a ground-breaking book that brings together some of the most exciting research from both established and new scholars, advancing and inventing creative methodologies to do justice to the field of affect studies.” —Lisa Blackman, Professor in Media and Communications, Goldsmiths, University of London, UK We live in an era of experimentation – both if we look at the broader social world of politics, media and art and at the narrower context of academic knowledge production. This collection consists of 14 chapters by leading scholars in affect studies. They explore the affective dimensions of experimental practices related to, for example, activism, the COVID-19 pandemic, populism, sustainability, patient communities, music streaming, Jamaican dancehall, gangs, leadership, tourism and minority youth cultures. Experiments are understood as intentionally crafted milieus aimed at (re)presenting unnoticed aspects of the world, as non-linear processes with unpredictable outcomes, and as ways of giving the future a provisional form. The collection responds to a pressing need to understand the intersection between affect, experimentation and sociocultural change by offering empirical strategies to explore how, and with what consequences, experimentation is affective. Britta Timm Knudsen is Professor of Experience Economy at the School of Communication and Culture, Aarhus University, Denmark. She has published on difficult heritage, cultural studies, affect theory and methodologies. Recent books and edited collections include Decolonizing Colonial Heritage (2021), Global Media, Biopolitics, and Affect (2015), Affective Methodologies (2015), Enterprising Initiatives (2014) and Re-investing Authenticity (2010). Mads Krogh is Associate Professor of Popular Music Culture at the School of Communication and Culture, Aarhus University, Denmark. His research deals with practice, mediation and genre in popular music culture. Recent books and edited collections include Music Radio (2019), Tunes for all? (2018) and Populær musik kultur – i Danmark siden 2000 (2016). Carsten Stage is Professor of Culture and Media at the School of Communication and Culture, Aarhus University, Denmark. His research explores digital illness narratives, affect and participation. Recent books and edited collections include Quantified Storytelling (2020), Cultures of Participation (2019), The Language of Illness and Death on Social Media (2018) and Networked Cancer (2017).
Konu
Communication.
Culture __ Study and teaching.
Media and Communication.
Cultural Studies.
Culture __ Study and teaching.
Media and Communication.
Cultural Studies.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
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505 0 |a1. Introduction: Methodologies of Affective Experimentation -- 2. Affect as Disruption: Affective Experimentation, Automobility and the Ecological Crisis -- 3. Populism as Para-politics: Play, Affect, Simulation -- 4. Interspecies pedagogies: More-than-Human Experiments with Leadership in/of the Anthropocene -- 5. Engines of Affect: Experimenting with Auditory Intensities in the Jamaican Sound System Session -- 6. Experimentation in and with the Stream: Music, Mood Management and Affect -- 7. Experimentations in Pandemic Boredom -- 8. Worlding with Glitter: Vibrancy, Enchantment and Wonder -- 9. Affective Writing Experiments -- 10. Problematising Shame: Affective Experimentation on Social Media -- 11. Affective Experiments: Card Games, Blind Dates and Dinner Parties -- 12. Wind as Elementary Attraction: Case: An Avant-Garde Experiment on the West Coast of Jutland, Denmark -- 13. The Tombstones that Cried the Night Away: AnAllegory -- 14. Activating limit as method: An affective experiment in ethnographic criminology.
520 |a“This is a ground-breaking book that brings together some of the most exciting research from both established and new scholars, advancing and inventing creative methodologies to do justice to the field of affect studies.” —Lisa Blackman, Professor in Media and Communications, Goldsmiths, University of London, UK We live in an era of experimentation – both if we look at the broader social world of politics, media and art and at the narrower context of academic knowledge production. This collection consists of 14 chapters by leading scholars in affect studies. They explore the affective dimensions of experimental practices related to, for example, activism, the COVID-19 pandemic, populism, sustainability, patient communities, music streaming, Jamaican dancehall, gangs, leadership, tourism and minority youth cultures. Experiments are understood as intentionally crafted milieus aimed at (re)presenting unnoticed aspects of the world, as non-linear processes with unpredictable outcomes, and as ways of giving the future a provisional form. The collection responds to a pressing need to understand the intersection between affect, experimentation and sociocultural change by offering empirical strategies to explore how, and with what consequences, experimentation is affective. Britta Timm Knudsen is Professor of Experience Economy at the School of Communication and Culture, Aarhus University, Denmark. She has published on difficult heritage, cultural studies, affect theory and methodologies. Recent books and edited collections include Decolonizing Colonial Heritage (2021), Global Media, Biopolitics, and Affect (2015), Affective Methodologies (2015), Enterprising Initiatives (2014) and Re-investing Authenticity (2010). Mads Krogh is Associate Professor of Popular Music Culture at the School of Communication and Culture, Aarhus University, Denmark. His research deals with practice, mediation and genre in popular music culture. Recent books and edited collections include Music Radio (2019), Tunes for all? (2018) and Populær musik kultur – i Danmark siden 2000 (2016). Carsten Stage is Professor of Culture and Media at the School of Communication and Culture, Aarhus University, Denmark. His research explores digital illness narratives, affect and participation. Recent books and edited collections include Quantified Storytelling (2020), Cultures of Participation (2019), The Language of Illness and Death on Social Media (2018) and Networked Cancer (2017).
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700 1 |aKrogh, Mads.|eeditor.|0(orcid)0000-0001-9062-7736|1https://orcid.org/0000-0001-9062-7736|4edt|4http://id.loc.gov/vocabulary/relators/edt
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001 841471
003 TR_AnAIT
005 20260715025854
007 cr nn 008mamaa
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020 |a9783030962722|9978-3-030-96272-2
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041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
082 04|a302.2|223
090 |aEK/4774
245 10|aMethodologies of Affective Experimentation|h[electronic resource] /|cedited by Britta Timm Knudsen, Mads Krogh, Carsten Stage.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXII, 318 p. 11 illus., 10 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: Methodologies of Affective Experimentation -- 2. Affect as Disruption: Affective Experimentation, Automobility and the Ecological Crisis -- 3. Populism as Para-politics: Play, Affect, Simulation -- 4. Interspecies pedagogies: More-than-Human Experiments with Leadership in/of the Anthropocene -- 5. Engines of Affect: Experimenting with Auditory Intensities in the Jamaican Sound System Session -- 6. Experimentation in and with the Stream: Music, Mood Management and Affect -- 7. Experimentations in Pandemic Boredom -- 8. Worlding with Glitter: Vibrancy, Enchantment and Wonder -- 9. Affective Writing Experiments -- 10. Problematising Shame: Affective Experimentation on Social Media -- 11. Affective Experiments: Card Games, Blind Dates and Dinner Parties -- 12. Wind as Elementary Attraction: Case: An Avant-Garde Experiment on the West Coast of Jutland, Denmark -- 13. The Tombstones that Cried the Night Away: AnAllegory -- 14. Activating limit as method: An affective experiment in ethnographic criminology.
520 |a“This is a ground-breaking book that brings together some of the most exciting research from both established and new scholars, advancing and inventing creative methodologies to do justice to the field of affect studies.” —Lisa Blackman, Professor in Media and Communications, Goldsmiths, University of London, UK We live in an era of experimentation – both if we look at the broader social world of politics, media and art and at the narrower context of academic knowledge production. This collection consists of 14 chapters by leading scholars in affect studies. They explore the affective dimensions of experimental practices related to, for example, activism, the COVID-19 pandemic, populism, sustainability, patient communities, music streaming, Jamaican dancehall, gangs, leadership, tourism and minority youth cultures. Experiments are understood as intentionally crafted milieus aimed at (re)presenting unnoticed aspects of the world, as non-linear processes with unpredictable outcomes, and as ways of giving the future a provisional form. The collection responds to a pressing need to understand the intersection between affect, experimentation and sociocultural change by offering empirical strategies to explore how, and with what consequences, experimentation is affective. Britta Timm Knudsen is Professor of Experience Economy at the School of Communication and Culture, Aarhus University, Denmark. She has published on difficult heritage, cultural studies, affect theory and methodologies. Recent books and edited collections include Decolonizing Colonial Heritage (2021), Global Media, Biopolitics, and Affect (2015), Affective Methodologies (2015), Enterprising Initiatives (2014) and Re-investing Authenticity (2010). Mads Krogh is Associate Professor of Popular Music Culture at the School of Communication and Culture, Aarhus University, Denmark. His research deals with practice, mediation and genre in popular music culture. Recent books and edited collections include Music Radio (2019), Tunes for all? (2018) and Populær musik kultur – i Danmark siden 2000 (2016). Carsten Stage is Professor of Culture and Media at the School of Communication and Culture, Aarhus University, Denmark. His research explores digital illness narratives, affect and participation. Recent books and edited collections include Quantified Storytelling (2020), Cultures of Participation (2019), The Language of Illness and Death on Social Media (2018) and Networked Cancer (2017).
650 0|aCommunication.
650 0|aCulture|xStudy and teaching.
650 14|aMedia and Communication.
650 24|aCultural Studies.
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700 1 |aKrogh, Mads.|eeditor.|0(orcid)0000-0001-9062-7736|1https://orcid.org/0000-0001-9062-7736|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aStage, Carsten.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
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776 08|iPrinted edition:|z9783030962739
776 08|iPrinted edition:|z9783030962746
856 40|uhttps://doi.org/10.1007/978-3-030-96272-2
912 |aZDB-2-LCM
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950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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