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020 |a9783030753979|9978-3-030-75397-9
024 7 |a10.1007/978-3-030-75397-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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245 10|aVictorian Surfaces in Nineteenth-Century Literature and Culture|h[electronic resource] :|bSkin, Silk, and Show /|cedited by Sibylle Baumbach, Ulla Ratheiser.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXIII, 220 p. 2 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Nineteenth-Century Writing and Culture,|x2634-6508
505 0 |aPreface (Pamela K. Gilbert) -- 1 How to Do Things with Surfaces: The Politics and Poetics of Victorian surfaces (Sibylle Baumbach and Ulla Ratheiser) -- 2 The Semantics of Surfaces: Victorian Panoramas and the Panoramic Gaze (Heidi Liedke) -- 3 Twinship and Tactile Anxieties in Wilkie Collins’s Poor Miss Finch (1872) (Wieland Schwanebeck) -- 4 Touching Skins, Spreading Stains: Contesting, Affirming and Penetrating Surfaces in the Work of Thomas Hardy (Felicitas Meifert-Meinhard) -- 5 Dickens’ Dirty Children (Franziska Quabeck) -- 6 Gothic Cloth: Textures of the Unknown (Sophia Jochem and Cordula Lemke) -- 7 Imperial Hauntings in the Durbar Room: Spurious Materiality in Neo-Victorian Biopics (Jan Rupp) -- 8 “Red-hot applications on their vile skins.” Ironic Transparency in Joseph Conrad’s The Secret Agent (Eike Kronshage) -- 9 Making Skin Legible: Surface and Symptomatic Readings of Victorian Culture (Monika Pietzrak-Franger) -- 10 Afterword (Kate Flint).
520 |aThis volume explores the politics and poetics of Victorian surfaces in their manifold manifestations. In so doing, it examines various cultural products ‘as they are’ and highlights the art of surface composition in the Victorian era as well as the socio-cultural ramifications of the preoccupation with the exterior. By closely reading the various surfaces materialising in Victorian literature and culture, the individual contributions explore the dialectics of surface and depth in Victorian (and Neo-Victorian) cultures as well as the legibility of surfaces. They look into the surfaces of literary narratives, paintings, and film but also into natural surfaces such as skin or bark. Each chapter foregrounds what is present rather than absent in a text, while also paying attention to the surfaces that become manifest on the diegetic level of the text, be they cloth, landscapes, or human bodies or faces.
650 0|aLiterature, Modern|x19th century.
650 0|aCivilization|xHistory.
650 0|aEuropean literature.
650 0|aCulture|xStudy and teaching.
650 14|aNineteenth-Century Literature.
650 24|aCultural History.
650 24|aEuropean Literature.
650 24|aVisual Culture.
700 1 |aBaumbach, Sibylle.|eeditor.|0(orcid)0000-0003-2616-9077|1https://orcid.org/0000-0003-2616-9077|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRatheiser, Ulla.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030753962
776 08|iPrinted edition:|z9783030753986
776 08|iPrinted edition:|z9783030753993
830 0|aPalgrave Studies in Nineteenth-Century Writing and Culture,|x2634-6508
856 40|uhttps://doi.org/10.1007/978-3-030-75397-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)