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020 |a9781137501776|9978-1-137-50177-6
024 7 |a10.1057/978-1-137-50177-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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072 7|aPER004000|2bisacsh
072 7|aAT|2thema
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090 |aEK/4742
100 1 |aHogg, Christopher.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aAdapting Television Drama|h[electronic resource] :|bTheory and Industry /|cby Christopher Hogg.
250 |a1st ed. 2021.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2021.
300 |aXI, 263 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
505 0 |a1. Adapting Television Drama: A General Introduction -- 2. Producing Adaptations -- 3. Writing Adaptations -- 4. Designing and Directing Adaptations -- 5. Casting and Acting Adaptations -- 6. Adapting Television Drama: A General Conclusion. .
520 |aThis book explores adaptation in its various forms in contemporary television drama. It considers the mechanics of adaptation as an ever-more prevalent form of production, most notably in the reworking of literary sources for television. It also explores the broader process through which the television industry as a whole is currently making necessary adaptations in how it tells stories, especially in relation to important concerns of equality, diversity and inclusion. Offering and analysing 16 original interviews with leading British television producers, writers, directors, production designers, casting directors and actors, and with a particular focus on female and/or minority-ethnic industry perspectives, the book examines some of the key professional and creative approaches behind television adaptations today. The book connects these industry insights to the existing conceptual and critical frameworks of television studies and adaptation studies, illuminating the unique characteristics of television adaptation as a material mode of production, and revealing television itself as an inherently adaptive artform. Dr Christopher Hogg is Senior Lecturer in Television Theory at the University of Westminster, UK. Chris specialises in television drama and television acting, with a particular interest in bringing together industry and academic perspectives. He is the co-author (with Dr Tom Cantrell, the University of York) of the book Acting in British Television (Palgrave Macmillan, 2017), and the co-editor (also with Cantrell) of the collection Exploring Television Acting (2018). .
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aTelevision broadcasting.
650 14|aAdaptation Studies.
650 24|aTelevision Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137501769
776 08|iPrinted edition:|z9781349699278
776 08|iPrinted edition:|z9781349699261
830 0|aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
856 40|uhttps://doi.org/10.1057/978-1-137-50177-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)