A Media Epigraphy of Video Compression [electronic resource] : Reading Traces of Decay / by Marek Jancovic.
Erişim Adresi
ISBN
9783031332159
Dil Kodu
İngilizce
Yer Numarası
EK/4867
Yazar
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XVI, 268 p. 44 illus., 25 illus. in color. online resource.
İçindekiler Notu
Chapter 1: Media Epigraphy -- Chapter 2: Et cetera in infinitum: Harmonic Analysis and the Material History of Digital Video Compression -- Chapter 3: Interlacing: The First Video Compression Method -- Chapter 4: Viewer Discretion is Advised: Flicker in Media, Medicine and Art -- Chapter 5: Close Exposure: Of Seizures, Irritating Children and Strange Visual Pleasures./.
Özet, vb.
"This is the book I've been waiting to read! Jancovic’s exciting method of media epigraphy draws, out of a still image, deep histories of mathematics, technologies, power, embodiment, and energy. […] An ontological struggle lodges in our squinting eyes." —Professor Laura U. Marks, Simon Fraser University "This is a must-read book for anyone looking for a model of how to successfully undertake a detailed, nuanced, and layered materialist study of even the most seemingly immaterial process." —Professor Lori Emerson, University of Colorado Boulder, Founding Director of the Media Archaeology Lab "Jancovic’s erudite tracing of that liminal threshold where visuality is just about to blur and to glitch is a magnificent take on the cultural politics of perception. […] Cultural techniques of folding and trimming link media periods from paper and books to signals and electromagnetic waves." —Professor Jussi Parikka, Aarhus University and Winchester School of Art This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s. Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific andmedical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure. Marek Jancovic is Assistant Professor of Media Studies at the Vrije Universiteit Amsterdam. His research is centered around the materialities of the moving image, media and the environment, film preservation practices, and format studies.
Konu
Mass media and history.
Communication.
Information theory.
Science __ Social aspects.
Motion pictures.
Media and Communication History.
Media and Communication Theory.
Science and Technology Studies.
Audio-Visual Culture.
Communication.
Information theory.
Science __ Social aspects.
Motion pictures.
Media and Communication History.
Media and Communication Theory.
Science and Technology Studies.
Audio-Visual Culture.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2023.
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300 |aXVI, 268 p. 44 illus., 25 illus. in color.|bonline resource.
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505 0 |aChapter 1: Media Epigraphy -- Chapter 2: Et cetera in infinitum: Harmonic Analysis and the Material History of Digital Video Compression -- Chapter 3: Interlacing: The First Video Compression Method -- Chapter 4: Viewer Discretion is Advised: Flicker in Media, Medicine and Art -- Chapter 5: Close Exposure: Of Seizures, Irritating Children and Strange Visual Pleasures./.
520 |a"This is the book I've been waiting to read! Jancovic’s exciting method of media epigraphy draws, out of a still image, deep histories of mathematics, technologies, power, embodiment, and energy. […] An ontological struggle lodges in our squinting eyes." —Professor Laura U. Marks, Simon Fraser University "This is a must-read book for anyone looking for a model of how to successfully undertake a detailed, nuanced, and layered materialist study of even the most seemingly immaterial process." —Professor Lori Emerson, University of Colorado Boulder, Founding Director of the Media Archaeology Lab "Jancovic’s erudite tracing of that liminal threshold where visuality is just about to blur and to glitch is a magnificent take on the cultural politics of perception. […] Cultural techniques of folding and trimming link media periods from paper and books to signals and electromagnetic waves." —Professor Jussi Parikka, Aarhus University and Winchester School of Art This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s. Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific andmedical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure. Marek Jancovic is Assistant Professor of Media Studies at the Vrije Universiteit Amsterdam. His research is centered around the materialities of the moving image, media and the environment, film preservation practices, and format studies.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMass media and history.
650 0|aCommunication.
650 0|aInformation theory.
650 0|aScience|xSocial aspects.
650 0|aMotion pictures.
650 14|aMedia and Communication History.
650 24|aMedia and Communication Theory.
650 24|aScience and Technology Studies.
650 24|aAudio-Visual Culture.
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100 1 |aJancovic, Marek.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 12|aA Media Epigraphy of Video Compression|h[electronic resource] :|bReading Traces of Decay /|cby Marek Jancovic.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXVI, 268 p. 44 illus., 25 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1: Media Epigraphy -- Chapter 2: Et cetera in infinitum: Harmonic Analysis and the Material History of Digital Video Compression -- Chapter 3: Interlacing: The First Video Compression Method -- Chapter 4: Viewer Discretion is Advised: Flicker in Media, Medicine and Art -- Chapter 5: Close Exposure: Of Seizures, Irritating Children and Strange Visual Pleasures./.
520 |a"This is the book I've been waiting to read! Jancovic’s exciting method of media epigraphy draws, out of a still image, deep histories of mathematics, technologies, power, embodiment, and energy. […] An ontological struggle lodges in our squinting eyes." —Professor Laura U. Marks, Simon Fraser University "This is a must-read book for anyone looking for a model of how to successfully undertake a detailed, nuanced, and layered materialist study of even the most seemingly immaterial process." —Professor Lori Emerson, University of Colorado Boulder, Founding Director of the Media Archaeology Lab "Jancovic’s erudite tracing of that liminal threshold where visuality is just about to blur and to glitch is a magnificent take on the cultural politics of perception. […] Cultural techniques of folding and trimming link media periods from paper and books to signals and electromagnetic waves." —Professor Jussi Parikka, Aarhus University and Winchester School of Art This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s. Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific andmedical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure. Marek Jancovic is Assistant Professor of Media Studies at the Vrije Universiteit Amsterdam. His research is centered around the materialities of the moving image, media and the environment, film preservation practices, and format studies.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMass media and history.
650 0|aCommunication.
650 0|aInformation theory.
650 0|aScience|xSocial aspects.
650 0|aMotion pictures.
650 14|aMedia and Communication History.
650 24|aMedia and Communication Theory.
650 24|aScience and Technology Studies.
650 24|aAudio-Visual Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031332142
776 08|iPrinted edition:|z9783031332166
776 08|iPrinted edition:|z9783031332173
856 40|uhttps://doi.org/10.1007/978-3-031-33215-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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