Script Development [electronic resource] : Critical Approaches, Creative Practices, International Perspectives / edited by Craig Batty, Stayci Taylor.
Erişim Adresi
ISBN
9783030487133
Dil Kodu
İngilizce
Yer Numarası
EK/4925
Basım Bildirimi
1st ed. 2021.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Fiziksel Niteleme
XXII, 296 p. 25 illus., 15 illus. in color. online resource.
İçindekiler Notu
Part 1: Looking into Script Development: Theories on Practice -- 1. Originality, and Development of the Screen Idea, Ian W. Macdonald -- 2. How Government Policy Defines Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute, Radha O’Meara and Cath Moore -- 3. Screenplay Development and the Post-Socialist Producer: A Small-Market Perspective, Petr Szczepanik -- 4. The Persistence of Cultural Vision: Australian Screenwriting 1994-2013, Glenda Hambly -- 5. Beyond Stereotype: Collaborative Script Development for Stories about Mental Illness and Suicide, Fincina Hopgood -- 6. Network Television Writers and the ‘Race Problems’ of 1968, Caryn Murphy -- 7. Telling Stories about Yesterday’s Hero for Today’s World: The Script Development of Chilean TV series Heroes (2006-2007), Carmen Sofia Brenes, Margaret McVeigh and Alejandro C. Reid -- 8. Author and Screenwriter Working Together on an Adapted Script: The Case of O quatrilho, Clarissa Mazon Miranda -- 9. Establishing a Shared Cultural Domain within European Co-Production: Nordic Noir as Boundary Object, Rosamund Davies -- Part 2: Looking out from Script Development: Practice into Theory -- 10. Holding Ground and Moving Targets: Scripting Urban Terror in East Africa, Joshua McNamara -- 11. Screenplay Development and Social Change in Papua New Guinea, Mark Eby -- 12. Uncertainty, Risk and Entering Unsafe Territory: Exploring the Writing Process of a New Zealand Indigenous Screenwriter, Christina Milligan -- 13. So Much Drama, So Little Time: Script Development in Australian Fast Turnaround Serial Drama, Philippa Burne and Noel Maloney -- 14. Finding the Beats in the TV Sitcom, D.T. Klika15. The Promiscuous Screenplay: Writing with Anything and Everything, Siobhan Jackson -- 16. Subjects of the Gaze: Script Development as Performance, Emma Bolland and Louise Sawtell.
Özet, vb.
This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrainof script development, providing rich foundations for both study and practice.
Konu
Motion picture authorship.
Motion pictures __ Production and direction.
Screenwriting.
Film and Television Production.
Motion pictures __ Production and direction.
Screenwriting.
Film and Television Production.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
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505 0 |aPart 1: Looking into Script Development: Theories on Practice -- 1. Originality, and Development of the Screen Idea, Ian W. Macdonald -- 2. How Government Policy Defines Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute, Radha O’Meara and Cath Moore -- 3. Screenplay Development and the Post-Socialist Producer: A Small-Market Perspective, Petr Szczepanik -- 4. The Persistence of Cultural Vision: Australian Screenwriting 1994-2013, Glenda Hambly -- 5. Beyond Stereotype: Collaborative Script Development for Stories about Mental Illness and Suicide, Fincina Hopgood -- 6. Network Television Writers and the ‘Race Problems’ of 1968, Caryn Murphy -- 7. Telling Stories about Yesterday’s Hero for Today’s World: The Script Development of Chilean TV series Heroes (2006-2007), Carmen Sofia Brenes, Margaret McVeigh and Alejandro C. Reid -- 8. Author and Screenwriter Working Together on an Adapted Script: The Case of O quatrilho, Clarissa Mazon Miranda -- 9. Establishing a Shared Cultural Domain within European Co-Production: Nordic Noir as Boundary Object, Rosamund Davies -- Part 2: Looking out from Script Development: Practice into Theory -- 10. Holding Ground and Moving Targets: Scripting Urban Terror in East Africa, Joshua McNamara -- 11. Screenplay Development and Social Change in Papua New Guinea, Mark Eby -- 12. Uncertainty, Risk and Entering Unsafe Territory: Exploring the Writing Process of a New Zealand Indigenous Screenwriter, Christina Milligan -- 13. So Much Drama, So Little Time: Script Development in Australian Fast Turnaround Serial Drama, Philippa Burne and Noel Maloney -- 14. Finding the Beats in the TV Sitcom, D.T. Klika15. The Promiscuous Screenplay: Writing with Anything and Everything, Siobhan Jackson -- 16. Subjects of the Gaze: Script Development as Performance, Emma Bolland and Louise Sawtell.
520 |aThis book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrainof script development, providing rich foundations for both study and practice.
650 0|aMotion picture authorship.
650 0|aMotion pictures|xProduction and direction.
650 14|aScreenwriting.
650 24|aFilm and Television Production.
700 1 |aBatty, Craig.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aTaylor, Stayci.|eeditor.|0(orcid)0000-0002-4426-6092|1https://orcid.org/0000-0002-4426-6092|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030487126
776 08|iPrinted edition:|z9783030487140
776 08|iPrinted edition:|z9783030487157
856 40|uhttps://doi.org/10.1007/978-3-030-48713-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 841627
003 TR_AnAIT
005 20260715025550
007 cr nn 008mamaa
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020 |a9783030487133|9978-3-030-48713-3
024 7 |a10.1007/978-3-030-48713-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1996
072 7|aAPFD|2bicssc
072 7|aCBVS|2bicssc
072 7|aPER004050|2bisacsh
072 7|aATFD|2thema
072 7|aCBVS|2thema
082 04|a808.23|223
090 |aEK/4925
245 10|aScript Development|h[electronic resource] :|bCritical Approaches, Creative Practices, International Perspectives /|cedited by Craig Batty, Stayci Taylor.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXXII, 296 p. 25 illus., 15 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aPart 1: Looking into Script Development: Theories on Practice -- 1. Originality, and Development of the Screen Idea, Ian W. Macdonald -- 2. How Government Policy Defines Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute, Radha O’Meara and Cath Moore -- 3. Screenplay Development and the Post-Socialist Producer: A Small-Market Perspective, Petr Szczepanik -- 4. The Persistence of Cultural Vision: Australian Screenwriting 1994-2013, Glenda Hambly -- 5. Beyond Stereotype: Collaborative Script Development for Stories about Mental Illness and Suicide, Fincina Hopgood -- 6. Network Television Writers and the ‘Race Problems’ of 1968, Caryn Murphy -- 7. Telling Stories about Yesterday’s Hero for Today’s World: The Script Development of Chilean TV series Heroes (2006-2007), Carmen Sofia Brenes, Margaret McVeigh and Alejandro C. Reid -- 8. Author and Screenwriter Working Together on an Adapted Script: The Case of O quatrilho, Clarissa Mazon Miranda -- 9. Establishing a Shared Cultural Domain within European Co-Production: Nordic Noir as Boundary Object, Rosamund Davies -- Part 2: Looking out from Script Development: Practice into Theory -- 10. Holding Ground and Moving Targets: Scripting Urban Terror in East Africa, Joshua McNamara -- 11. Screenplay Development and Social Change in Papua New Guinea, Mark Eby -- 12. Uncertainty, Risk and Entering Unsafe Territory: Exploring the Writing Process of a New Zealand Indigenous Screenwriter, Christina Milligan -- 13. So Much Drama, So Little Time: Script Development in Australian Fast Turnaround Serial Drama, Philippa Burne and Noel Maloney -- 14. Finding the Beats in the TV Sitcom, D.T. Klika15. The Promiscuous Screenplay: Writing with Anything and Everything, Siobhan Jackson -- 16. Subjects of the Gaze: Script Development as Performance, Emma Bolland and Louise Sawtell.
520 |aThis book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrainof script development, providing rich foundations for both study and practice.
650 0|aMotion picture authorship.
650 0|aMotion pictures|xProduction and direction.
650 14|aScreenwriting.
650 24|aFilm and Television Production.
700 1 |aBatty, Craig.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aTaylor, Stayci.|eeditor.|0(orcid)0000-0002-4426-6092|1https://orcid.org/0000-0002-4426-6092|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030487126
776 08|iPrinted edition:|z9783030487140
776 08|iPrinted edition:|z9783030487157
856 40|uhttps://doi.org/10.1007/978-3-030-48713-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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