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008 171103s2017 sz | s |||| 0|eng d
020 |a9783319627588|9978-3-319-62758-8
024 7 |a10.1007/978-3-319-62758-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/5157
245 10|aDVD, Blu-ray and Beyond|h[electronic resource] :|bNavigating Formats and Platforms within Media Consumption /|cedited by Jonathan Wroot, Andy Willis.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXIII, 244 p. 14 illus., 11 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction – Jonathan Wroot and Andy Willis -- 2. I. The Continuing Significance of Discs in Film Consumption - Jason Scott, ‘Disneyizing Home Entertainment Distribution’ -- 3. Andrew James Myers, ‘“Now I am the Master:” Home Video, Canon, and Authorship among George, Lucasfilm, Fox, and Fans’ -- 4. Christopher Holliday, ‘Combining Nemo: Pixar Home Media and the DVD of Narrative Integration’ -- 5. Jonathan Wroot, ‘Letting the Fans Be Involved: Third Window’s Cultivation of an Audience for Disc Releases’ -- 6. Ruari Elkington, ‘The Education Market for Screen Media: DVD in a time of Digital Abundance’ -- 7. II. Contexts: Patterns of Distribution, Exhibition and Consumption - Roderik Smits, ‘Film Distribution: A Changing Business’ -- 8. Shane O’Sullivan, ‘The Rise of the Feature Documentary – Fact or Fiction? -- 9. Matthew Freeman, ‘Up All Night: The Shifting Roles of Home Media Formats as Transmedia Storytelling’ -- 10. Samuel Ward, ‘Between Box Sets and the Set-top Box: The Promotion of On Demand Television in Britain’ -- 11. Oliver Carter, ‘A Labour of Love: Fantrepeneurship in Home Video Media Distribution’ -- 12. Ksenia Frolova, ‘”To Own or Not to Own?..”: Video on Demand, DVD and Family Everyday Viewing and Consumption Practices’.
520 |aThis book demonstrates, in contrast to statistics that show declining consumption of physical formats, that there has not been a mass shift towards purely digital media. Physical releases such as special editions, DVD box-sets and Blu-Rays are frequently promoted and sought out by consumers. And that past formats such as VHS, Laserdisc and HD-DVD make for sought-after collectible items. These trends are also found within particular genres and niche categories, such as documentary, education and independent film distribution. Through its case studies, this collection makes a distinctive and significant intervention in highlighting the ways in which the film industry has responded to rapidly changing markets. This volume, global in scope, will prove useful to those studying the distribution and exhibition of films, and the economics of the film industry around the world.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aTechnology|xSociological aspects.
650 0|aCommunication.
650 0|aDigital media.
650 14|aFilm and Television Studies.
650 24|aScience, Technology and Society.
650 24|aMedia and Communication.
650 24|aDigital and New Media.
700 1 |aWroot, Jonathan.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWillis, Andy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319627571
776 08|iPrinted edition:|z9783319627595
776 08|iPrinted edition:|z9783319873862
856 40|uhttps://doi.org/10.1007/978-3-319-62758-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)