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020 |a9783030735111|9978-3-030-73511-1
024 7 |a10.1007/978-3-030-73511-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP87-96
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072 7|aSOC052000|2bisacsh
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245 10|aMediated Terrorism in the 21st Century|h[electronic resource] /|cedited by Elena Caoduro, Karen Randell, Karen A. Ritzenhoff.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXXI, 289 p. 24 illus., 17 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aPreface - Sean Redmond -- 1. Introduction - Elena Caoduro, Karen Randell, and Karen A. Ritzenhoff -- 2. Paradise Now (2005) - Robert Burgoyne -- 3. Munich: Spielberg and Terrorism - Frederick Wasser -- 4. Spinning Terror on TV: How The Grid Taught Us What To Fear - Dahlia Schweitzer -- 5. “God, I Miss the Cold War”: The Imagination of Terrorism on Post 9/11 American Television - Ariel Avissar -- 6. Battling it out with Memes: Contesting Islamic Radicalism on Indonesian Social Media - Leonie Schmidt -- 7. 1984: Gauri Gill’s Photo Narrativization of the (Continuing) “Horrors of Those Weeks” - Harveen Sachdeva Mann -- 8. The Pencil is Mightier than the Kalashnikov: What Cartoons can tell us about our Misunderstanding of Terrorist Acts in the Wake of the Charlie Hebdo Massacre - Matt Leggatt -- 9. Return to Entebbe: CineTerrorism as Contested Memory - Tobias Ebbrecht-Hartmann -- 10. In the Fade (Fatih Akin, 2017): Motherhood,Grief, and Neo-Nazi Terrorism - Elena Caoduro -- 11. Tales of Revenge and Chaos: Exploring Terrorism’s Discursive Use in The Dark Knight (2008) and Skyfall (2012) - Charles-Antoine Courcoux -- 12. Terrorism and Gender in Eye in the Sky and Zero Dark Thirty: Women and Girls on the War Front in Contemporary Cinema - Karen A. Ritzenhoff -- 13. Afterword - Stacey Takacs. .
520 |aMediated Terrorism in the 21st Century offers new interpretations of figures emerging from representations of terrorism and counterterrorism: the male hero, female agent, religious leader, victim/perpetrator, and survivor. This collection of essays by a broad array of international scholars reflects the altered image-making processes that have developed from George W. Bush’s “war on terror.” Building on current literature on media and terrorism, this volume analyzes the most recent technological developments that have impacted the way we experience terrorism: online videos, social media, cartoons, media feeds, and drones. The authors address different time periods, different terrorist groups, and explore the way filmmakers and television producers from the USA, Europe, South Africa, and the Middle East are documenting modern wars in popular culture.
650 0|aCommunication.
650 0|aTerrorism.
650 0|aPolitical violence.
650 0|aCulture.
650 14|aMedia and Communication.
650 24|aTerrorism and Political Violence.
650 24|aGlobal and International Culture.
700 1 |aCaoduro, Elena.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRandell, Karen.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRitzenhoff, Karen A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030735104
776 08|iPrinted edition:|z9783030735128
776 08|iPrinted edition:|z9783030735135
856 40|uhttps://doi.org/10.1007/978-3-030-73511-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)