Visual Culture Wars at the Borders of Contemporary China [electronic resource] : Art, Design, Film, New Media and the Prospects of “Post-West” Contemporaneity / edited by Paul Gladston, Beccy Kennedy-Schtyk, Ming Turner.
Erişim Adresi
ISBN
9789811652936
Dil Kodu
İngilizce
Yer Numarası
EK/5131
Basım Bildirimi
1st ed. 2021.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Palgrave Macmillan, 2021.
Fiziksel Niteleme
XXIII, 253 p. 41 illus., 39 illus. in color. online resource.
Dizi
Contemporary East Asian Visual Cultures, Societies and Politics, 2662-771X
İçindekiler Notu
Introduction -- Hong Kong and the South China Sea -- Some Tangible, Some Forgotten: art about borders in the Hong Kong SAR -- Reclaiming the Autonomy of Living in Truth: protest-making and design in Hong Kong's Occupy Central/Umbrella Movement -- Imagined Mappings of Geopolitical Power: liquid borders, military infrastructures and ecological destruction in the South China Sea -- Art and Technology -- Rendering Frontiers: from China’s historical dynastic-imperial to modern republican borders and the changing significances of Chinese art -- Confucianism and Technology: critical reflections on the borders between Chinese and Euro-American modernity -- Remediating China’s Virtual Borders: the ambient myth of Moha (toad worship) -- Gender and Sexuality -- Taming China’s Southern Frontiers through Song and Dance: chauvinisms (Han and male) in The Red Detachment of Women -- Biopolitical Borders, FemaleBodies and Knowledge about ‘Women’ in the Work of the Beijing-based Artists Ma Qiusha and Hu Xiaoyuan -- Technological Art and the Borders of Sexuality and Gender in Taiwan: a case study of Pey-Chwen Lin.
Özet, vb.
This edited collection brings together essays that share in a critical attention to visual culture as a means of representing, contributing to and/or intervening with discursive struggles and territorial conflicts currently taking place at and across the outward-facing and internal borders of the People’s Republic of China. Elucidated by the essays collected here for the first time is a constellation of what might be described as visual culture wars comprising resistances on numerous fronts not only to the growing power and expansiveness of the Chinese state but also the residues of a once pervasively suppressive Western colonialism/imperialism. The present volume addresses visual culture related to struggles and conflicts at the borders of Hong Kong, the South China Sea and Taiwan as well within the PRC with regard the so-called “Great Firewall of China” and differences in discursive outlook between China and the West on the significances of art, technology, gender and sexuality. In doing so, it provides a vital index of twenty-first century China’s diversely conflicted status as a contemporary nation-state and arguably nascent empire.
Konu
Culture __ Study and teaching.
Mass media and culture.
Ethnology.
Culture.
Globalization.
Art, Modern __ 21st century.
Visual Culture.
Media Culture.
Regional Cultural Studies.
Globalization.
Contemporary Art.
Mass media and culture.
Ethnology.
Culture.
Globalization.
Art, Modern __ 21st century.
Visual Culture.
Media Culture.
Regional Cultural Studies.
Globalization.
Contemporary Art.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis edited collection brings together essays that share in a critical attention to visual culture as a means of representing, contributing to and/or intervening with discursive struggles and territorial conflicts currently taking place at and across the outward-facing and internal borders of the People’s Republic of China. Elucidated by the essays collected here for the first time is a constellation of what might be described as visual culture wars comprising resistances on numerous fronts not only to the growing power and expansiveness of the Chinese state but also the residues of a once pervasively suppressive Western colonialism/imperialism. The present volume addresses visual culture related to struggles and conflicts at the borders of Hong Kong, the South China Sea and Taiwan as well within the PRC with regard the so-called “Great Firewall of China” and differences in discursive outlook between China and the West on the significances of art, technology, gender and sexuality. In doing so, it provides a vital index of twenty-first century China’s diversely conflicted status as a contemporary nation-state and arguably nascent empire.
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041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM623
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072 7|aSOC002010|2bisacsh
072 7|aJBCC|2thema
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245 10|aVisual Culture Wars at the Borders of Contemporary China|h[electronic resource] :|bArt, Design, Film, New Media and the Prospects of “Post-West” Contemporaneity /|cedited by Paul Gladston, Beccy Kennedy-Schtyk, Ming Turner.
250 |a1st ed. 2021.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Palgrave Macmillan,|c2021.
300 |aXXIII, 253 p. 41 illus., 39 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContemporary East Asian Visual Cultures, Societies and Politics,|x2662-771X
505 0 |aIntroduction -- Hong Kong and the South China Sea -- Some Tangible, Some Forgotten: art about borders in the Hong Kong SAR -- Reclaiming the Autonomy of Living in Truth: protest-making and design in Hong Kong's Occupy Central/Umbrella Movement -- Imagined Mappings of Geopolitical Power: liquid borders, military infrastructures and ecological destruction in the South China Sea -- Art and Technology -- Rendering Frontiers: from China’s historical dynastic-imperial to modern republican borders and the changing significances of Chinese art -- Confucianism and Technology: critical reflections on the borders between Chinese and Euro-American modernity -- Remediating China’s Virtual Borders: the ambient myth of Moha (toad worship) -- Gender and Sexuality -- Taming China’s Southern Frontiers through Song and Dance: chauvinisms (Han and male) in The Red Detachment of Women -- Biopolitical Borders, FemaleBodies and Knowledge about ‘Women’ in the Work of the Beijing-based Artists Ma Qiusha and Hu Xiaoyuan -- Technological Art and the Borders of Sexuality and Gender in Taiwan: a case study of Pey-Chwen Lin.
520 |aThis edited collection brings together essays that share in a critical attention to visual culture as a means of representing, contributing to and/or intervening with discursive struggles and territorial conflicts currently taking place at and across the outward-facing and internal borders of the People’s Republic of China. Elucidated by the essays collected here for the first time is a constellation of what might be described as visual culture wars comprising resistances on numerous fronts not only to the growing power and expansiveness of the Chinese state but also the residues of a once pervasively suppressive Western colonialism/imperialism. The present volume addresses visual culture related to struggles and conflicts at the borders of Hong Kong, the South China Sea and Taiwan as well within the PRC with regard the so-called “Great Firewall of China” and differences in discursive outlook between China and the West on the significances of art, technology, gender and sexuality. In doing so, it provides a vital index of twenty-first century China’s diversely conflicted status as a contemporary nation-state and arguably nascent empire.
650 0|aCulture|xStudy and teaching.
650 0|aMass media and culture.
650 0|aEthnology.
650 0|aCulture.
650 0|aGlobalization.
650 0|aArt, Modern|x21st century.
650 14|aVisual Culture.
650 24|aMedia Culture.
650 24|aRegional Cultural Studies.
650 24|aGlobalization.
650 24|aContemporary Art.
700 1 |aGladston, Paul.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKennedy-Schtyk, Beccy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aTurner, Ming.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811652929
776 08|iPrinted edition:|z9789811652943
776 08|iPrinted edition:|z9789811652950
830 0|aContemporary East Asian Visual Cultures, Societies and Politics,|x2662-771X
856 40|uhttps://doi.org/10.1007/978-981-16-5293-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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