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020 |a9781137552723|9978-1-137-55272-3
024 7 |a10.1057/978-1-137-55272-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aGV1580-1799.4
072 7|aASD|2bicssc
072 7|aPER003000|2bisacsh
072 7|aATQ|2thema
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090 |aEK/4999
100 1 |aSiegmund, Gerald.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aJérôme Bel|h[electronic resource] :|bDance, Theatre, and the Subject /|cby Gerald Siegmund.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXII, 286 p. 18 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aNew World Choreographies,|x2730-9274
505 0 |a1. “I Write for the Black Box of the Stage”: Jérôme Bel and Theatre -- 2. Modern Subjects -- 3. Subjects of Discourse -- 4. Subjects of Knowledge -- 5. Critical Subjects -- 6. Subjects at Risk -- 7. Gala (2015): Dance in its Post-Medium Condition -- Index.
520 |aThis study is the first monograph on the work of French choreographer Jérôme Bel, following his artistic trajectory from the beginning of his career as a choreographer in 1994 to his most recent piece in 2016. It contains an overview and in-depth analysis of all of his choreographies, from Nom donné par l’auteur to Disabled Theatre, and provides a theoretical reflection on their theatrical nature. Bel has developed a singular discourse on dance that has often been labelled 'conceptual'.  By reducing the stage elements in his performances to a minimum, his work explores the implications of dance as an art form that has, since the heyday of modernism, based its guiding principles on the laws of nature. Bel addresses the question of power relations in dance by working through the questions of authorship and various forms of subjectivity dance produces. Offering a unique opportunity to ground seemingly abstract academic theories in a specific embodied artistic practice, this study explores the intersection between artistic practice and theory.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aDance.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aDance.
650 24|aTheatre and Performance Arts.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137552716
776 08|iPrinted edition:|z9781349716111
776 08|iPrinted edition:|z9781349716104
830 0|aNew World Choreographies,|x2730-9274
856 40|uhttps://doi.org/10.1057/978-1-137-55272-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)