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008 171109s2017 sz | s |||| 0|eng d
020 |a9783319628066|9978-3-319-62806-6
024 7 |a10.1007/978-3-319-62806-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/5160
100 1 |aBondebjerg, Ib.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aTransnational European Television Drama|h[electronic resource] :|bProduction, Genres and Audiences /|cby Ib Bondebjerg, Eva Novrup Redvall, Rasmus Helles, Signe Sophus Lai, Henrik Søndergaard, Cecilie Astrupgaard.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVI, 318 p. 46 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave European Film and Media Studies,|x2634-6168
505 0 |a1. Introduction: Transnational European TV Studies -- 2. A Theory of Mediated Cultural Encounters -- 3. The Perfect Storm: European Television Policy and the Emergence of Streaming Services -- 4. Networks and Patterns of European TV-drama Co-production -- 5. Creative Work in a Transnational Context: Creative Encounters Behind the Scenes -- 6. National Patterns of TV-drama Consumption in Europe -- 7. Meeting the Others on TV: How Europeans View European TV-drama -- 8. Facing Everyday Life and the Societies We Live In: Contemporary Drama -- 9. The Darker Sides of Society: Crime Drama -- 10. History, Heritage and Memory: Historical Drama -- 11. Conclusion: European Television - Diversity with very little unity?.
520 |aThis book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters coming from new global streaming services. Comparing cases of historical, contemporary and crime drama from several countries, this study shows the importance of creative co-production and transnational mediated cultural encounters between national cultures of Europe.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 14|aFilm and Television Studies.
650 24|aEuropean Culture.
650 24|aGlobal and International Culture.
700 1 |aRedvall, Eva Novrup.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aHelles, Rasmus.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aLai, Signe Sophus.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aSøndergaard, Henrik.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aAstrupgaard, Cecilie.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319628059
776 08|iPrinted edition:|z9783319628073
776 08|iPrinted edition:|z9783319874029
830 0|aPalgrave European Film and Media Studies,|x2634-6168
856 40|uhttps://doi.org/10.1007/978-3-319-62806-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)