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008 171125s2017 xxk| s |||| 0|eng d
020 |a9781137596161|9978-1-137-59616-1
024 7 |a10.1057/978-1-137-59616-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995
072 7|aAPFA|2bicssc
072 7|aPER004000|2bisacsh
072 7|aATFA|2thema
082 04|a791.4301|223
090 |aEK/4986
100 1 |aMichelle, Carolyn.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aFans, Blockbusterisation, and the Transformation of Cinematic Desire|h[electronic resource] :|bGlobal Receptions of The Hobbit Film Trilogy /|cby Carolyn Michelle, Charles H. Davis, Ann L. Hardy, Craig Hight.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVI, 344 p. 7 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Returning to Middle-earth, in Blockbusterised Form -- 2. Researching Audience Engagements with the Hobbit Trilogy: A Unique Methodological Approach -- 3. Adaptation, Anticipation, and Cinematic Desire: Prefigurative Engagements with a Blockbuster Fantasy Franchise -- 4. Unexpected Controversies Cast a Shadow over Middle-earth -- 5. The Saga Begins: Mapping Audience Reactions to An Unexpected Journey -- 6. The Rise of the Hobbit Critic: From The Desolation of Smaug To The Battle of the Five Armies -- 7. Pioneering Cinematic Technologies and the Hobbit’s Hyperreality Paradox -- 8. On the Transformation of Meaning and Cinematic Desire -- 9. Making Sense of Difference: How Social Location and Identity Shaped Engagements with the Hobbit Trilogy -- 10. Conclusion and Methodological Reflections on a Unique Project.
520 |aThis book explores the evolution of audience receptions of Peter Jackson’s Hobbit trilogy (2012-14) as an exemplar of the contemporary blockbuster event film franchise. Drawing on findings from a unique cross-cultural and longitudinal study, the authors argue that processes and imperatives associated with Hollywood ‘blockbusterisation’ shaped the trilogy’s conditions of production, format, content, and visual aesthetic in ways that left many viewers progressively disenchanted. The chapters address public and private prefigurations of the Hobbit trilogy, modes of reception, new cinematic technologies and the Hobbit hyperreality paradox, gender representations, adaptation and the transformation of cinematic desire, and the role of social and cultural location in shaping audience engagement and response. This book will appeal to audience researchers, Q methodologists, scholars and students in film and media studies, Tolkien scholars, and Hobbit fans and critics alike.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMotion pictures.
650 0|aCulture|xStudy and teaching.
650 14|aFilm Theory.
650 24|aCultural Theory.
650 24|aGlobal Film and TV.
700 1 |aDavis, Charles H.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aHardy, Ann L.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aHight, Craig.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137596154
776 08|iPrinted edition:|z9781349938926
776 08|iPrinted edition:|z9781349938933
856 40|uhttps://doi.org/10.1057/978-1-137-59616-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)