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008 171219s2018 sz | s |||| 0|eng d
020 |a9783319628370|9978-3-319-62837-0
024 7 |a10.1007/978-3-319-62837-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aTR845-899.5
072 7|aAPFX|2bicssc
072 7|aPER004010|2bisacsh
072 7|aATFX|2thema
082 04|a791.4|223
090 |aEK/5071
245 10|aScreen Production Research|h[electronic resource] :|bCreative Practice as a Mode of Enquiry /|cedited by Craig Batty, Susan Kerrigan.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXXVI, 253 p. 17 illus., 13 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. A ‘Logical’ Explanation of Screen Production as Method-Led Research - Susan Kerrigan -- 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley -- 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell -- 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker -- 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre -- 7. Ethnography and Screen Production Research - Marsha Berry -- 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen -- 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh -- 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma -- 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham -- 12. Peter Kennedy’s The Photographs’ Story: the Dialectical Image as Research - John Hughes -- 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic -- 14. Afterword: Tacit Knowledge and Affect – Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. .
520 |aAimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects.
650 0|aMotion pictures|xProduction and direction.
650 0|aSociology|xMethodology.
650 0|aDigital media.
650 0|aMotion picture authorship.
650 0|aDocumentary films.
650 14|aFilm and Television Production.
650 24|aSociological Methods.
650 24|aDigital and New Media.
650 24|aScreenwriting.
650 24|aDocumentary Studies.
700 1 |aBatty, Craig.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKerrigan, Susan.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319628363
776 08|iPrinted edition:|z9783319628387
856 40|uhttps://doi.org/10.1007/978-3-319-62837-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)