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008 180519s2018 sz | s |||| 0|eng d
020 |a9783319769172|9978-3-319-76917-2
024 7 |a10.1007/978-3-319-76917-2|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHQ12-449
072 7|aJFSJ|2bicssc
072 7|aSOC032000|2bisacsh
072 7|aJBSF|2thema
082 04|a305.3|223
090 |aEK/5163
100 1 |aEdmundson, Melissa.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aWomen’s Colonial Gothic Writing, 1850-1930|h[electronic resource] :|bHaunted Empire /|cby Melissa Edmundson.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aX, 258 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Gothic,|x2634-6222
505 0 |a1. Introduction: Reclaiming Women’s Colonial Gothic Writing -- 2. Susanna Moodie, Colonial Exiles, and the Frontier Canadian Gothic -- 3. Gothic Romance and Retribution in the Short Fiction of Isabella Valancy Crawford -- 4. Generations of the Female Vampire: Colonial Gothic Hybridity in Florence Marryat’s The Blood of the Vampire -- 5. Mary Kingsley and the Ghosts of West Africa -- 6. The African Stories of Margery Lawrence -- 7. Colonial Gothic Framework: Haunted Houses in the Anglo-Indian Ghost Stories of Bithia Mary Croker -- 8. Animal Gothic in Alice Perrin’s East of Suez -- 9. The Past Will Not Stay Buried: Female Bodies and Colonial Crime in the Australian Ghost Stories of Mary Fortune -- 10. Fear and Loathing in the Outback: Barbara Baynton’s Bush Studies -- 11. Katherine Mansfield and the Troubled Homes of Colonial New Zealand -- 12. Conclusion: "cicatrice of an old wound".
520 |aThis book explores women writers’ involvement with the Gothic. The author sheds new light on women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book investigates how women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies. .
650 0|aSex.
650 0|aImperialism.
650 0|aLiterature, Modern|x18th century.
650 0|aLiterature, Modern|x19th century.
650 14|aGender Studies.
650 24|aImperialism and Colonialism.
650 24|aEighteenth-Century Literature.
650 24|aNineteenth-Century Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319769165
776 08|iPrinted edition:|z9783319769189
776 08|iPrinted edition:|z9783030083243
830 0|aPalgrave Gothic,|x2634-6222
856 40|uhttps://doi.org/10.1007/978-3-319-76917-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)