Intermedial Performance and Politics in the Public Sphere [electronic resource] / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt.
Erişim Adresi
ISBN
9783319753430
Dil Kodu
İngilizce
Yer Numarası
EK/5196
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XVIII, 267 p. 22 illus. online resource.
Dizi
Avant-Gardes in Performance, 2946-3106
İçindekiler Notu
1. Introduction: In and Out: Intermedial Practice in the New Public Sphere; Katia Arfara, Aneta Mancewicz, Ralf Remshardt -- 2. Intermedial Theatre in a Mediatized Culture and Society; Chiel Kattenbelt -- 3. Intermedial Performance as a Public Sphere; Aneta Mancewicz -- 4. ‘Mirrors of Public Space.’ An Interview with Dries Verhoeven; Liesbeth Groot Nibbelink -- 5. Democracy with a Toothbrush: Protest, Performance, and the Public Sphere; Christopher Balme -- 6. Refugee Theatre in the (Inter)medial Matrix: Die Schutzbefohlenen and the Limits of Theatre as Public Sphere; Ralf Remshardt -- 7. ‘Heterotopian Transformations.’ An Interview with Akira Takayama; Natsuko Odate -- 8. Troubled Feedback Loop: The Rise and Fall of Estonia by Theatre NO99; Riina Oruaas -- 9. Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski’s Prolog. Anna R. Burzyńska -- 10. ‘The Intimacy of Public Space.’ An Interview with Kris Verdonck; Kristof van Baarle -- 11. Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battle of Perception in the Public Sphere; Olga Danylyuk -- 12. The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution; Katia Arfara -- 13. ‘Almost Like a Teaching Play.’ An Interview with Daniel Wetzel/Rimini Protokoll; Florian Malzacher -- 14. Re-materialising the Theatrical Public Sphere through Intermediality in Grass Stage’s World Factory; Zheyu Wei -- 15. Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers; Mi You -- 16. ‘Reality is the Best Scenario.’ An Interview with BERLIN; Kurt Vanhoutte and Charlotte de Somviele.
Özet, vb.
This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA,covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.
Konu
Theater __ History.
Performing arts.
Theater.
Contemporary Theatre and Performance.
Theatre and Performance Arts.
Global and International Theatre and Performance.
Performing arts.
Theater.
Contemporary Theatre and Performance.
Theatre and Performance Arts.
Global and International Theatre and Performance.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA,covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.
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650 0|aPerforming arts.
650 0|aTheater.
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650 24|aTheatre and Performance Arts.
650 24|aGlobal and International Theatre and Performance.
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700 1 |aMancewicz, Aneta.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRemshardt, Ralf.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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001 841845
003 TR_AnAIT
005 20260715025043
007 cr nn 008mamaa
008 180605s2018 sz | s |||| 0|eng d
020 |a9783319753430|9978-3-319-75343-0
024 7 |a10.1007/978-3-319-75343-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2181-2193
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/5196
245 10|aIntermedial Performance and Politics in the Public Sphere|h[electronic resource] /|cedited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXVIII, 267 p. 22 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aAvant-Gardes in Performance,|x2946-3106
505 0 |a1. Introduction: In and Out: Intermedial Practice in the New Public Sphere; Katia Arfara, Aneta Mancewicz, Ralf Remshardt -- 2. Intermedial Theatre in a Mediatized Culture and Society; Chiel Kattenbelt -- 3. Intermedial Performance as a Public Sphere; Aneta Mancewicz -- 4. ‘Mirrors of Public Space.’ An Interview with Dries Verhoeven; Liesbeth Groot Nibbelink -- 5. Democracy with a Toothbrush: Protest, Performance, and the Public Sphere; Christopher Balme -- 6. Refugee Theatre in the (Inter)medial Matrix: Die Schutzbefohlenen and the Limits of Theatre as Public Sphere; Ralf Remshardt -- 7. ‘Heterotopian Transformations.’ An Interview with Akira Takayama; Natsuko Odate -- 8. Troubled Feedback Loop: The Rise and Fall of Estonia by Theatre NO99; Riina Oruaas -- 9. Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski’s Prolog. Anna R. Burzyńska -- 10. ‘The Intimacy of Public Space.’ An Interview with Kris Verdonck; Kristof van Baarle -- 11. Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battle of Perception in the Public Sphere; Olga Danylyuk -- 12. The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution; Katia Arfara -- 13. ‘Almost Like a Teaching Play.’ An Interview with Daniel Wetzel/Rimini Protokoll; Florian Malzacher -- 14. Re-materialising the Theatrical Public Sphere through Intermediality in Grass Stage’s World Factory; Zheyu Wei -- 15. Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers; Mi You -- 16. ‘Reality is the Best Scenario.’ An Interview with BERLIN; Kurt Vanhoutte and Charlotte de Somviele.
520 |aThis volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA,covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.
650 0|aTheater|xHistory.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aContemporary Theatre and Performance.
650 24|aTheatre and Performance Arts.
650 24|aGlobal and International Theatre and Performance.
700 1 |aArfara, Katia.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMancewicz, Aneta.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRemshardt, Ralf.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319753423
776 08|iPrinted edition:|z9783319753447
776 08|iPrinted edition:|z9783030092061
830 0|aAvant-Gardes in Performance,|x2946-3106
856 40|uhttps://doi.org/10.1007/978-3-319-75343-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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