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008 180625s2018 sz | s |||| 0|eng d
020 |a9783319930978|9978-3-319-93097-8
024 7 |a10.1007/978-3-319-93097-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aTR1-1050
072 7|aAJ|2bicssc
072 7|aPHO000000|2bisacsh
072 7|aAJ|2thema
082 04|a770|223
090 |aEK/5100
100 1 |aFardy, Jonathan.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aLaruelle and Non-Photography|h[electronic resource] /|cby Jonathan Fardy.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Pivot,|c2018.
300 |aXI, 73 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. Cloning Concepts -- 3. Non-Photography -- Explication to Performance -- 5. Conclusion.
520 |aThis book provides a critical introduction to François Laruelle’s writings on photography, with a particular focus on his two most important books on photography: The Concept of Non-Photography and Photo-Fiction, a Non-Standard Aesthetics. By unpacking and contextualising these works, this study provides a useful starting point for students and scholars who want to better understand Laruelle’s larger project, which he calls “non-philosophy”, or more recently, “non-standard philosophy”. With clear and concise explanations of the basics of non-philosophy, Laruelle and Non-Photography demonstrates how Laruelle's thought challenges standard, philosophical approaches to photography, and culminates in a novel theory of "non-photography.".
650 0|aPhotography.
650 0|aAesthetics.
650 14|aPhotography.
650 24|aAesthetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319930961
776 08|iPrinted edition:|z9783319930985
776 08|iPrinted edition:|z9783030065874
856 40|uhttps://doi.org/10.1007/978-3-319-93097-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)