Chinese Film Festivals [electronic resource] : Sites of Translation / edited by Chris Berry, Luke Robinson.
Erişim Adresi
ISBN
9781137550163
Dil Kodu
İngilizce
Yer Numarası
EK/5340
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
New York : Palgrave Macmillan US : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XI, 376 p. 6 illus. in color. online resource.
Dizi
Framing Film Festivals, 2946-3742
İçindekiler Notu
.Introduction -- .Section 1: Translating the Film Festival -- .A: International Film Festivals in the Chinese Speaking World -- .1. Chris Berry, “Shanghai and Hong Kong: A Tale of Two Festivals.” -- .2. Elena Pollacchi, “’Mature at Birth’: The Beijing International Film Festival between the National Film Industry and the International Film Circuit.” -- .3. Ming-yeh T. Rawnsley, “Culture Translation between ‘Local’ and ‘International’: The Golden Harvest Award Festival in Taiwan.” -- .B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World -- .4. Hongwei Bao, “Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.” -- .5. Flora Lichaa, “The Beijing Independent Film Festival: Translating the Non-Profit Model into China.” -- .6. Nikki J.Y. Lee and Julian Stringer, “‘China’s Sundance’ and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.” -- .7. Esther C.M. Yau, “WhatCan Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.” -- .8. Sabrina Qiong Yu and Lydia Dan Wu, “The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.” -- .C: Chinese Film Festivals Outside the Chinese-Speaking World -- .9. Luke Robinson, “Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.” -- .Section 2: Translating Culture -- .A: International Film Festivals in the Chinese-Speaking World -- .10. Dina Iordanova, “Yingying, Zhenzhen and Fenfen? China at the Festivals.” -- .11. Ma Ran, “Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.” -- .12. Gina Marchetti, “Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics ofthe Sponsored Short.” -- .B: Specialized Film Festivals in the Chinese-Speaking World -- .13. Jenny Chio, “Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival.” -- .14. Su-Anne Yeo, “Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival.” -- .15. Cindy Wong, “Translating Chinese Film Festivals – Three Cases in New York.” -- .C: Chinese Film Festivals outside the Chinese-Speaking World -- .Chinese Character Lists -- .Notes on Contributors.
Özet, vb.
This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.
Konu
Motion pictures __ Asia.
Motion pictures __ History.
Ethnology __ Asia.
Culture.
China __ History.
Motion pictures __ Production and direction.
Asian Film and TV.
Film and TV History.
Asian Culture.
History of China.
Directing.
Motion pictures __ History.
Ethnology __ Asia.
Culture.
China __ History.
Motion pictures __ Production and direction.
Asian Film and TV.
Film and TV History.
Asian Culture.
History of China.
Directing.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2017.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2017.
300 |aXI, 376 p. 6 illus. in color.|bonline resource.
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505 0 |a.Introduction -- .Section 1: Translating the Film Festival -- .A: International Film Festivals in the Chinese Speaking World -- .1. Chris Berry, “Shanghai and Hong Kong: A Tale of Two Festivals.” -- .2. Elena Pollacchi, “’Mature at Birth’: The Beijing International Film Festival between the National Film Industry and the International Film Circuit.” -- .3. Ming-yeh T. Rawnsley, “Culture Translation between ‘Local’ and ‘International’: The Golden Harvest Award Festival in Taiwan.” -- .B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World -- .4. Hongwei Bao, “Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.” -- .5. Flora Lichaa, “The Beijing Independent Film Festival: Translating the Non-Profit Model into China.” -- .6. Nikki J.Y. Lee and Julian Stringer, “‘China’s Sundance’ and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.” -- .7. Esther C.M. Yau, “WhatCan Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.” -- .8. Sabrina Qiong Yu and Lydia Dan Wu, “The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.” -- .C: Chinese Film Festivals Outside the Chinese-Speaking World -- .9. Luke Robinson, “Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.” -- .Section 2: Translating Culture -- .A: International Film Festivals in the Chinese-Speaking World -- .10. Dina Iordanova, “Yingying, Zhenzhen and Fenfen? China at the Festivals.” -- .11. Ma Ran, “Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.” -- .12. Gina Marchetti, “Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics ofthe Sponsored Short.” -- .B: Specialized Film Festivals in the Chinese-Speaking World -- .13. Jenny Chio, “Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival.” -- .14. Su-Anne Yeo, “Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival.” -- .15. Cindy Wong, “Translating Chinese Film Festivals – Three Cases in New York.” -- .C: Chinese Film Festivals outside the Chinese-Speaking World -- .Chinese Character Lists -- .Notes on Contributors.
520 |aThis book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMotion pictures|xAsia.
650 0|aMotion pictures|xHistory.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aChina|xHistory.
650 0|aMotion pictures|xProduction and direction.
650 14|aAsian Film and TV.
650 24|aFilm and TV History.
650 24|aAsian Culture.
650 24|aHistory of China.
650 24|aDirecting.
700 1 |aBerry, Chris.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRobinson, Luke.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137554802
776 08|iPrinted edition:|z9781349717026
776 08|iPrinted edition:|z9781349717019
830 0|aFraming Film Festivals,|x2946-3742
856 40|uhttps://doi.org/10.1057/978-1-137-55016-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 841904
003 TR_AnAIT
005 20260715024831
007 cr nn 008mamaa
008 170215s2017 xxu| s |||| 0|eng d
020 |a9781137550163|9978-1-137-55016-3
024 7 |a10.1057/978-1-137-55016-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1F|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1F|2thema
082 04|a791.4095|223
090 |aEK/5340
245 10|aChinese Film Festivals|h[electronic resource] :|bSites of Translation /|cedited by Chris Berry, Luke Robinson.
250 |a1st ed. 2017.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2017.
300 |aXI, 376 p. 6 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aFraming Film Festivals,|x2946-3742
505 0 |a.Introduction -- .Section 1: Translating the Film Festival -- .A: International Film Festivals in the Chinese Speaking World -- .1. Chris Berry, “Shanghai and Hong Kong: A Tale of Two Festivals.” -- .2. Elena Pollacchi, “’Mature at Birth’: The Beijing International Film Festival between the National Film Industry and the International Film Circuit.” -- .3. Ming-yeh T. Rawnsley, “Culture Translation between ‘Local’ and ‘International’: The Golden Harvest Award Festival in Taiwan.” -- .B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World -- .4. Hongwei Bao, “Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.” -- .5. Flora Lichaa, “The Beijing Independent Film Festival: Translating the Non-Profit Model into China.” -- .6. Nikki J.Y. Lee and Julian Stringer, “‘China’s Sundance’ and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.” -- .7. Esther C.M. Yau, “WhatCan Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.” -- .8. Sabrina Qiong Yu and Lydia Dan Wu, “The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.” -- .C: Chinese Film Festivals Outside the Chinese-Speaking World -- .9. Luke Robinson, “Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.” -- .Section 2: Translating Culture -- .A: International Film Festivals in the Chinese-Speaking World -- .10. Dina Iordanova, “Yingying, Zhenzhen and Fenfen? China at the Festivals.” -- .11. Ma Ran, “Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.” -- .12. Gina Marchetti, “Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics ofthe Sponsored Short.” -- .B: Specialized Film Festivals in the Chinese-Speaking World -- .13. Jenny Chio, “Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival.” -- .14. Su-Anne Yeo, “Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival.” -- .15. Cindy Wong, “Translating Chinese Film Festivals – Three Cases in New York.” -- .C: Chinese Film Festivals outside the Chinese-Speaking World -- .Chinese Character Lists -- .Notes on Contributors.
520 |aThis book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMotion pictures|xAsia.
650 0|aMotion pictures|xHistory.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aChina|xHistory.
650 0|aMotion pictures|xProduction and direction.
650 14|aAsian Film and TV.
650 24|aFilm and TV History.
650 24|aAsian Culture.
650 24|aHistory of China.
650 24|aDirecting.
700 1 |aBerry, Chris.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRobinson, Luke.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137554802
776 08|iPrinted edition:|z9781349717026
776 08|iPrinted edition:|z9781349717019
830 0|aFraming Film Festivals,|x2946-3742
856 40|uhttps://doi.org/10.1057/978-1-137-55016-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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