Bad Girls and Transgressive Women in Popular Television, Fiction, and Film [electronic resource] / edited by Julie Chappell, Mallory Young.
Erişim Adresi
ISBN
9783319472591
Dil Kodu
İngilizce
Yer Numarası
EK/5241
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XVI, 289 p. 18 illus. in color. online resource.
İçindekiler Notu
1.Introduction - Mallory Young -- 2.“How do you like my darkness now?”: Women, Violence, and the Good ‘Bad Girl’ in Buffy the Vampire Slayer - Kaley A. Kramer -- 3. Hollywood’s Warrior Woman for the New Millennium - Kate Waites -- 4. Reading Kathleen Mallory: Trauma and Survival in the Detective Fiction of Carol O’Connell - Kathleen A. Kennedy -- 5. Vera Caspary’s Bedelia: Murder as a Domestic Art, or Lethal Home Economics - Kirsten T. Saxton -- 6. The Dirty Secret: Domestic Disarray in Chick Lit - Joanne Knowles -- 7. Good Teachers, Bad Teachers, and Comedic Performance in Popular American Cinema - Joel Gwynne -- 8. Mean Girls End Up Dead: The Dismal Fate of Teen Queen Bees in Popular Culture - Sara K. Day -- 9. Bad Girl, Bad Mother, Bad Queen: Catherine de’ Medici in Contemporary Fiction, Film, and History - William B. Robison -- 10. “Let Them Know That Men Did This”: Medusa, Rape, and Female Rivalry in ContemporaryFilm and Women’s Writing - Elizabeth Johnston -- 11. At the Crossroads: Carnival, Hybridity, Legendary Womanhood in Nalo Hopkinson’s Midnight Robber - N.A. Pierce -- 12. Just Another Monster: Michonne’s Defiance in The Walking Dead - Samaa Abdurraqib -- 13. Bad Girls in Outer Space: Brian K. Vaughan and Fiona Staples’ Saga and the Graphic Representation of Subversive Femininity - Mihaela Precup and Dragoş Manea.
Özet, vb.
This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
Konu
Sex.
Popular Culture.
Ethnology __ America.
Culture.
Motion pictures, American.
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
Gender Studies.
Popular Culture.
American Culture.
American Film and TV.
Contemporary Literature.
Popular Culture.
Ethnology __ America.
Culture.
Motion pictures, American.
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
Gender Studies.
Popular Culture.
American Culture.
American Film and TV.
Contemporary Literature.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aBad Girls and Transgressive Women in Popular Television, Fiction, and Film|h[electronic resource] /|cedited by Julie Chappell, Mallory Young.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVI, 289 p. 18 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1.Introduction - Mallory Young -- 2.“How do you like my darkness now?”: Women, Violence, and the Good ‘Bad Girl’ in Buffy the Vampire Slayer - Kaley A. Kramer -- 3. Hollywood’s Warrior Woman for the New Millennium - Kate Waites -- 4. Reading Kathleen Mallory: Trauma and Survival in the Detective Fiction of Carol O’Connell - Kathleen A. Kennedy -- 5. Vera Caspary’s Bedelia: Murder as a Domestic Art, or Lethal Home Economics - Kirsten T. Saxton -- 6. The Dirty Secret: Domestic Disarray in Chick Lit - Joanne Knowles -- 7. Good Teachers, Bad Teachers, and Comedic Performance in Popular American Cinema - Joel Gwynne -- 8. Mean Girls End Up Dead: The Dismal Fate of Teen Queen Bees in Popular Culture - Sara K. Day -- 9. Bad Girl, Bad Mother, Bad Queen: Catherine de’ Medici in Contemporary Fiction, Film, and History - William B. Robison -- 10. “Let Them Know That Men Did This”: Medusa, Rape, and Female Rivalry in ContemporaryFilm and Women’s Writing - Elizabeth Johnston -- 11. At the Crossroads: Carnival, Hybridity, Legendary Womanhood in Nalo Hopkinson’s Midnight Robber - N.A. Pierce -- 12. Just Another Monster: Michonne’s Defiance in The Walking Dead - Samaa Abdurraqib -- 13. Bad Girls in Outer Space: Brian K. Vaughan and Fiona Staples’ Saga and the Graphic Representation of Subversive Femininity - Mihaela Precup and Dragoş Manea.
520 |aThis collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
650 0|aSex.
650 0|aPopular Culture.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 0|aMotion pictures, American.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 14|aGender Studies.
650 24|aPopular Culture.
650 24|aAmerican Culture.
650 24|aAmerican Film and TV.
650 24|aContemporary Literature.
700 1 |aChappell, Julie.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aYoung, Mallory.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319472584
776 08|iPrinted edition:|z9783319472607
776 08|iPrinted edition:|z9783319836935
856 40|uhttps://doi.org/10.1007/978-3-319-47259-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 841916
003 TR_AnAIT
005 20260715024818
007 cr nn 008mamaa
008 170703s2017 sz | s |||| 0|eng d
020 |a9783319472591|9978-3-319-47259-1
024 7 |a10.1007/978-3-319-47259-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHQ12-449
072 7|aJFSJ|2bicssc
072 7|aSOC032000|2bisacsh
072 7|aJBSF|2thema
082 04|a305.3|223
090 |aEK/5241
245 10|aBad Girls and Transgressive Women in Popular Television, Fiction, and Film|h[electronic resource] /|cedited by Julie Chappell, Mallory Young.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVI, 289 p. 18 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1.Introduction - Mallory Young -- 2.“How do you like my darkness now?”: Women, Violence, and the Good ‘Bad Girl’ in Buffy the Vampire Slayer - Kaley A. Kramer -- 3. Hollywood’s Warrior Woman for the New Millennium - Kate Waites -- 4. Reading Kathleen Mallory: Trauma and Survival in the Detective Fiction of Carol O’Connell - Kathleen A. Kennedy -- 5. Vera Caspary’s Bedelia: Murder as a Domestic Art, or Lethal Home Economics - Kirsten T. Saxton -- 6. The Dirty Secret: Domestic Disarray in Chick Lit - Joanne Knowles -- 7. Good Teachers, Bad Teachers, and Comedic Performance in Popular American Cinema - Joel Gwynne -- 8. Mean Girls End Up Dead: The Dismal Fate of Teen Queen Bees in Popular Culture - Sara K. Day -- 9. Bad Girl, Bad Mother, Bad Queen: Catherine de’ Medici in Contemporary Fiction, Film, and History - William B. Robison -- 10. “Let Them Know That Men Did This”: Medusa, Rape, and Female Rivalry in ContemporaryFilm and Women’s Writing - Elizabeth Johnston -- 11. At the Crossroads: Carnival, Hybridity, Legendary Womanhood in Nalo Hopkinson’s Midnight Robber - N.A. Pierce -- 12. Just Another Monster: Michonne’s Defiance in The Walking Dead - Samaa Abdurraqib -- 13. Bad Girls in Outer Space: Brian K. Vaughan and Fiona Staples’ Saga and the Graphic Representation of Subversive Femininity - Mihaela Precup and Dragoş Manea.
520 |aThis collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
650 0|aSex.
650 0|aPopular Culture.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 0|aMotion pictures, American.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 14|aGender Studies.
650 24|aPopular Culture.
650 24|aAmerican Culture.
650 24|aAmerican Film and TV.
650 24|aContemporary Literature.
700 1 |aChappell, Julie.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aYoung, Mallory.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319472584
776 08|iPrinted edition:|z9783319472607
776 08|iPrinted edition:|z9783319836935
856 40|uhttps://doi.org/10.1007/978-3-319-47259-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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