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008 170207s2017 sz | s |||| 0|eng d
020 |a9783319490076|9978-3-319-49007-6
024 7 |a10.1007/978-3-319-49007-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2100-2193
072 7|aAN|2bicssc
072 7|aHBT|2bicssc
072 7|aPER011020|2bisacsh
072 7|aATD|2thema
072 7|aATY|2thema
082 04|a792.09|223
090 |aEK/5295
100 1 |aRitschel, Nelson O'Ceallaigh.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aBernard Shaw, W. T. Stead, and the New Journalism|h[electronic resource] :|bWhitechapel, Parnell, Titanic, and the Great War /|cby Nelson O'Ceallaigh Ritschel.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXI, 248 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aBernard Shaw and His Contemporaries,|x2634-582X
505 0 |a1. Introduction -- 2. Stead and the Whitechapel Frenzy -- 3. Parnell, Disarmament, and the Morality Frenzy -- 4.Stead, Russia, and Titanic -- 5. War -- 6. Epilogue -- Notes -- Bibliography -- Index.
520 |aThis book explores Bernard Shaw’s journalism from the mid 1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational news copy Stead and his disciples generated. To understand Shaw’s brand of New Journalism, his responses to the popular press’ portrayals of high profile historical crises are examined, while other examples prompting Shaw’s journalism over the period are cited for depth: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades within militarism, the catastrophic Titanic sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.
650 0|aTheater|xHistory.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aEuropean literature.
650 0|aJournalism.
650 0|aLiterature|xHistory and criticism.
650 14|aTheatre History.
650 24|aTheatre and Performance Arts.
650 24|aEuropean Literature.
650 24|aJournalism.
650 24|aLiterary History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319490069
776 08|iPrinted edition:|z9783319490083
776 08|iPrinted edition:|z9783319840642
830 0|aBernard Shaw and His Contemporaries,|x2634-582X
856 40|uhttps://doi.org/10.1007/978-3-319-49007-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)