LEADER 03648nam a22005175i 4500
001 842067
003 TR_AnAIT
005 20260715024341
007 cr nn 008mamaa
008 180307s2018 sz | s |||| 0|eng d
020 |a9783319716701|9978-3-319-71670-1
024 7 |a10.1007/978-3-319-71670-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aKNT|2bicssc
072 7|aBUS070110|2bisacsh
072 7|aKNTC|2thema
082 04|a338.477914|223
090 |aEK/5455
100 1 |aLee, David.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aIndependent Television Production in the UK|h[electronic resource] :|bFrom Cottage Industry to Big Business /|cby David Lee.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aIX, 244 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Chapter 1: Introduction: Situating Independent Television in the cultural economy -- 2. Part I: Independent transformations. The politics of independence: Contextualising independent television production in the UK - Chapter 2. The creation of the independent sector in the UK -- 3. Chapter 3. Creative Industries policy and the rise of the ‘mega-indies’; Independent television production in the age of New Labour -- 4. Part II: Working in independent television - Chapter 4: Creative labour and social change -- 5. Chapter 5 Working in the Indies: Precarity, value and burnout -- 6. Chapter 6 Networks, social capital and the burden of performativity -- 7. Part III: Cultural Value - Chapter 7 Independent Creativity -- 8. Chapter 8: Commercialisation, consolidation and cultural value: The restructuring of the British independent television industry, and the implications for production -- 9. Chapter 9. Conclusion: towards a moral economy of independent television production. .
520 |aThis book is the first authoritative account of the UK’s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ‘indies’, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.
650 0|aMotion picture industry.
650 0|aTelevision broadcasting.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 0|aCultural policy.
650 14|aFilm and Television Industry.
650 24|aBritish Culture.
650 24|aCultural Policy and Politics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319716695
776 08|iPrinted edition:|z9783319716718
776 08|iPrinted edition:|z9783030100919
856 40|uhttps://doi.org/10.1007/978-3-319-71670-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)