Local and Global Myths in Shakespearean Performance [electronic resource] / edited by Aneta Mancewicz, Alexa Alice Joubin.
Erişim Adresi
ISBN
9783319898513
Dil Kodu
İngilizce
Yer Numarası
EK/5488
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XIX, 271 p. 7 illus. online resource.
Dizi
Reproducing Shakespeare, 2730-9312
İçindekiler Notu
1. Introduction -- Part I Myths of Linguistic Transcendence, Authenticity, Universality -- 2. “Europe Speaks Shakespeare”: Karin Beier’s 1996 A Midsummer Night’s Dream, Multilingual Performance and the Myth of Shakespeare’s Linguistic Transcendence -- 3. The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare -- 4. Shamanistic Shakespeare: Korea’s Colonization of Hamlet -- Part II Myths of Local Identities and Global Icons -- 5. Ludwig Tieck and the Development of the Romantic Myth of a “German Shakespeare” -- 6. Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective -- 7. “Tupi or Not Tupi, That Is the Question”: Brazilian Mythical Afterlives of Shakespeare’s Hamlet -- Part III Myths of Political Shakespeare -- 8. Hamlet and the Fall of Berlin Wall: The Myth of Interventionist Shakespeare Performance -- 9. Denmark’s a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua’s Hamulaite and Jan Klata’s H -- 10. Hamlet in Times of War: Two Appropriations of Shakespeare’s Tragedy in Former Yugoslavia in the 1990s -- 11. “Come, Let’s Away to Prison”: Local and Global Myths, and “Political Shakespeare” in Twenty-First Century Russia -- Part IV Shakespeare as Myth in Commercial and Popular Culture -- 12. Localizing a Global Myth: Contemporary Film Adaptations of King Lear -- 13. Shakespeare Sanitized for the Present: Political Myths in Recent Adaptations -- 14. The Myths of Bold Visual and Conservative Verbal Interpretations of Shakespeare on Today’s Japanese Stage -- 15. Afterword: Shakespeare and Myth.
Özet, vb.
This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns. .
Konu
European literature __ Renaissance, 1450-1600.
Comparative literature.
Literature.
Early Modern and Renaissance Literature.
Comparative Literature.
World Literature.
Comparative literature.
Literature.
Early Modern and Renaissance Literature.
Comparative Literature.
World Literature.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns. .
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650 0|aComparative literature.
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650 24|aWorld Literature.
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700 1 |aJoubin, Alexa Alice.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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072 7|aLIT024000|2bisacsh
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090 |aEK/5488
245 10|aLocal and Global Myths in Shakespearean Performance|h[electronic resource] /|cedited by Aneta Mancewicz, Alexa Alice Joubin.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXIX, 271 p. 7 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aReproducing Shakespeare,|x2730-9312
505 0 |a1. Introduction -- Part I Myths of Linguistic Transcendence, Authenticity, Universality -- 2. “Europe Speaks Shakespeare”: Karin Beier’s 1996 A Midsummer Night’s Dream, Multilingual Performance and the Myth of Shakespeare’s Linguistic Transcendence -- 3. The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare -- 4. Shamanistic Shakespeare: Korea’s Colonization of Hamlet -- Part II Myths of Local Identities and Global Icons -- 5. Ludwig Tieck and the Development of the Romantic Myth of a “German Shakespeare” -- 6. Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective -- 7. “Tupi or Not Tupi, That Is the Question”: Brazilian Mythical Afterlives of Shakespeare’s Hamlet -- Part III Myths of Political Shakespeare -- 8. Hamlet and the Fall of Berlin Wall: The Myth of Interventionist Shakespeare Performance -- 9. Denmark’s a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua’s Hamulaite and Jan Klata’s H -- 10. Hamlet in Times of War: Two Appropriations of Shakespeare’s Tragedy in Former Yugoslavia in the 1990s -- 11. “Come, Let’s Away to Prison”: Local and Global Myths, and “Political Shakespeare” in Twenty-First Century Russia -- Part IV Shakespeare as Myth in Commercial and Popular Culture -- 12. Localizing a Global Myth: Contemporary Film Adaptations of King Lear -- 13. Shakespeare Sanitized for the Present: Political Myths in Recent Adaptations -- 14. The Myths of Bold Visual and Conservative Verbal Interpretations of Shakespeare on Today’s Japanese Stage -- 15. Afterword: Shakespeare and Myth.
520 |aThis collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns. .
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aComparative literature.
650 0|aLiterature.
650 14|aEarly Modern and Renaissance Literature.
650 24|aComparative Literature.
650 24|aWorld Literature.
700 1 |aMancewicz, Aneta.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJoubin, Alexa Alice.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319898506
776 08|iPrinted edition:|z9783319898520
776 08|iPrinted edition:|z9783030078768
830 0|aReproducing Shakespeare,|x2730-9312
856 40|uhttps://doi.org/10.1007/978-3-319-89851-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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