Kate Chopin and Catholicism [electronic resource] / by Heather Ostman.
Erişim Adresi
ISBN
9783030440220
Dil Kodu
İngilizce
Yer Numarası
EK/5383
Yazar
Basım Bildirimi
1st ed. 2020.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2020.
Fiziksel Niteleme
XI, 229 p. 1 illus. online resource.
İçindekiler Notu
1. Introduction -- 2. Chopin and Catholicism in America, 1850-1904 -- 3. Social and Religious Critique and Transformation through the Short Fiction -- 4. “Catholic Modernism” and the Short Stories -- 5. At Fault: Catholic Doctrine and Social Issues -- 6. The Awakening: Challenging Authority and Rewriting Women’s Spirituality -- 7. Mysticism in Chopin’s Fiction -- 8. Conclusion.
Özet, vb.
‘Heather Ostman’s Kate Chopin and Catholicism is meaty, interesting, and provocative. It may change the way we all read this marvel of a writer.’ — Linda Wagner-Martin, Professor of English and Comparative Literature at The University of North Carolina at Chapel Hill, USA, and author of Hemingway’s Wars: The Public and Private Battles (2017) ‘Heather Ostman’s Kate Chopin and Catholicism heralds an innovative methodology with rich possibilities for studies of Kate Chopin and American realism. As Chopin became immersed in the studies of Darwin, she drew away from practicing Catholicism. Ostman demonstrates how Chopin used Catholicism as a device to examine social issues and critique the schism between physical and corporeal pleasure. Ostman exemplifies how Chopin leveraged Catholicism to arrive at a revolutionary and unorthodox definition of mysticism and spirituality.’ — Kate O’Donoghue, Associate Professor of English, Suffolk County Community College, USA This book explores the Catholic aesthetic and mystical dimensions in Kate Chopin’s fiction within the context of an evolving American Catholicism in the late nineteenth and early twentieth centuries. Through a close reading of her novels and numerous short stories, Kate Chopin and Catholicism looks at the ways Chopin represented Catholicism in her work as a literary device that served on multiple levels: as an aesthetic within local color depictions of Louisiana, as a trope for illuminating the tensions surrounding nineteenth-century women’s struggles for autonomy, as a critique of the Catholic dogma that subordinated authenticity and physical and emotional pleasure, and as it pointed to the distinction between religious doctrine and mystical experience, and enabled the articulation of spirituality beyond the context of the Church. This book reveals Chopin to be not only a literary visionary but a writer who saw divinity in the natural world.
Konu
Literature, Modern __ 20th century.
America __ Literatures.
Catholic Church.
Twentieth-Century Literature.
North American Literature.
Catholicism.
America __ Literatures.
Catholic Church.
Twentieth-Century Literature.
North American Literature.
Catholicism.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
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505 0 |a1. Introduction -- 2. Chopin and Catholicism in America, 1850-1904 -- 3. Social and Religious Critique and Transformation through the Short Fiction -- 4. “Catholic Modernism” and the Short Stories -- 5. At Fault: Catholic Doctrine and Social Issues -- 6. The Awakening: Challenging Authority and Rewriting Women’s Spirituality -- 7. Mysticism in Chopin’s Fiction -- 8. Conclusion.
520 |a‘Heather Ostman’s Kate Chopin and Catholicism is meaty, interesting, and provocative. It may change the way we all read this marvel of a writer.’ — Linda Wagner-Martin, Professor of English and Comparative Literature at The University of North Carolina at Chapel Hill, USA, and author of Hemingway’s Wars: The Public and Private Battles (2017) ‘Heather Ostman’s Kate Chopin and Catholicism heralds an innovative methodology with rich possibilities for studies of Kate Chopin and American realism. As Chopin became immersed in the studies of Darwin, she drew away from practicing Catholicism. Ostman demonstrates how Chopin used Catholicism as a device to examine social issues and critique the schism between physical and corporeal pleasure. Ostman exemplifies how Chopin leveraged Catholicism to arrive at a revolutionary and unorthodox definition of mysticism and spirituality.’ — Kate O’Donoghue, Associate Professor of English, Suffolk County Community College, USA This book explores the Catholic aesthetic and mystical dimensions in Kate Chopin’s fiction within the context of an evolving American Catholicism in the late nineteenth and early twentieth centuries. Through a close reading of her novels and numerous short stories, Kate Chopin and Catholicism looks at the ways Chopin represented Catholicism in her work as a literary device that served on multiple levels: as an aesthetic within local color depictions of Louisiana, as a trope for illuminating the tensions surrounding nineteenth-century women’s struggles for autonomy, as a critique of the Catholic dogma that subordinated authenticity and physical and emotional pleasure, and as it pointed to the distinction between religious doctrine and mystical experience, and enabled the articulation of spirituality beyond the context of the Church. This book reveals Chopin to be not only a literary visionary but a writer who saw divinity in the natural world.
650 0|aLiterature, Modern|x20th century.
650 0|aAmerica|xLiteratures.
650 0|aCatholic Church.
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650 24|aNorth American Literature.
650 24|aCatholicism.
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776 08|iPrinted edition:|z9783030440237
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100 1 |aOstman, Heather.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aKate Chopin and Catholicism|h[electronic resource] /|cby Heather Ostman.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXI, 229 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. Chopin and Catholicism in America, 1850-1904 -- 3. Social and Religious Critique and Transformation through the Short Fiction -- 4. “Catholic Modernism” and the Short Stories -- 5. At Fault: Catholic Doctrine and Social Issues -- 6. The Awakening: Challenging Authority and Rewriting Women’s Spirituality -- 7. Mysticism in Chopin’s Fiction -- 8. Conclusion.
520 |a‘Heather Ostman’s Kate Chopin and Catholicism is meaty, interesting, and provocative. It may change the way we all read this marvel of a writer.’ — Linda Wagner-Martin, Professor of English and Comparative Literature at The University of North Carolina at Chapel Hill, USA, and author of Hemingway’s Wars: The Public and Private Battles (2017) ‘Heather Ostman’s Kate Chopin and Catholicism heralds an innovative methodology with rich possibilities for studies of Kate Chopin and American realism. As Chopin became immersed in the studies of Darwin, she drew away from practicing Catholicism. Ostman demonstrates how Chopin used Catholicism as a device to examine social issues and critique the schism between physical and corporeal pleasure. Ostman exemplifies how Chopin leveraged Catholicism to arrive at a revolutionary and unorthodox definition of mysticism and spirituality.’ — Kate O’Donoghue, Associate Professor of English, Suffolk County Community College, USA This book explores the Catholic aesthetic and mystical dimensions in Kate Chopin’s fiction within the context of an evolving American Catholicism in the late nineteenth and early twentieth centuries. Through a close reading of her novels and numerous short stories, Kate Chopin and Catholicism looks at the ways Chopin represented Catholicism in her work as a literary device that served on multiple levels: as an aesthetic within local color depictions of Louisiana, as a trope for illuminating the tensions surrounding nineteenth-century women’s struggles for autonomy, as a critique of the Catholic dogma that subordinated authenticity and physical and emotional pleasure, and as it pointed to the distinction between religious doctrine and mystical experience, and enabled the articulation of spirituality beyond the context of the Church. This book reveals Chopin to be not only a literary visionary but a writer who saw divinity in the natural world.
650 0|aLiterature, Modern|x20th century.
650 0|aAmerica|xLiteratures.
650 0|aCatholic Church.
650 14|aTwentieth-Century Literature.
650 24|aNorth American Literature.
650 24|aCatholicism.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030440213
776 08|iPrinted edition:|z9783030440237
776 08|iPrinted edition:|z9783030440244
856 40|uhttps://doi.org/10.1007/978-3-030-44022-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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