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020 |a9783319490854|9978-3-319-49085-4
024 7 |a10.1007/978-3-319-49085-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM623
072 7|aJFC|2bicssc
072 7|aSOC000000|2bisacsh
072 7|aJBCC|2thema
082 04|a306.01|223
090 |aEK/5397
245 10|aSpaces of Surveillance|h[electronic resource] :|bStates and Selves /|cedited by Susan Flynn, Antonia Mackay.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXII, 278 p. 17 illus., 13 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid -- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance -- 4. She's Not There: Shallow Focus on Privacy, Surveillance and the Emerging Techno-mediated Modes of Being in Spike Jonze's Her -- 5. Surveillance in Zero Dark Thirty: Terrorism, Space and Identity.-6. To see and to be Seen: Surveillance, The Vampiric Lens and the Undead Subject -- 7. Watching Through Windows: Bret Easton Ellis and Urban Surveillance -- 8. Participating in '1984': The Surveillance of Sousveillance from White Noise to Right Now -- 9. Surveillance in Post-Postmodern American Fiction: Dave Eggers The Circle, Jonathan Franzen's Purity, and Gary Shteyngart's Super Sad True Love Story -- 9. Citizen: Claudia Rankine, from the First to the Second Person -- 10. Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context' -- 11. Sousveillance asa Tool in US Civic Polity -- 12. Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora.-.
520 |aIn a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the ‘selves’ we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies. .
650 0|aCulture|xStudy and teaching.
650 0|aTechnology|xPhilosophy.
650 0|aPhilosophy of mind.
650 0|aSelf.
650 0|aSocial media.
650 0|aMotion pictures.
650 0|aLiterature and technology.
650 0|aMass media and literature.
650 14|aCultural Theory.
650 24|aPhilosophy of Technology.
650 24|aPhilosophy of the Self.
650 24|aSocial Media.
650 24|aFilm Theory.
650 24|aLiterature and Technology.
700 1 |aFlynn, Susan.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMackay, Antonia.|eeditor.|0(orcid)0000-0002-3186-8983|1https://orcid.org/0000-0002-3186-8983|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319490847
776 08|iPrinted edition:|z9783319490861
776 08|iPrinted edition:|z9783319840826
856 40|uhttps://doi.org/10.1007/978-3-319-49085-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)