Emerging Genres in New Media Environments [electronic resource] / edited by Carolyn R. Miller, Ashley R. Kelly.
Erişim Adresi
ISBN
9783319402956
Dil Kodu
İngilizce
Yer Numarası
EK/5370
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XVIII, 308 p. 7 illus. online resource.
İçindekiler Notu
1.Where Do Genres Come From? by Carolyn R. Miller -- Section Introduction: Medium -- 2.Bridge to Genre: Spanning Technological Change, by Janet Giltrow -- 3.Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser -- 4.Russian New Media Users’ Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova -- 5.Resisting the “Natural”: Rhetorical Delivery and the Natural User Interface, by Ben McCorkle -- 6.Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe -- Section Introduction: Genre Transformation -- 7.From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé -- 8.Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding -- 9.Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall -- 10.Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier -- Section Introduction: Values -- 11.Autopathographies in New Media Environments at the Turn of the Twenty–First Century, by Tamar Tembeck -- 12.Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius -- 13.Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin -- 15.Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware’s “Colorful Keepsake Box” and Other Nonobjects, by Colbey Emmerson Reid -- 16.Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth -- Postscript: Futures for Genre Studies, by Ashley Rose Kelly .
Özet, vb.
This volume explores cultural innovation and transformation as revealed through the emergence of new media genres. New media have enabled what impresses most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking multimodal experimentation, and artistic and entrepreneurial innovation. Working with the concept of genre, scholars in multiple fields have begun to explore these processes of emergence, innovation, and stabilization. Genre has thus become newly important in game studies, library and information science, film and media studies, applied linguistics, rhetoric, literature, and elsewhere. Understood as social recognitions that embed histories, ideologies, and contradictions, genres function as recurrent social actions, helping to constitute culture. Because genres are dynamic sites of tension between stability and change, they are also sites of inventive potential. Emerging Genres in New Media Environments brings together compelling papers from scholars in Brazil, Canada, England, and the United States to illustrate how this inventive potential has been harnessed around the world.
Konu
Communication.
Film genres.
Culture __ Study and teaching.
Mass media.
Media and Communication.
Genre Studies.
Cultural Theory.
Cultural Studies.
Media Sociology.
Film genres.
Culture __ Study and teaching.
Mass media.
Media and Communication.
Genre Studies.
Cultural Theory.
Cultural Studies.
Media Sociology.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2017.
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505 0 |a1.Where Do Genres Come From? by Carolyn R. Miller -- Section Introduction: Medium -- 2.Bridge to Genre: Spanning Technological Change, by Janet Giltrow -- 3.Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser -- 4.Russian New Media Users’ Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova -- 5.Resisting the “Natural”: Rhetorical Delivery and the Natural User Interface, by Ben McCorkle -- 6.Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe -- Section Introduction: Genre Transformation -- 7.From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé -- 8.Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding -- 9.Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall -- 10.Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier -- Section Introduction: Values -- 11.Autopathographies in New Media Environments at the Turn of the Twenty–First Century, by Tamar Tembeck -- 12.Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius -- 13.Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin -- 15.Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware’s “Colorful Keepsake Box” and Other Nonobjects, by Colbey Emmerson Reid -- 16.Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth -- Postscript: Futures for Genre Studies, by Ashley Rose Kelly .
520 |aThis volume explores cultural innovation and transformation as revealed through the emergence of new media genres. New media have enabled what impresses most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking multimodal experimentation, and artistic and entrepreneurial innovation. Working with the concept of genre, scholars in multiple fields have begun to explore these processes of emergence, innovation, and stabilization. Genre has thus become newly important in game studies, library and information science, film and media studies, applied linguistics, rhetoric, literature, and elsewhere. Understood as social recognitions that embed histories, ideologies, and contradictions, genres function as recurrent social actions, helping to constitute culture. Because genres are dynamic sites of tension between stability and change, they are also sites of inventive potential. Emerging Genres in New Media Environments brings together compelling papers from scholars in Brazil, Canada, England, and the United States to illustrate how this inventive potential has been harnessed around the world.
650 0|aCommunication.
650 0|aFilm genres.
650 0|aCulture|xStudy and teaching.
650 0|aMass media.
650 14|aMedia and Communication.
650 24|aGenre Studies.
650 24|aCultural Theory.
650 24|aCultural Studies.
650 24|aMedia Sociology.
700 1 |aMiller, Carolyn R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKelly, Ashley R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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776 08|iPrinted edition:|z9783319402963
776 08|iPrinted edition:|z9783319820712
856 40|uhttps://doi.org/10.1007/978-3-319-40295-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842124
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005 20260715024232
007 cr nn 008mamaa
008 161130s2017 sz | s |||| 0|eng d
020 |a9783319402956|9978-3-319-40295-6
024 7 |a10.1007/978-3-319-40295-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP87-96
072 7|aJFD|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
082 04|a302.2|223
090 |aEK/5370
245 10|aEmerging Genres in New Media Environments|h[electronic resource] /|cedited by Carolyn R. Miller, Ashley R. Kelly.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVIII, 308 p. 7 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1.Where Do Genres Come From? by Carolyn R. Miller -- Section Introduction: Medium -- 2.Bridge to Genre: Spanning Technological Change, by Janet Giltrow -- 3.Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser -- 4.Russian New Media Users’ Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova -- 5.Resisting the “Natural”: Rhetorical Delivery and the Natural User Interface, by Ben McCorkle -- 6.Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe -- Section Introduction: Genre Transformation -- 7.From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé -- 8.Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding -- 9.Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall -- 10.Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier -- Section Introduction: Values -- 11.Autopathographies in New Media Environments at the Turn of the Twenty–First Century, by Tamar Tembeck -- 12.Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius -- 13.Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin -- 15.Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware’s “Colorful Keepsake Box” and Other Nonobjects, by Colbey Emmerson Reid -- 16.Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth -- Postscript: Futures for Genre Studies, by Ashley Rose Kelly .
520 |aThis volume explores cultural innovation and transformation as revealed through the emergence of new media genres. New media have enabled what impresses most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking multimodal experimentation, and artistic and entrepreneurial innovation. Working with the concept of genre, scholars in multiple fields have begun to explore these processes of emergence, innovation, and stabilization. Genre has thus become newly important in game studies, library and information science, film and media studies, applied linguistics, rhetoric, literature, and elsewhere. Understood as social recognitions that embed histories, ideologies, and contradictions, genres function as recurrent social actions, helping to constitute culture. Because genres are dynamic sites of tension between stability and change, they are also sites of inventive potential. Emerging Genres in New Media Environments brings together compelling papers from scholars in Brazil, Canada, England, and the United States to illustrate how this inventive potential has been harnessed around the world.
650 0|aCommunication.
650 0|aFilm genres.
650 0|aCulture|xStudy and teaching.
650 0|aMass media.
650 14|aMedia and Communication.
650 24|aGenre Studies.
650 24|aCultural Theory.
650 24|aCultural Studies.
650 24|aMedia Sociology.
700 1 |aMiller, Carolyn R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKelly, Ashley R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319402949
776 08|iPrinted edition:|z9783319402963
776 08|iPrinted edition:|z9783319820712
856 40|uhttps://doi.org/10.1007/978-3-319-40295-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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