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020 |a9783319500232|9978-3-319-50023-2
024 7 |a10.1007/978-3-319-50023-2|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aM1-5000
072 7|aAV|2bicssc
072 7|aMUS000000|2bisacsh
072 7|aAV|2thema
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090 |aEK/5390
245 10|aCanadian Music and American Culture|h[electronic resource] :|bGet Away From Me /|cedited by Tristanne Connolly, Tomoyuki Iino.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aVIII, 297 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPop Music, Culture and Identity,|x2634-6621
505 0 |a1. Introduction: Tristanne Connolly and Tomoyuki Iino -- 2.“Something’s lost but something’s gained”: Joni Mitchell and Post-Colonial Lyric: Steve Clark -- 3.The View from Outside: The Band Sing America: Ted Goossen -- 4.Neil Young: Lyrical and Cultural Complexities: Hidetoshi Tomiyama -- 5.“The usual panic in red, white and blue”: Bruce Cockburn’s America: Kevin Hutchings -- 6.“Mean, Mean Pride”: Rush’s Critique of American Cool: Tristanne Connolly -- 7.“Second-Hand Telegram”: Max Webster’s Message to the Masses: Mark Spielmacher -- 8.“Outside Looking In”: Saga’s Progressive Protest: David Taylor -- 9.Tactical Electronic Bodies: Noise and Mutation in Canadian Industrial Music: Jason Whittaker -- 10.Peace, Order and its Discontents: The Tragically Hip: Chris Simons -- 11.“If I can make it there...”: Jann Arden’s American Dream: Veronica Austen -- 12.“Stick it to the Pimp”: Peaches’ Penetration of Postmodern America’s Mainstream: Angus Whitehead -- .
520 |aThis collection explores Canadian music’s commentaries on American culture. ‘American Woman, get away from me!’ - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada’s close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music – from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip – to explore the generic borrowings and social criticism, the desires and failures of Canada’s musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.
650 0|aMusic.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 0|aEthnology.
650 14|aMusic.
650 24|aAmerican Culture.
650 24|aSociocultural Anthropology.
650 24|aSociology of Culture.
700 1 |aConnolly, Tristanne.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aIino, Tomoyuki.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319500225
776 08|iPrinted edition:|z9783319500249
776 08|iPrinted edition:|z9783319843001
830 0|aPop Music, Culture and Identity,|x2634-6621
856 40|uhttps://doi.org/10.1007/978-3-319-50023-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)