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008 171014s2017 sz | s |||| 0|eng d
020 |a9783319598154|9978-3-319-59815-4
024 7 |a10.1007/978-3-319-59815-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/5530
100 1 |aToft Hansen, Kim.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aLocating Nordic Noir|h[electronic resource] :|bFrom Beck to The Bridge /|cby Kim Toft Hansen, Anne Marit Waade.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aIX, 313 p. 8 illus., 6 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave European Film and Media Studies,|x2634-6168
505 0 |a1. Introduction: Where is Nordic Noir? -- 2. Part I: Local colour and location studies - Local colour and places on screen -- 3. Location studies: a topography of Nordic noir -- 4. Four perspectives on the Nordic region -- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone -- 6. Beck and character adaptations -- 7. Funding models and increasing transnationalism -- 8. Part III: Written for the Danish screen - The Killing and DR’s Danish model -- 9. Norskov and Danish commercial public service drama -- 10. The Team, Danish transnationalism and the local colour of Europe -- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original -- 12. Trapped and original Noir from Iceland and Norway -- 13. The Bridge, transnational co-productions and screen tourism -- 14. Con clusion: Nordic Noir beyond the Nordic. .
520 |aThis book is a comprehensive study of Nordic Noir television drama from the 1990’s until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland. Consequently, Nordic Noir is read as both a transnational financial and creative phenomenon and as a local possibility for community building. Offering a comprehensible, scholarly and methodologically original approach to the popularity of Nordic television crime dramas, this volume is aimed at readers with an interest in crime drama as well as scholars and students of television drama.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 0|aCommunication.
650 0|aPopular Culture.
650 0|aHuman geography.
650 14|aFilm and Television Studies.
650 24|aEuropean Culture.
650 24|aMedia and Communication.
650 24|aPopular Culture.
650 24|aHuman Geography.
700 1 |aWaade, Anne Marit.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319598147
776 08|iPrinted edition:|z9783319598161
776 08|iPrinted edition:|z9783319867083
830 0|aPalgrave European Film and Media Studies,|x2634-6168
856 40|uhttps://doi.org/10.1007/978-3-319-59815-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)