The Life and Music of Oliver Mtukudzi [electronic resource] : Reconstruction and Identity / edited by Ezra Chitando, Pauline Mateveke, Munyaradzi Nyakudya, Bridget Chinouriri.
Erişim Adresi
ISBN
9783030807283
Dil Kodu
İngilizce
Yer Numarası
EK/5476
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XIV, 295 p. online resource.
İçindekiler Notu
1. Introduction; Ezra Chitando, Pauline Mateveke,Munyaradzi Nyakudya and Bridget Chinouriri -- Part 1: Personal Reconstruction -- 2. Oliver Mtukudzi and the Complexities of Transformative Masculinities; Ezra Chitando and Munyaradzi Nyakudya -- 3. Rebuilding the Self: Oliver Mtukudzi's Music as Pedagogy; Gibson Ncube and Yemurai Gwatirisa -- 4. Song as Matric of Parresia: Tuku and the Quest for Truth and Democratic Ethos in Society; Tasiyana D. Javangwe -- 5. Looking for the Join: Tuku Music as a Marker of Postcolonial White Zimbabwean Identity; Shannon Morreira -- 6. Mtukudzi: The (Re)constructor? One Who Makes Others Rich?; Reggemore Marongedze and Bridget Chinouriri -- Part 2: Cultural Reconstruction -- 7. Re-embracing One's Culture: Lessons from Oliver Mtukudzi's Songs; John Chitakure -- 8. Oliver Mtukudzi as a Cultural Activist: Exploring Africanness in Tuku Music; Allan T. Maganga, Chalres Tembo and Owen T. Chikara -- 9. Oliver Mtukudzi: Singing for Harmony to Heal out Land; Tariro Kamuti -- 10. Reappraising Indigenous Knowledge Systems: A Review of Oliver Mtukudzi's 'Sandi bonde'; Tenson Muyambo -- 11. Oliver Mtukudzi and the Rebuilding of the Lives of Orphans and Children on the Streets; Samson Mhizha -- Part 3: Political Reconstruction -- 12. Reinterpreting Oliver Mtukudzi's Tactical Praxis; Dube Edmore -- 13. Reading the Political Metaphor in Oliver Mtukudzi's 'Wasakara' and 'Ngomera': Calling for Cultures of Peace in Africa; Hugh Mangeya and Ernest Jakaza -- 14. Tuku, the Political Philosopher King; Charity Manyeruke -- Part 4: Religious Reconstruction -- 15. Resisting Foreign Intrusions: Celebrating the Spirituality of Indigenous Africans; Macloud Sipeyiye and Willian Chigidi -- 16. Music the Religion, Musicians the Priests, and the People the Congregants: The Music of Oliver Mtukudzi; Bridget Chinouriri -- 17. Spiritual Reconstruction: Oliver Mtukudzi's Spiritual Life and his Contribution to the Methodist Church in Zimbabwe; Martin Mujinga -- Part 5: Global Reconstruction -- 18. "Politics of Composition, Performance and Reception": Interrogating the Global Appeal of Oliver Mtukudzi; Margret Chipara -- 19. Breaking Boundaries, Transcending Differences: An Intercultural reading of Oliver Mtukudzi's Collaborative Musical Productions; Yemurai Gwatirisa and Gibson Ncube -- 20. Reconstructing the Global Order Through Ubuntu: The ethical insights in Sekuru (Grandpa) Tuku Music; Tinashe Muchuri.
Özet, vb.
This book is a critical reflection on the life and career of the late legendary Zimbabwean music icon, Oliver “Tuku” Mtukudzi, and his contribution towards the reconstruction of Zimbabwe, Africa and the globe at large. Mtukudzi was a musician, philosopher, and human rights activist who espoused the agenda of reconstruction in order to bring about a better world, proposing personal, cultural, political, religious and global reconstruction. With twenty original chapters, this vibrant volume examines various themes and dimensions of Mtukudzi’s distinguished life and career, notably, how his music has been a powerful vehicle for societal reconstruction and cultural rejuvenation, specifically speaking to issues of culture, human rights, governance, peacebuilding, religion and identity, humanism, gender and politics, among others. The contributors explore the art of performance in Mtukudzi’s music and acting career, and how this facilitated his reconstruction agenda, offering freshand compelling perspectives into the role of performing artists and cultural workers such as Mtukudzi in presenting models for reconstructing the world. Ezra Chitando (PhD) is Professor of Religion in the Department of Philosophy, Religion and Ethics at the University of Zimbabwe, and Theology Consultant on HIV and AIDS for the World Council of Churches. He researches and publishes on music, religion and culture. He is the author of Sounds of Life: Music, Identity and Politics in Zimbabwe, (2016, co-edited with Mangena and Muwati), along with numerous other publications. Pauline Mateveke (PhD) is a Senior Lecturer in the Department of Language, Literature and Culture at the University of Zimbabwe. She holds a Doctor of Philosophy Degree in English specialising in Gender, Literature and Music. Her research interests include popular culture and literature, gender studies and literary criticism. Munyaradzi Nyakudya (PhD) is a Senior Lecturer in the Department of History, Heritage and Knowledge Systems at the University of Zimbabwe. He researches on the socio-political and economic history of African societies, with a special passion for ethnomusicology, peace and security studies; education, democratization and sustainable livelihoods. Bridget Chinouriri (PhD) is a Zimbabwean ethnomusicologist, creative writer, culture consultant and scientist and a Senior Lecturer in the Department of Creative Media and Communications, University of Zimbabwe.
Konu
Popular music.
Ethnology __ Africa.
Culture.
Africa __ Politics and government.
Philosophy.
Postcolonialism.
Popular Music.
African Culture.
African Politics.
Post-Colonial Philosophy.
Ethnology __ Africa.
Culture.
Africa __ Politics and government.
Philosophy.
Postcolonialism.
Popular Music.
African Culture.
African Politics.
Post-Colonial Philosophy.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2022.
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505 0 |a1. Introduction; Ezra Chitando, Pauline Mateveke,Munyaradzi Nyakudya and Bridget Chinouriri -- Part 1: Personal Reconstruction -- 2. Oliver Mtukudzi and the Complexities of Transformative Masculinities; Ezra Chitando and Munyaradzi Nyakudya -- 3. Rebuilding the Self: Oliver Mtukudzi's Music as Pedagogy; Gibson Ncube and Yemurai Gwatirisa -- 4. Song as Matric of Parresia: Tuku and the Quest for Truth and Democratic Ethos in Society; Tasiyana D. Javangwe -- 5. Looking for the Join: Tuku Music as a Marker of Postcolonial White Zimbabwean Identity; Shannon Morreira -- 6. Mtukudzi: The (Re)constructor? One Who Makes Others Rich?; Reggemore Marongedze and Bridget Chinouriri -- Part 2: Cultural Reconstruction -- 7. Re-embracing One's Culture: Lessons from Oliver Mtukudzi's Songs; John Chitakure -- 8. Oliver Mtukudzi as a Cultural Activist: Exploring Africanness in Tuku Music; Allan T. Maganga, Chalres Tembo and Owen T. Chikara -- 9. Oliver Mtukudzi: Singing for Harmony to Heal out Land; Tariro Kamuti -- 10. Reappraising Indigenous Knowledge Systems: A Review of Oliver Mtukudzi's 'Sandi bonde'; Tenson Muyambo -- 11. Oliver Mtukudzi and the Rebuilding of the Lives of Orphans and Children on the Streets; Samson Mhizha -- Part 3: Political Reconstruction -- 12. Reinterpreting Oliver Mtukudzi's Tactical Praxis; Dube Edmore -- 13. Reading the Political Metaphor in Oliver Mtukudzi's 'Wasakara' and 'Ngomera': Calling for Cultures of Peace in Africa; Hugh Mangeya and Ernest Jakaza -- 14. Tuku, the Political Philosopher King; Charity Manyeruke -- Part 4: Religious Reconstruction -- 15. Resisting Foreign Intrusions: Celebrating the Spirituality of Indigenous Africans; Macloud Sipeyiye and Willian Chigidi -- 16. Music the Religion, Musicians the Priests, and the People the Congregants: The Music of Oliver Mtukudzi; Bridget Chinouriri -- 17. Spiritual Reconstruction: Oliver Mtukudzi's Spiritual Life and his Contribution to the Methodist Church in Zimbabwe; Martin Mujinga -- Part 5: Global Reconstruction -- 18. "Politics of Composition, Performance and Reception": Interrogating the Global Appeal of Oliver Mtukudzi; Margret Chipara -- 19. Breaking Boundaries, Transcending Differences: An Intercultural reading of Oliver Mtukudzi's Collaborative Musical Productions; Yemurai Gwatirisa and Gibson Ncube -- 20. Reconstructing the Global Order Through Ubuntu: The ethical insights in Sekuru (Grandpa) Tuku Music; Tinashe Muchuri.
520 |aThis book is a critical reflection on the life and career of the late legendary Zimbabwean music icon, Oliver “Tuku” Mtukudzi, and his contribution towards the reconstruction of Zimbabwe, Africa and the globe at large. Mtukudzi was a musician, philosopher, and human rights activist who espoused the agenda of reconstruction in order to bring about a better world, proposing personal, cultural, political, religious and global reconstruction. With twenty original chapters, this vibrant volume examines various themes and dimensions of Mtukudzi’s distinguished life and career, notably, how his music has been a powerful vehicle for societal reconstruction and cultural rejuvenation, specifically speaking to issues of culture, human rights, governance, peacebuilding, religion and identity, humanism, gender and politics, among others. The contributors explore the art of performance in Mtukudzi’s music and acting career, and how this facilitated his reconstruction agenda, offering freshand compelling perspectives into the role of performing artists and cultural workers such as Mtukudzi in presenting models for reconstructing the world. Ezra Chitando (PhD) is Professor of Religion in the Department of Philosophy, Religion and Ethics at the University of Zimbabwe, and Theology Consultant on HIV and AIDS for the World Council of Churches. He researches and publishes on music, religion and culture. He is the author of Sounds of Life: Music, Identity and Politics in Zimbabwe, (2016, co-edited with Mangena and Muwati), along with numerous other publications. Pauline Mateveke (PhD) is a Senior Lecturer in the Department of Language, Literature and Culture at the University of Zimbabwe. She holds a Doctor of Philosophy Degree in English specialising in Gender, Literature and Music. Her research interests include popular culture and literature, gender studies and literary criticism. Munyaradzi Nyakudya (PhD) is a Senior Lecturer in the Department of History, Heritage and Knowledge Systems at the University of Zimbabwe. He researches on the socio-political and economic history of African societies, with a special passion for ethnomusicology, peace and security studies; education, democratization and sustainable livelihoods. Bridget Chinouriri (PhD) is a Zimbabwean ethnomusicologist, creative writer, culture consultant and scientist and a Senior Lecturer in the Department of Creative Media and Communications, University of Zimbabwe.
650 0|aPopular music.
650 0|aEthnology|xAfrica.
650 0|aCulture.
650 0|aAfrica|xPolitics and government.
650 0|aPhilosophy.
650 0|aPostcolonialism.
650 14|aPopular Music.
650 24|aAfrican Culture.
650 24|aAfrican Politics.
650 24|aPost-Colonial Philosophy.
700 1 |aChitando, Ezra.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMateveke, Pauline.|eeditor.|0(orcid)0000-0003-4788-4125|1https://orcid.org/0000-0003-4788-4125|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNyakudya, Munyaradzi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aChinouriri, Bridget.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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776 08|iPrinted edition:|z9783030807276
776 08|iPrinted edition:|z9783030807290
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049 |aTürk Dil Kurumu Kütüphanesi
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072 7|aAVGN|2bicssc
072 7|aMUS029000|2bisacsh
072 7|aAVLP|2thema
082 04|a781.63|223
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245 14|aThe Life and Music of Oliver Mtukudzi|h[electronic resource] :|bReconstruction and Identity /|cedited by Ezra Chitando, Pauline Mateveke, Munyaradzi Nyakudya, Bridget Chinouriri.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXIV, 295 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction; Ezra Chitando, Pauline Mateveke,Munyaradzi Nyakudya and Bridget Chinouriri -- Part 1: Personal Reconstruction -- 2. Oliver Mtukudzi and the Complexities of Transformative Masculinities; Ezra Chitando and Munyaradzi Nyakudya -- 3. Rebuilding the Self: Oliver Mtukudzi's Music as Pedagogy; Gibson Ncube and Yemurai Gwatirisa -- 4. Song as Matric of Parresia: Tuku and the Quest for Truth and Democratic Ethos in Society; Tasiyana D. Javangwe -- 5. Looking for the Join: Tuku Music as a Marker of Postcolonial White Zimbabwean Identity; Shannon Morreira -- 6. Mtukudzi: The (Re)constructor? One Who Makes Others Rich?; Reggemore Marongedze and Bridget Chinouriri -- Part 2: Cultural Reconstruction -- 7. Re-embracing One's Culture: Lessons from Oliver Mtukudzi's Songs; John Chitakure -- 8. Oliver Mtukudzi as a Cultural Activist: Exploring Africanness in Tuku Music; Allan T. Maganga, Chalres Tembo and Owen T. Chikara -- 9. Oliver Mtukudzi: Singing for Harmony to Heal out Land; Tariro Kamuti -- 10. Reappraising Indigenous Knowledge Systems: A Review of Oliver Mtukudzi's 'Sandi bonde'; Tenson Muyambo -- 11. Oliver Mtukudzi and the Rebuilding of the Lives of Orphans and Children on the Streets; Samson Mhizha -- Part 3: Political Reconstruction -- 12. Reinterpreting Oliver Mtukudzi's Tactical Praxis; Dube Edmore -- 13. Reading the Political Metaphor in Oliver Mtukudzi's 'Wasakara' and 'Ngomera': Calling for Cultures of Peace in Africa; Hugh Mangeya and Ernest Jakaza -- 14. Tuku, the Political Philosopher King; Charity Manyeruke -- Part 4: Religious Reconstruction -- 15. Resisting Foreign Intrusions: Celebrating the Spirituality of Indigenous Africans; Macloud Sipeyiye and Willian Chigidi -- 16. Music the Religion, Musicians the Priests, and the People the Congregants: The Music of Oliver Mtukudzi; Bridget Chinouriri -- 17. Spiritual Reconstruction: Oliver Mtukudzi's Spiritual Life and his Contribution to the Methodist Church in Zimbabwe; Martin Mujinga -- Part 5: Global Reconstruction -- 18. "Politics of Composition, Performance and Reception": Interrogating the Global Appeal of Oliver Mtukudzi; Margret Chipara -- 19. Breaking Boundaries, Transcending Differences: An Intercultural reading of Oliver Mtukudzi's Collaborative Musical Productions; Yemurai Gwatirisa and Gibson Ncube -- 20. Reconstructing the Global Order Through Ubuntu: The ethical insights in Sekuru (Grandpa) Tuku Music; Tinashe Muchuri.
520 |aThis book is a critical reflection on the life and career of the late legendary Zimbabwean music icon, Oliver “Tuku” Mtukudzi, and his contribution towards the reconstruction of Zimbabwe, Africa and the globe at large. Mtukudzi was a musician, philosopher, and human rights activist who espoused the agenda of reconstruction in order to bring about a better world, proposing personal, cultural, political, religious and global reconstruction. With twenty original chapters, this vibrant volume examines various themes and dimensions of Mtukudzi’s distinguished life and career, notably, how his music has been a powerful vehicle for societal reconstruction and cultural rejuvenation, specifically speaking to issues of culture, human rights, governance, peacebuilding, religion and identity, humanism, gender and politics, among others. The contributors explore the art of performance in Mtukudzi’s music and acting career, and how this facilitated his reconstruction agenda, offering freshand compelling perspectives into the role of performing artists and cultural workers such as Mtukudzi in presenting models for reconstructing the world. Ezra Chitando (PhD) is Professor of Religion in the Department of Philosophy, Religion and Ethics at the University of Zimbabwe, and Theology Consultant on HIV and AIDS for the World Council of Churches. He researches and publishes on music, religion and culture. He is the author of Sounds of Life: Music, Identity and Politics in Zimbabwe, (2016, co-edited with Mangena and Muwati), along with numerous other publications. Pauline Mateveke (PhD) is a Senior Lecturer in the Department of Language, Literature and Culture at the University of Zimbabwe. She holds a Doctor of Philosophy Degree in English specialising in Gender, Literature and Music. Her research interests include popular culture and literature, gender studies and literary criticism. Munyaradzi Nyakudya (PhD) is a Senior Lecturer in the Department of History, Heritage and Knowledge Systems at the University of Zimbabwe. He researches on the socio-political and economic history of African societies, with a special passion for ethnomusicology, peace and security studies; education, democratization and sustainable livelihoods. Bridget Chinouriri (PhD) is a Zimbabwean ethnomusicologist, creative writer, culture consultant and scientist and a Senior Lecturer in the Department of Creative Media and Communications, University of Zimbabwe.
650 0|aPopular music.
650 0|aEthnology|xAfrica.
650 0|aCulture.
650 0|aAfrica|xPolitics and government.
650 0|aPhilosophy.
650 0|aPostcolonialism.
650 14|aPopular Music.
650 24|aAfrican Culture.
650 24|aAfrican Politics.
650 24|aPost-Colonial Philosophy.
700 1 |aChitando, Ezra.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMateveke, Pauline.|eeditor.|0(orcid)0000-0003-4788-4125|1https://orcid.org/0000-0003-4788-4125|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNyakudya, Munyaradzi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aChinouriri, Bridget.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030807276
776 08|iPrinted edition:|z9783030807290
776 08|iPrinted edition:|z9783030807306
856 40|uhttps://doi.org/10.1007/978-3-030-80728-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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