Theatre, Performance and Change [electronic resource] / edited by Stephani Etheridge Woodson, Tamara Underiner.
Erişim Adresi
ISBN
9783319658285
Dil Kodu
İngilizce
Yer Numarası
EK/5439
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
LV, 344 p. 4 illus. online resource.
İçindekiler Notu
1. Stephani Etheridge Woodson and Tamara Underiner; Introduction -- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change -- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum -- 4. David Calder; Street Performers Working for Change -- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change -- 6. Jan Cohen-Cruz; Uncommon Partnerships -- 7. Kathryn Dawson; Reflections on School Change through the Arts -- 8. Linda Essig; n=1 -- 9. John Fletcher; Denouement: Notes on the End(s) of Activism -- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event -- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences -- 12. Nadine George-Graves; An Environment of Cascading Consequences -- 13. Jamie Haft; Creating a Populist Theatre -- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation -- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre -- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change -- 17. Elizabeth Johnson; Choreography, Connections and Change -- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry -- 19. Michal Kobialka; “Of Change” -- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice -- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color -- 22. Robert H. Leonard; Theatre and Social Imaginaries -- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes -- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change -- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative -- 26. Talleri A. McRae; The Aesthetics of Inclusion -- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia) -- 28. Tobin Nellhaus; Big History -- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost -- 30. Jon D. Rossini; Shift 2 -- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising -- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs -- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes -- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook -- 35. W. B. Worthen; (Inter)disciplinary Change -- 36. Patricia Ybarra; The Administrator as Activist -- 37. Stephani Etheridge Woodson and Tamara Underiner. And…?
Özet, vb.
This book works to 'make change strange' from and for the field of theatre and performance studies. Growing from the idea that change is an under-interrogated category that over-determines theatre and performance as an artistic, social, educational, and material practice, the scholars and practitioners gathered here (including specialists in theatre history and literature, educational theatre, youth arts, arts policy, socially invested theatre, and activist performance) take up the question of change in thirty-five short essays. For anyone who has wondered about the relationships between theatre, performance and change itself, this book is an essential conversation starter.
Konu
Performing arts.
Theater.
Theater __ History.
Actors.
Theatre and Performance Arts.
Contemporary Theatre and Performance.
Performers and Practitioners.
Theater.
Theater __ History.
Actors.
Theatre and Performance Arts.
Contemporary Theatre and Performance.
Performers and Practitioners.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1. Stephani Etheridge Woodson and Tamara Underiner; Introduction -- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change -- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum -- 4. David Calder; Street Performers Working for Change -- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change -- 6. Jan Cohen-Cruz; Uncommon Partnerships -- 7. Kathryn Dawson; Reflections on School Change through the Arts -- 8. Linda Essig; n=1 -- 9. John Fletcher; Denouement: Notes on the End(s) of Activism -- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event -- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences -- 12. Nadine George-Graves; An Environment of Cascading Consequences -- 13. Jamie Haft; Creating a Populist Theatre -- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation -- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre -- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change -- 17. Elizabeth Johnson; Choreography, Connections and Change -- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry -- 19. Michal Kobialka; “Of Change” -- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice -- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color -- 22. Robert H. Leonard; Theatre and Social Imaginaries -- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes -- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change -- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative -- 26. Talleri A. McRae; The Aesthetics of Inclusion -- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia) -- 28. Tobin Nellhaus; Big History -- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost -- 30. Jon D. Rossini; Shift 2 -- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising -- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs -- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes -- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook -- 35. W. B. Worthen; (Inter)disciplinary Change -- 36. Patricia Ybarra; The Administrator as Activist -- 37. Stephani Etheridge Woodson and Tamara Underiner. And…?
520 |aThis book works to 'make change strange' from and for the field of theatre and performance studies. Growing from the idea that change is an under-interrogated category that over-determines theatre and performance as an artistic, social, educational, and material practice, the scholars and practitioners gathered here (including specialists in theatre history and literature, educational theatre, youth arts, arts policy, socially invested theatre, and activist performance) take up the question of change in thirty-five short essays. For anyone who has wondered about the relationships between theatre, performance and change itself, this book is an essential conversation starter.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aActors.
650 14|aTheatre and Performance Arts.
650 24|aContemporary Theatre and Performance.
650 24|aPerformers and Practitioners.
700 1 |aEtheridge Woodson, Stephani.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aUnderiner, Tamara.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319658278
776 08|iPrinted edition:|z9783319658292
776 08|iPrinted edition:|z9783319881126
856 40|uhttps://doi.org/10.1007/978-3-319-65828-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842226
003 TR_AnAIT
005 20260715024633
007 cr nn 008mamaa
008 171204s2018 sz | s |||| 0|eng d
020 |a9783319658285|9978-3-319-65828-5
024 7 |a10.1007/978-3-319-65828-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/5439
245 10|aTheatre, Performance and Change|h[electronic resource] /|cedited by Stephani Etheridge Woodson, Tamara Underiner.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aLV, 344 p. 4 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Stephani Etheridge Woodson and Tamara Underiner; Introduction -- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change -- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum -- 4. David Calder; Street Performers Working for Change -- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change -- 6. Jan Cohen-Cruz; Uncommon Partnerships -- 7. Kathryn Dawson; Reflections on School Change through the Arts -- 8. Linda Essig; n=1 -- 9. John Fletcher; Denouement: Notes on the End(s) of Activism -- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event -- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences -- 12. Nadine George-Graves; An Environment of Cascading Consequences -- 13. Jamie Haft; Creating a Populist Theatre -- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation -- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre -- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change -- 17. Elizabeth Johnson; Choreography, Connections and Change -- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry -- 19. Michal Kobialka; “Of Change” -- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice -- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color -- 22. Robert H. Leonard; Theatre and Social Imaginaries -- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes -- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change -- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative -- 26. Talleri A. McRae; The Aesthetics of Inclusion -- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia) -- 28. Tobin Nellhaus; Big History -- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost -- 30. Jon D. Rossini; Shift 2 -- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising -- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs -- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes -- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook -- 35. W. B. Worthen; (Inter)disciplinary Change -- 36. Patricia Ybarra; The Administrator as Activist -- 37. Stephani Etheridge Woodson and Tamara Underiner. And…?
520 |aThis book works to 'make change strange' from and for the field of theatre and performance studies. Growing from the idea that change is an under-interrogated category that over-determines theatre and performance as an artistic, social, educational, and material practice, the scholars and practitioners gathered here (including specialists in theatre history and literature, educational theatre, youth arts, arts policy, socially invested theatre, and activist performance) take up the question of change in thirty-five short essays. For anyone who has wondered about the relationships between theatre, performance and change itself, this book is an essential conversation starter.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aActors.
650 14|aTheatre and Performance Arts.
650 24|aContemporary Theatre and Performance.
650 24|aPerformers and Practitioners.
700 1 |aEtheridge Woodson, Stephani.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aUnderiner, Tamara.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319658278
776 08|iPrinted edition:|z9783319658292
776 08|iPrinted edition:|z9783319881126
856 40|uhttps://doi.org/10.1007/978-3-319-65828-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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