Viral Dramaturgies [electronic resource] : HIV and AIDS in Performance in the Twenty-First Century / edited by Alyson Campbell, Dirk Gindt.
Erişim Adresi
ISBN
9783319703176
Dil Kodu
İngilizce
Yer Numarası
EK/5521
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XXI, 417 p. 27 illus., 23 illus. in color. online resource.
İçindekiler Notu
1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century -- 2. Alyson Campbell: GL RY—A (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies -- 3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV -- 4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: ‘The Press / Supress / Our stories of happiness / They choose to define us / As “suffering headliners”’: Theatre-Making with Women Living with HIV -- 5. Peter Dickinson: ‘Still (Mighty) Real’: HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail -- 6. Marc Arthur: AIDS Memorialisation: A Biomedical Performance -- 7. Stephen Farrier: Re-membering AIDS, Dis-membering Form -- 8. Jayson A. Morrison: Finding ‘creative rebellious gay boys’ in the US AIDS Archive and Repertoire with the Aid of Bakhtinian Centrifugal Tendencies -- 9. Virginia Anderson: Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century -- 10. Sarahleigh Castelyn: Choreographing HIV and AIDS in Contemporary Dance in South Africa -- 11. Dirk Gindt: National Performances of Crying: Neoliberal Sentimentality and the Cultural Commodification of HIV and AIDS in Sweden -- 12. Ola Johansson: Prefigurative Performance in American and African AIDS Activism -- 13. Jacqueline Kauli: Awareness Community Theatre: A Local Response to HIV and AIDS in Papua New Guinea -- 14. Ivan Bujan: Blue Is, Blue Does: A Performance about Truvada in Several Interactions -- 15. Sky Gilbert: AIDS Theatre in a ‘Post-AIDS’ Era: Reflections on My Recent Plays -- 16. Alyson Campbell and Jonathan Graffam: Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme’s Blood on the Dance Floor -- 17. Alberto Sandoval-Sánchez: The Lazarus Effect: El SIDA/AIDS and Belated Mourning in Puerto Rican Theatre -- 18. Alyson Campbell and DirkGindt: Interview with Sarah Schulman: Corporate Culture, HIV Criminalisation, Historicising AIDS and the Role of Women in ACT UP -- Notes on Contributors.
Özet, vb.
This book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV. This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.
Konu
Performing arts.
Theater.
Theatre and Performance Arts.
Theater.
Theatre and Performance Arts.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century -- 2. Alyson Campbell: GL RY—A (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies -- 3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV -- 4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: ‘The Press / Supress / Our stories of happiness / They choose to define us / As “suffering headliners”’: Theatre-Making with Women Living with HIV -- 5. Peter Dickinson: ‘Still (Mighty) Real’: HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail -- 6. Marc Arthur: AIDS Memorialisation: A Biomedical Performance -- 7. Stephen Farrier: Re-membering AIDS, Dis-membering Form -- 8. Jayson A. Morrison: Finding ‘creative rebellious gay boys’ in the US AIDS Archive and Repertoire with the Aid of Bakhtinian Centrifugal Tendencies -- 9. Virginia Anderson: Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century -- 10. Sarahleigh Castelyn: Choreographing HIV and AIDS in Contemporary Dance in South Africa -- 11. Dirk Gindt: National Performances of Crying: Neoliberal Sentimentality and the Cultural Commodification of HIV and AIDS in Sweden -- 12. Ola Johansson: Prefigurative Performance in American and African AIDS Activism -- 13. Jacqueline Kauli: Awareness Community Theatre: A Local Response to HIV and AIDS in Papua New Guinea -- 14. Ivan Bujan: Blue Is, Blue Does: A Performance about Truvada in Several Interactions -- 15. Sky Gilbert: AIDS Theatre in a ‘Post-AIDS’ Era: Reflections on My Recent Plays -- 16. Alyson Campbell and Jonathan Graffam: Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme’s Blood on the Dance Floor -- 17. Alberto Sandoval-Sánchez: The Lazarus Effect: El SIDA/AIDS and Belated Mourning in Puerto Rican Theatre -- 18. Alyson Campbell and DirkGindt: Interview with Sarah Schulman: Corporate Culture, HIV Criminalisation, Historicising AIDS and the Role of Women in ACT UP -- Notes on Contributors.
520 |aThis book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV. This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aTheatre and Performance Arts.
700 1 |aCampbell, Alyson.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGindt, Dirk.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319703169
776 08|iPrinted edition:|z9783319703183
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856 40|uhttps://doi.org/10.1007/978-3-319-70317-6
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950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842232
003 TR_AnAIT
005 20260715024637
007 cr nn 008mamaa
008 180320s2018 sz | s |||| 0|eng d
020 |a9783319703176|9978-3-319-70317-6
024 7 |a10.1007/978-3-319-70317-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/5521
245 10|aViral Dramaturgies|h[electronic resource] :|bHIV and AIDS in Performance in the Twenty-First Century /|cedited by Alyson Campbell, Dirk Gindt.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXXI, 417 p. 27 illus., 23 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century -- 2. Alyson Campbell: GL RY—A (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies -- 3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV -- 4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: ‘The Press / Supress / Our stories of happiness / They choose to define us / As “suffering headliners”’: Theatre-Making with Women Living with HIV -- 5. Peter Dickinson: ‘Still (Mighty) Real’: HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail -- 6. Marc Arthur: AIDS Memorialisation: A Biomedical Performance -- 7. Stephen Farrier: Re-membering AIDS, Dis-membering Form -- 8. Jayson A. Morrison: Finding ‘creative rebellious gay boys’ in the US AIDS Archive and Repertoire with the Aid of Bakhtinian Centrifugal Tendencies -- 9. Virginia Anderson: Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century -- 10. Sarahleigh Castelyn: Choreographing HIV and AIDS in Contemporary Dance in South Africa -- 11. Dirk Gindt: National Performances of Crying: Neoliberal Sentimentality and the Cultural Commodification of HIV and AIDS in Sweden -- 12. Ola Johansson: Prefigurative Performance in American and African AIDS Activism -- 13. Jacqueline Kauli: Awareness Community Theatre: A Local Response to HIV and AIDS in Papua New Guinea -- 14. Ivan Bujan: Blue Is, Blue Does: A Performance about Truvada in Several Interactions -- 15. Sky Gilbert: AIDS Theatre in a ‘Post-AIDS’ Era: Reflections on My Recent Plays -- 16. Alyson Campbell and Jonathan Graffam: Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme’s Blood on the Dance Floor -- 17. Alberto Sandoval-Sánchez: The Lazarus Effect: El SIDA/AIDS and Belated Mourning in Puerto Rican Theatre -- 18. Alyson Campbell and DirkGindt: Interview with Sarah Schulman: Corporate Culture, HIV Criminalisation, Historicising AIDS and the Role of Women in ACT UP -- Notes on Contributors.
520 |aThis book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV. This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aTheatre and Performance Arts.
700 1 |aCampbell, Alyson.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGindt, Dirk.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319703169
776 08|iPrinted edition:|z9783319703183
776 08|iPrinted edition:|z9783030099459
856 40|uhttps://doi.org/10.1007/978-3-319-70317-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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