Cross-Cultural Encounters in Modern and Premodern China [electronic resource] : Global Networks, Mediation, and Intertextuality / edited by Kelly Kar Yue Chan, Chi Sum Garfield Lau.
Erişim Adresi
ISBN
9789811683756
Dil Kodu
İngilizce
Yer Numarası
EK/2985
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Springer, 2022.
Fiziksel Niteleme
XII, 197 p. 4 illus., 2 illus. in color. online resource.
Dizi
Chinese Culture, Globality, Connectivity and Modernity, 2662-9763 ; 3
İçindekiler Notu
Part 1: Reinvention of Tradition -- Chapter 1: Why must the Classics be “Confucian”? Some Reflections on Reading the “Confucian” Classics in the Contemporary World -- Chapter 2: A Strategic Universalism: An Interpretation of Chinese Cultural Conservatism through a Case Study of the Xueheng School -- Chapter 3: Yijing’s Evolution in Northern Europe: Gender Roles in the First Scandinavian Translations of the Book of Changes -- Part 2: Media and Mediation -- Chapter 4: The Prince is Going Astray in His Dream: Assonance or Dissonance in Adapting Shakespearean Plays to Cantonese Opera -- Chapter 5: Romantic Love, Self-Exaltation, and Social Rebellion: The Influence of Goethe’s Werther on Chinese Epistolary Novels in the 1920s and 1930s -- Chapter 6: At the Junction of Desire and Obligation: Analyzing Stefan Zweig’s Letter from an Unknown Woman and its Two Adaptations -- Chapter 7: Translating Western Girlhood: Laura M. White’s Chinese Translations of Sara Crewe (1888) -- Part 3: Globality and Modernity -- Chapter 8: Approaching the Cultural Identity of Multimedia Performance in Taiwan – Launching from the Reflection on Confucian Notions of Qì -- Chapter 9: The East-West Interstices of Third Space: Charting Hong Kong as a Kaleidoscope of Heterotopic Narratives -- Chapter 10: Multidirectional Exchange: Mapping the Emergence of the Silk Road Idea as a Global Cultural Imaginary. .
Özet, vb.
This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue. The assessment of cultural exchange in the East-West context involves the original source, the adapted text, and other enigmatic extras incurred during the process. It aims to evaluate the linkage among, but not limited to, literature, film, music, art, and performance. The sections unpack how canonical texts can be read anew in modern society; how ideas can be circulated around the world based on translation, adaptation, and reinvention; and how the global networks of circulation can facilitate cultural interaction and intervention. The authors engage discussions on longstanding debates and controversies relating to Chinese literature as world literature; reconciliations of cultural identity under the contemporary waves ofglobalization and glocalization; Chinese-Western film adaptations and their impact upon cinematic experiences; an understanding of gendered roles and voices under the social gaze; and the translation of texts from intertextual angles. An enriching intellectual, intertextual resource for researchers and students enthusiastic about the adaptation and transformation process of different genres, this book is a must-have for Sinophiles. It will appeal to world historians interested in the global networks of connectivity, scholars researching cultural life in East Asia, and China specialists interested in cultural studies, translation, and film, media and literary studies.
Konu
Oriental literature.
Culture __ Study and teaching.
Philosophy, Chinese.
Mass media and culture.
Civilization __ History.
Asian Literature.
Cultural Studies.
Chinese Philosophy.
Media Culture.
Cultural History.
Culture __ Study and teaching.
Philosophy, Chinese.
Mass media and culture.
Civilization __ History.
Asian Literature.
Cultural Studies.
Chinese Philosophy.
Media Culture.
Cultural History.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aCross-Cultural Encounters in Modern and Premodern China|h[electronic resource] :|bGlobal Networks, Mediation, and Intertextuality /|cedited by Kelly Kar Yue Chan, Chi Sum Garfield Lau.
250 |a1st ed. 2022.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2022.
300 |aXII, 197 p. 4 illus., 2 illus. in color.|bonline resource.
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520 |aThis book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue. The assessment of cultural exchange in the East-West context involves the original source, the adapted text, and other enigmatic extras incurred during the process. It aims to evaluate the linkage among, but not limited to, literature, film, music, art, and performance. The sections unpack how canonical texts can be read anew in modern society; how ideas can be circulated around the world based on translation, adaptation, and reinvention; and how the global networks of circulation can facilitate cultural interaction and intervention. The authors engage discussions on longstanding debates and controversies relating to Chinese literature as world literature; reconciliations of cultural identity under the contemporary waves ofglobalization and glocalization; Chinese-Western film adaptations and their impact upon cinematic experiences; an understanding of gendered roles and voices under the social gaze; and the translation of texts from intertextual angles. An enriching intellectual, intertextual resource for researchers and students enthusiastic about the adaptation and transformation process of different genres, this book is a must-have for Sinophiles. It will appeal to world historians interested in the global networks of connectivity, scholars researching cultural life in East Asia, and China specialists interested in cultural studies, translation, and film, media and literary studies.
650 0|aOriental literature.
650 0|aCulture|xStudy and teaching.
650 0|aPhilosophy, Chinese.
650 0|aMass media and culture.
650 0|aCivilization|xHistory.
650 14|aAsian Literature.
650 24|aCultural Studies.
650 24|aChinese Philosophy.
650 24|aMedia Culture.
650 24|aCultural History.
700 1 |aChan, Kelly Kar Yue.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGarfield Lau, Chi Sum.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811683749
776 08|iPrinted edition:|z9789811683763
776 08|iPrinted edition:|z9789811683770
830 0|aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v3
856 40|uhttps://doi.org/10.1007/978-981-16-8375-6
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912 |aZDB-2-SXL
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001 842259
003 TR_AnAIT
005 20260715024715
007 cr nn 008mamaa
008 220131s2022 si | s |||| 0|eng d
020 |a9789811683756|9978-981-16-8375-6
024 7 |a10.1007/978-981-16-8375-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPJ305.2-489
072 7|aDS|2bicssc
072 7|a1F|2bicssc
072 7|aLIT008000|2bisacsh
072 7|aDS|x1F|2thema
082 04|a809.895|223
090 |aEK/2985
245 10|aCross-Cultural Encounters in Modern and Premodern China|h[electronic resource] :|bGlobal Networks, Mediation, and Intertextuality /|cedited by Kelly Kar Yue Chan, Chi Sum Garfield Lau.
250 |a1st ed. 2022.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2022.
300 |aXII, 197 p. 4 illus., 2 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v3
505 0 |aPart 1: Reinvention of Tradition -- Chapter 1: Why must the Classics be “Confucian”? Some Reflections on Reading the “Confucian” Classics in the Contemporary World -- Chapter 2: A Strategic Universalism: An Interpretation of Chinese Cultural Conservatism through a Case Study of the Xueheng School -- Chapter 3: Yijing’s Evolution in Northern Europe: Gender Roles in the First Scandinavian Translations of the Book of Changes -- Part 2: Media and Mediation -- Chapter 4: The Prince is Going Astray in His Dream: Assonance or Dissonance in Adapting Shakespearean Plays to Cantonese Opera -- Chapter 5: Romantic Love, Self-Exaltation, and Social Rebellion: The Influence of Goethe’s Werther on Chinese Epistolary Novels in the 1920s and 1930s -- Chapter 6: At the Junction of Desire and Obligation: Analyzing Stefan Zweig’s Letter from an Unknown Woman and its Two Adaptations -- Chapter 7: Translating Western Girlhood: Laura M. White’s Chinese Translations of Sara Crewe (1888) -- Part 3: Globality and Modernity -- Chapter 8: Approaching the Cultural Identity of Multimedia Performance in Taiwan – Launching from the Reflection on Confucian Notions of Qì -- Chapter 9: The East-West Interstices of Third Space: Charting Hong Kong as a Kaleidoscope of Heterotopic Narratives -- Chapter 10: Multidirectional Exchange: Mapping the Emergence of the Silk Road Idea as a Global Cultural Imaginary. .
520 |aThis book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue. The assessment of cultural exchange in the East-West context involves the original source, the adapted text, and other enigmatic extras incurred during the process. It aims to evaluate the linkage among, but not limited to, literature, film, music, art, and performance. The sections unpack how canonical texts can be read anew in modern society; how ideas can be circulated around the world based on translation, adaptation, and reinvention; and how the global networks of circulation can facilitate cultural interaction and intervention. The authors engage discussions on longstanding debates and controversies relating to Chinese literature as world literature; reconciliations of cultural identity under the contemporary waves ofglobalization and glocalization; Chinese-Western film adaptations and their impact upon cinematic experiences; an understanding of gendered roles and voices under the social gaze; and the translation of texts from intertextual angles. An enriching intellectual, intertextual resource for researchers and students enthusiastic about the adaptation and transformation process of different genres, this book is a must-have for Sinophiles. It will appeal to world historians interested in the global networks of connectivity, scholars researching cultural life in East Asia, and China specialists interested in cultural studies, translation, and film, media and literary studies.
650 0|aOriental literature.
650 0|aCulture|xStudy and teaching.
650 0|aPhilosophy, Chinese.
650 0|aMass media and culture.
650 0|aCivilization|xHistory.
650 14|aAsian Literature.
650 24|aCultural Studies.
650 24|aChinese Philosophy.
650 24|aMedia Culture.
650 24|aCultural History.
700 1 |aChan, Kelly Kar Yue.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGarfield Lau, Chi Sum.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811683749
776 08|iPrinted edition:|z9789811683763
776 08|iPrinted edition:|z9789811683770
830 0|aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v3
856 40|uhttps://doi.org/10.1007/978-981-16-8375-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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