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020 |a9781137496089|9978-1-137-49608-9
024 7 |a10.1057/978-1-137-49608-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/4721
245 10|aPerforming the Secular|h[electronic resource] :|bReligion, Representation, and Politics /|cedited by Milija Gluhovic, Jisha Menon.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXXXVI, 258 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContemporary Performance InterActions,|x2634-5889
505 0 |aForeword; Rustom Bharucha.- 1. Introduction: Performing the Secular: Religion, Politics, and the Public Sphere; Milija Gluhovic and Jisha Menon.- 2. Of Hypocrisy: “Wherein the Action and Utterance of the Stage, Bar, and Pulpit are Distinctly Considered.”; Jane Taylor.- 3. Dangerous Images: Theatre and the transnational public sphere; Chris Balme -- 4. The “Secular Designs” of Wole Soyinka; Avishek Ganguly -- 5. This worldly wonderment: Contemporary British theatre and postsecularism; Chris Megson.- 6. Kamikaze specters and transgenerational memories in Winds of God; Jessica Nakamura.- 7. “Face-to-Face”: Open Secularism and the Politics of Display in Quebec’s Bouchard-Taylor Commission; Jordana Cox -- 8. Sacred Values and Secular Evangelism in the Bill Nye-Ken Ham Debate; John Fletcher.- 9. Making the Sacred Public: Women, Performance and Protest in Contemporary Manipur; Trina Banerjee.- 10. Ever, Again: Psychoanalysis, Secular Time, and the Performance of Witness; Ann Pellegrini.
520 |aWith a foreword from Rustom Bharucha, this book is a timely anthology which aims to unsettle our habituated modes of thinking about the place of the secular in cultural productions. The last decade alone has witnessed many religious protests against cultural productions, which have led, in some cases, to the closure of theatre and opera performances. Threats to artists led to the exile of Indian painter, MF Husain, and murder of Dutch film-maker Theo van Gogh, the controversy over the depiction of the Islamic prophet Muhammad in the Danish newspaper Jyllands-Posten in 2005 led to the cancellation of performances of Mozart’s Idomeneo for the season. Offering fresh and provocative readings that probe the limits and promise of secularity in relation to questions of performance, politics, and the public sphere, this book will be invaluable to scholars who seek to understand the dramatic rise of politicized theology in our new century.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPerforming arts.
650 0|aTheater.
650 14|aTheatre and Performance Arts.
700 1 |aGluhovic, Milija.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMenon, Jisha.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137496072
776 08|iPrinted edition:|z9781349697687
776 08|iPrinted edition:|z9781349697694
830 0|aContemporary Performance InterActions,|x2634-5889
856 40|uhttps://doi.org/10.1057/978-1-137-49608-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)