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020 |a9781137593238|9978-1-137-59323-8
024 7 |a10.1057/978-1-137-59323-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM621-656
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072 7|aSOC001000|2bisacsh
072 7|aJBCC|2thema
072 7|a5PB-US-C|2thema
082 04|a306.08996073|223
090 |aEK/5561
100 1 |aO'Brien, Daniel.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aBlack Masculinity on Film|h[electronic resource] :|bNative Sons and White Lies /|cby Daniel O'Brien.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aIX, 221 p. 20 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film,race, gender and colonial issues. Daniel O'Brien is Lecturer at the University of Southampton. He is a writer and historian in film studies and a film tutor in Medical Humanities. His recent publications include Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules (Palgrave Macmillan 2014).
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aAfrican Americans.
650 0|aCulture.
650 0|aMotion pictures, American.
650 0|aMotion picture plays, European.
650 0|aRace.
650 0|aSex.
650 14|aAfrican American Culture.
650 24|aAmerican Film and TV.
650 24|aEuropean Film and TV.
650 24|aRace and Ethnicity Studies.
650 24|aGender Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137593221
776 08|iPrinted edition:|z9781349939824
776 08|iPrinted edition:|z9781349939831
856 40|uhttps://doi.org/10.1057/978-1-137-59323-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)