Heading North [electronic resource] : The North of England in Film and Television / edited by Ewa Mazierska.
Erişim Adresi
ISBN
9783319525006
Dil Kodu
İngilizce
Yer Numarası
EK/3415
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XI, 305 p. 19 illus. online resource.
İçindekiler Notu
1. Chapter 1 - Introduction: Imagining the North of England, by Ewa Mazierska -- 2. Part 1: The North, History and an Archive. Chapter 2 - Knocking-off Time in the North: Images of the Working Class and History in L.S. Lowry and Mitchell and Kenyon, by Paul Dave -- 3. Chapter 3 - Mediating Northern Identities and Loyalties Through Visual Heritage: An Unfinished Journey, by Heather Norris Nicholson -- 4. Chapter 4 - To the Cheshire Station: Alan Garner and John Mackenzie’s Red Shift, by Brian Baker -- Part 2: The North and the Rural and Urban Identities. Chapter 5 - Screening South Yorkshire: The Gamekeeper and Looks and Smiles, by David Forrest and Sue Vice -- Chapter 6 - Re-reading Edge of Darkness: The Power of Northernness and the ‘Man of Feeling’, by Katharine Cockin -- Chapter 7 - Producing Habitus: ITV Soap Operas and the ‘Northern Powerhouse’, by Peter Atkinson -- Chapter 8 - Outlaws: Race, Class and Region in Recent Northern Legal Television Drama, by Andy Willis & Shivani Pal -- 9. Chapter 9 - It’s Grimm up North: Domestic Obscenity, Assimilation Anxiety and Medical Salvation in In the Flesh, by Amy C. Chambers and Hannah J. Elizabeth -- 10. Part 3: The North in a Transnational Context. Chapter 10 - Looking West, not South: The Anglo-American Films Agreement and the North on Film, 1948 to 1958, by Alan Hughes -- 11. Chapter 11 - The North and Europe in 24 Hour Party People and Control, by Ewa Mazierska and Kamila Rymajdo -- 12. Chapter 12 - From North to East: Children and the Spatial Allegory of Entrapment in Ken Loach’s Kes and Csaba Bollók’s Iska's Journey, by Zsolt Győri -- 13. Chapter 13 - The (Global) Northern Working Class: Engels Revisited, by Deirdre O’Neill. .
Özet, vb.
This collection presents a number of films and television programmes set in the North of England in an investigation of how northern identity imbricates with class, race, gender, rural and urban identities. Heading North considers famous screen images of the North, such as Coronation Street and Kes (1969), but the main purpose is to examine its lesser known facets. From Mitchell and Kenyon’s ‘Factory Gate’ films to recent horror series In the Flesh, the authors analyse how the dominant narrative of the North of England as an ‘oppressed region’ subordinated to the economically and politically powerful South of England is challenged. The book discusses the relationship between the North of England and the rest of the world and should be of interest to students of British cinema and television, as well as to those broadly interested in its history and culture.
Konu
Motion pictures __ Great Britain.
Ethnology __ Great Britain.
Culture.
Human geography.
Ethnology.
Sociology.
British Film and TV.
British Culture.
Human Geography.
Sociocultural Anthropology.
Sociology.
Ethnology __ Great Britain.
Culture.
Human geography.
Ethnology.
Sociology.
British Film and TV.
British Culture.
Human Geography.
Sociocultural Anthropology.
Sociology.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aHeading North|h[electronic resource] :|bThe North of England in Film and Television /|cedited by Ewa Mazierska.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXI, 305 p. 19 illus.|bonline resource.
336 |atext|btxt|2rdacontent
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338 |aonline resource|bcr|2rdacarrier
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505 0 |a1. Chapter 1 - Introduction: Imagining the North of England, by Ewa Mazierska -- 2. Part 1: The North, History and an Archive. Chapter 2 - Knocking-off Time in the North: Images of the Working Class and History in L.S. Lowry and Mitchell and Kenyon, by Paul Dave -- 3. Chapter 3 - Mediating Northern Identities and Loyalties Through Visual Heritage: An Unfinished Journey, by Heather Norris Nicholson -- 4. Chapter 4 - To the Cheshire Station: Alan Garner and John Mackenzie’s Red Shift, by Brian Baker -- Part 2: The North and the Rural and Urban Identities. Chapter 5 - Screening South Yorkshire: The Gamekeeper and Looks and Smiles, by David Forrest and Sue Vice -- Chapter 6 - Re-reading Edge of Darkness: The Power of Northernness and the ‘Man of Feeling’, by Katharine Cockin -- Chapter 7 - Producing Habitus: ITV Soap Operas and the ‘Northern Powerhouse’, by Peter Atkinson -- Chapter 8 - Outlaws: Race, Class and Region in Recent Northern Legal Television Drama, by Andy Willis & Shivani Pal -- 9. Chapter 9 - It’s Grimm up North: Domestic Obscenity, Assimilation Anxiety and Medical Salvation in In the Flesh, by Amy C. Chambers and Hannah J. Elizabeth -- 10. Part 3: The North in a Transnational Context. Chapter 10 - Looking West, not South: The Anglo-American Films Agreement and the North on Film, 1948 to 1958, by Alan Hughes -- 11. Chapter 11 - The North and Europe in 24 Hour Party People and Control, by Ewa Mazierska and Kamila Rymajdo -- 12. Chapter 12 - From North to East: Children and the Spatial Allegory of Entrapment in Ken Loach’s Kes and Csaba Bollók’s Iska's Journey, by Zsolt Győri -- 13. Chapter 13 - The (Global) Northern Working Class: Engels Revisited, by Deirdre O’Neill. .
520 |aThis collection presents a number of films and television programmes set in the North of England in an investigation of how northern identity imbricates with class, race, gender, rural and urban identities. Heading North considers famous screen images of the North, such as Coronation Street and Kes (1969), but the main purpose is to examine its lesser known facets. From Mitchell and Kenyon’s ‘Factory Gate’ films to recent horror series In the Flesh, the authors analyse how the dominant narrative of the North of England as an ‘oppressed region’ subordinated to the economically and politically powerful South of England is challenged. The book discusses the relationship between the North of England and the rest of the world and should be of interest to students of British cinema and television, as well as to those broadly interested in its history and culture.
650 0|aMotion pictures|xGreat Britain.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 0|aHuman geography.
650 0|aEthnology.
650 0|aSociology.
650 14|aBritish Film and TV.
650 24|aBritish Culture.
650 24|aHuman Geography.
650 24|aSociocultural Anthropology.
650 24|aSociology.
700 1 |aMazierska, Ewa.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
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776 08|iPrinted edition:|z9783319525013
776 08|iPrinted edition:|z9783319849171
856 40|uhttps://doi.org/10.1007/978-3-319-52500-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842326
003 TR_AnAIT
005 20260715024948
007 cr nn 008mamaa
008 170508s2017 sz | s |||| 0|eng d
020 |a9783319525006|9978-3-319-52500-6
024 7 |a10.1007/978-3-319-52500-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1DDU|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1DDU|2thema
082 04|a791.40941|223
090 |aEK/3415
245 10|aHeading North|h[electronic resource] :|bThe North of England in Film and Television /|cedited by Ewa Mazierska.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXI, 305 p. 19 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Chapter 1 - Introduction: Imagining the North of England, by Ewa Mazierska -- 2. Part 1: The North, History and an Archive. Chapter 2 - Knocking-off Time in the North: Images of the Working Class and History in L.S. Lowry and Mitchell and Kenyon, by Paul Dave -- 3. Chapter 3 - Mediating Northern Identities and Loyalties Through Visual Heritage: An Unfinished Journey, by Heather Norris Nicholson -- 4. Chapter 4 - To the Cheshire Station: Alan Garner and John Mackenzie’s Red Shift, by Brian Baker -- Part 2: The North and the Rural and Urban Identities. Chapter 5 - Screening South Yorkshire: The Gamekeeper and Looks and Smiles, by David Forrest and Sue Vice -- Chapter 6 - Re-reading Edge of Darkness: The Power of Northernness and the ‘Man of Feeling’, by Katharine Cockin -- Chapter 7 - Producing Habitus: ITV Soap Operas and the ‘Northern Powerhouse’, by Peter Atkinson -- Chapter 8 - Outlaws: Race, Class and Region in Recent Northern Legal Television Drama, by Andy Willis & Shivani Pal -- 9. Chapter 9 - It’s Grimm up North: Domestic Obscenity, Assimilation Anxiety and Medical Salvation in In the Flesh, by Amy C. Chambers and Hannah J. Elizabeth -- 10. Part 3: The North in a Transnational Context. Chapter 10 - Looking West, not South: The Anglo-American Films Agreement and the North on Film, 1948 to 1958, by Alan Hughes -- 11. Chapter 11 - The North and Europe in 24 Hour Party People and Control, by Ewa Mazierska and Kamila Rymajdo -- 12. Chapter 12 - From North to East: Children and the Spatial Allegory of Entrapment in Ken Loach’s Kes and Csaba Bollók’s Iska's Journey, by Zsolt Győri -- 13. Chapter 13 - The (Global) Northern Working Class: Engels Revisited, by Deirdre O’Neill. .
520 |aThis collection presents a number of films and television programmes set in the North of England in an investigation of how northern identity imbricates with class, race, gender, rural and urban identities. Heading North considers famous screen images of the North, such as Coronation Street and Kes (1969), but the main purpose is to examine its lesser known facets. From Mitchell and Kenyon’s ‘Factory Gate’ films to recent horror series In the Flesh, the authors analyse how the dominant narrative of the North of England as an ‘oppressed region’ subordinated to the economically and politically powerful South of England is challenged. The book discusses the relationship between the North of England and the rest of the world and should be of interest to students of British cinema and television, as well as to those broadly interested in its history and culture.
650 0|aMotion pictures|xGreat Britain.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 0|aHuman geography.
650 0|aEthnology.
650 0|aSociology.
650 14|aBritish Film and TV.
650 24|aBritish Culture.
650 24|aHuman Geography.
650 24|aSociocultural Anthropology.
650 24|aSociology.
700 1 |aMazierska, Ewa.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319524993
776 08|iPrinted edition:|z9783319525013
776 08|iPrinted edition:|z9783319849171
856 40|uhttps://doi.org/10.1007/978-3-319-52500-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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