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008 161207s2017 sz | s |||| 0|eng d
020 |a9783319393186|9978-3-319-39318-6
024 7 |a10.1007/978-3-319-39318-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1D|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1D|2thema
082 04|a791.4094|223
090 |aEK/5549
100 1 |aWilliam, Jennifer Marston.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aCognitive Approaches to German Historical Film|h[electronic resource] :|bSeeing is Not Believing /|cby Jennifer Marston William.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aIX, 200 p. 5 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aCognitive Studies in Literature and Performance,|x2945-7300
505 0 |a.1. Introduction: What this Book is, and is Not -- 2. Conceptual Blending and Imagining Historical Time and Space -- 3. Theory of Mind and the Cinematic Retelling of History -- 4. Perspective-Taking and Empathic Responses to Historical Film -- 5. Epilogue: Examining the Mind’s Eye through the Viewer’s Eye: Implications and Future Directions.
520 |aThis book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies—namely conceptual blending, Theory of Mind, and empathy/perspective-taking—through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema’s potential to stimulate viewers’ critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and TheBaader-Meinhof Complex.
650 0|aMotion picture plays, European.
650 0|aMotion pictures.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 14|aEuropean Film and TV.
650 24|aFilm Theory.
650 24|aEuropean Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319393179
776 08|iPrinted edition:|z9783319393193
776 08|iPrinted edition:|z9783319818658
830 0|aCognitive Studies in Literature and Performance,|x2945-7300
856 40|uhttps://doi.org/10.1007/978-3-319-39318-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)