Transnationalism in East and Southeast Asian Comics Art [electronic resource] / edited by John A. Lent, Wendy Siuyi Wong, Benjamin Wai–ming Ng.
Erişim Adresi
ISBN
9783030952433
Dil Kodu
İngilizce
Yer Numarası
EK/2986
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XX, 297 p. 82 illus., 49 illus. in color. online resource.
İçindekiler Notu
Chapter 1 - Introduction -- PART 1: EAST ASIA -- Chapter 2 - Defining Shao-nu Manhua: Standing on the Shoulders of Shojo Manga -- Chapter 3 -A Study of Chinese Political Cartooning in Japan -- Chapter 4- Performing Chineseness, Translated Histories: Taiwanese Cartoonist Cheng Uen’s Comic Aesthetics and Legacy in East Asia -- Chapter 5 - Wang Ning and the Transnationalization of China’s Comic Books -- Chapter 6 - South Korean Manhwa’s Long and Strong Association with Transnationalism -- Chapter 7 - A Fledgling Mongolian Comics Company and Its Transnational Ambitions -- PART II: SOUTHEAST ASIA -- Chapter 8 - Khmer Conversations: Cambodian Comics in Context -- Chapter 9 - Images of Women in Indonesian Comics -- Chapter 10 - An Historical Overview of Transnationalism in Malaysian Cartoons -- Chapter 11 - Wife, Child, Illegal: Shifting Representations of Filipinos in Japanese Manga -- Chapter 12 - Transnational Efforts in Southeast Asian Comics -- Chapter 13 - Thailand (Contributor still being sought) -- Chapter 14 - Struggle to Grow: How Vietnamese Comic Art Is Finding Its Own Voice.
Özet, vb.
This book explores various aspects of transnationalism and comics art in six East Asian and seven Southeast Asian countries/territories. The 14 richly illustrated chapters embrace comics, cartoons, and animation relative to offshore production, transnational ownership, multinational collaboration, border crossings of comics art creators and characters, expansion of overseas markets, cartoonists in political exile, colonial underpinnings, adaptation of foreign styles and formats, representation of other cultures, and more. Using case studies, historical accounts, descriptive overviews, individual artists’ profiles, and representational analyses, and fascinatingly told through techniques as document use, interviews, observation, and textual analyses, the end result is a thorough, interesting, and compact volume on transnationalism and comics art in East and Southeast Asia. John A. Lent is a professor emeritus with 50 years of teaching and is founding publisher/editor-in-chief of International Journal of Comic Art. He is the author or editor of 85 books and a pioneer in studies of Asian and Caribbean mass communication, popular culture, comic art and animation, and development communication. Wendy Siuyi Wong is a professor in the Department of Design at York University in Toronto, Canada. She is the author of Hong Kong Comics: A History of Manhua (2002), published by Princeton Architectural Press, and her latest book, entitled The Disappearance of Hong Kong in Comics, Advertising and Graphic Design (2018), published by Palgrave Macmillan. Benjamin Waiming Ng is professor of Japanese Studies at the Chinese University of Hong Kong. He researches and teaches Japanese history, Japan–Hong Kong relations, and Japanese popular culture. He is the author of Japanese Popular Culture in Hong Kong (Hong Kong Commercial Press, 2015).
Konu
Comic books, strips, etc. __ Influence on mass media.
Ethnology __ Asia.
Culture.
Popular Culture.
Comics Studies.
Asian Culture.
Popular Culture.
Ethnology __ Asia.
Culture.
Popular Culture.
Comics Studies.
Asian Culture.
Popular Culture.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aTransnationalism in East and Southeast Asian Comics Art|h[electronic resource] /|cedited by John A. Lent, Wendy Siuyi Wong, Benjamin Wai–ming Ng.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXX, 297 p. 82 illus., 49 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
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338 |aonline resource|bcr|2rdacarrier
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505 0 |aChapter 1 - Introduction -- PART 1: EAST ASIA -- Chapter 2 - Defining Shao-nu Manhua: Standing on the Shoulders of Shojo Manga -- Chapter 3 -A Study of Chinese Political Cartooning in Japan -- Chapter 4- Performing Chineseness, Translated Histories: Taiwanese Cartoonist Cheng Uen’s Comic Aesthetics and Legacy in East Asia -- Chapter 5 - Wang Ning and the Transnationalization of China’s Comic Books -- Chapter 6 - South Korean Manhwa’s Long and Strong Association with Transnationalism -- Chapter 7 - A Fledgling Mongolian Comics Company and Its Transnational Ambitions -- PART II: SOUTHEAST ASIA -- Chapter 8 - Khmer Conversations: Cambodian Comics in Context -- Chapter 9 - Images of Women in Indonesian Comics -- Chapter 10 - An Historical Overview of Transnationalism in Malaysian Cartoons -- Chapter 11 - Wife, Child, Illegal: Shifting Representations of Filipinos in Japanese Manga -- Chapter 12 - Transnational Efforts in Southeast Asian Comics -- Chapter 13 - Thailand (Contributor still being sought) -- Chapter 14 - Struggle to Grow: How Vietnamese Comic Art Is Finding Its Own Voice.
520 |aThis book explores various aspects of transnationalism and comics art in six East Asian and seven Southeast Asian countries/territories. The 14 richly illustrated chapters embrace comics, cartoons, and animation relative to offshore production, transnational ownership, multinational collaboration, border crossings of comics art creators and characters, expansion of overseas markets, cartoonists in political exile, colonial underpinnings, adaptation of foreign styles and formats, representation of other cultures, and more. Using case studies, historical accounts, descriptive overviews, individual artists’ profiles, and representational analyses, and fascinatingly told through techniques as document use, interviews, observation, and textual analyses, the end result is a thorough, interesting, and compact volume on transnationalism and comics art in East and Southeast Asia. John A. Lent is a professor emeritus with 50 years of teaching and is founding publisher/editor-in-chief of International Journal of Comic Art. He is the author or editor of 85 books and a pioneer in studies of Asian and Caribbean mass communication, popular culture, comic art and animation, and development communication. Wendy Siuyi Wong is a professor in the Department of Design at York University in Toronto, Canada. She is the author of Hong Kong Comics: A History of Manhua (2002), published by Princeton Architectural Press, and her latest book, entitled The Disappearance of Hong Kong in Comics, Advertising and Graphic Design (2018), published by Palgrave Macmillan. Benjamin Waiming Ng is professor of Japanese Studies at the Chinese University of Hong Kong. He researches and teaches Japanese history, Japan–Hong Kong relations, and Japanese popular culture. He is the author of Japanese Popular Culture in Hong Kong (Hong Kong Commercial Press, 2015).
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aComic books, strips, etc.|xInfluence on mass media.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aPopular Culture.
650 14|aComics Studies.
650 24|aAsian Culture.
650 24|aPopular Culture.
700 1 |aLent, John A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWong, Wendy Siuyi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNg, Benjamin Wai–ming.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030952426
776 08|iPrinted edition:|z9783030952440
776 08|iPrinted edition:|z9783030952457
856 40|uhttps://doi.org/10.1007/978-3-030-95243-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842407
003 TR_AnAIT
005 20260715025123
007 cr nn 008mamaa
008 221003s2022 sz | s |||| 0|eng d
020 |a9783030952433|9978-3-030-95243-3
024 7 |a10.1007/978-3-030-95243-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP94.6-.65
050 4|aPN6700-6790
072 7|aJFD|2bicssc
072 7|aFX|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
072 7|aX|2thema
082 04|a306.488|223
082 04|a741.5|223
090 |aEK/2986
245 10|aTransnationalism in East and Southeast Asian Comics Art|h[electronic resource] /|cedited by John A. Lent, Wendy Siuyi Wong, Benjamin Wai–ming Ng.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXX, 297 p. 82 illus., 49 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1 - Introduction -- PART 1: EAST ASIA -- Chapter 2 - Defining Shao-nu Manhua: Standing on the Shoulders of Shojo Manga -- Chapter 3 -A Study of Chinese Political Cartooning in Japan -- Chapter 4- Performing Chineseness, Translated Histories: Taiwanese Cartoonist Cheng Uen’s Comic Aesthetics and Legacy in East Asia -- Chapter 5 - Wang Ning and the Transnationalization of China’s Comic Books -- Chapter 6 - South Korean Manhwa’s Long and Strong Association with Transnationalism -- Chapter 7 - A Fledgling Mongolian Comics Company and Its Transnational Ambitions -- PART II: SOUTHEAST ASIA -- Chapter 8 - Khmer Conversations: Cambodian Comics in Context -- Chapter 9 - Images of Women in Indonesian Comics -- Chapter 10 - An Historical Overview of Transnationalism in Malaysian Cartoons -- Chapter 11 - Wife, Child, Illegal: Shifting Representations of Filipinos in Japanese Manga -- Chapter 12 - Transnational Efforts in Southeast Asian Comics -- Chapter 13 - Thailand (Contributor still being sought) -- Chapter 14 - Struggle to Grow: How Vietnamese Comic Art Is Finding Its Own Voice.
520 |aThis book explores various aspects of transnationalism and comics art in six East Asian and seven Southeast Asian countries/territories. The 14 richly illustrated chapters embrace comics, cartoons, and animation relative to offshore production, transnational ownership, multinational collaboration, border crossings of comics art creators and characters, expansion of overseas markets, cartoonists in political exile, colonial underpinnings, adaptation of foreign styles and formats, representation of other cultures, and more. Using case studies, historical accounts, descriptive overviews, individual artists’ profiles, and representational analyses, and fascinatingly told through techniques as document use, interviews, observation, and textual analyses, the end result is a thorough, interesting, and compact volume on transnationalism and comics art in East and Southeast Asia. John A. Lent is a professor emeritus with 50 years of teaching and is founding publisher/editor-in-chief of International Journal of Comic Art. He is the author or editor of 85 books and a pioneer in studies of Asian and Caribbean mass communication, popular culture, comic art and animation, and development communication. Wendy Siuyi Wong is a professor in the Department of Design at York University in Toronto, Canada. She is the author of Hong Kong Comics: A History of Manhua (2002), published by Princeton Architectural Press, and her latest book, entitled The Disappearance of Hong Kong in Comics, Advertising and Graphic Design (2018), published by Palgrave Macmillan. Benjamin Waiming Ng is professor of Japanese Studies at the Chinese University of Hong Kong. He researches and teaches Japanese history, Japan–Hong Kong relations, and Japanese popular culture. He is the author of Japanese Popular Culture in Hong Kong (Hong Kong Commercial Press, 2015).
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aComic books, strips, etc.|xInfluence on mass media.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aPopular Culture.
650 14|aComics Studies.
650 24|aAsian Culture.
650 24|aPopular Culture.
700 1 |aLent, John A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWong, Wendy Siuyi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNg, Benjamin Wai–ming.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030952426
776 08|iPrinted edition:|z9783030952440
776 08|iPrinted edition:|z9783030952457
856 40|uhttps://doi.org/10.1007/978-3-030-95243-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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