European Film and Television Co-production [electronic resource] : Policy and Practice / edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall.
Erişim Adresi
ISBN
9783319971575
Dil Kodu
İngilizce
Yer Numarası
EK/5944
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XXIII, 365 p. 26 illus., 13 illus. in color. online resource.
Dizi
Palgrave European Film and Media Studies, 2634-6168
İçindekiler Notu
1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: “Extroversion” as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel, Petar Mitric -- 19. ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. ‘European Television Co-productions’—an interview with Klaus Zimmermann, Benjamin Harris -- 21. ‘Co-production Case Study: Ida by Pawel Pawlikowski’— an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont, Katell Leon.
Özet, vb.
This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
Konu
Motion picture plays, European.
Motion picture industry.
Television broadcasting.
Cultural policy.
Communication.
Culture __ Study and teaching.
European Film and TV.
Film and Television Industry.
Cultural Policy and Politics.
Media and Communication.
Cultural Studies.
Motion picture industry.
Television broadcasting.
Cultural policy.
Communication.
Culture __ Study and teaching.
European Film and TV.
Film and Television Industry.
Cultural Policy and Politics.
Media and Communication.
Cultural Studies.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
650 0|aMotion picture plays, European.
650 0|aMotion picture industry.
650 0|aTelevision broadcasting.
650 0|aCultural policy.
650 0|aCommunication.
650 0|aCulture|xStudy and teaching.
650 14|aEuropean Film and TV.
650 24|aFilm and Television Industry.
650 24|aCultural Policy and Politics.
650 24|aMedia and Communication.
650 24|aCultural Studies.
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700 1 |aMitric, Petar.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNovrup Redvall, Eva.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319971568
776 08|iPrinted edition:|z9783319971582
830 0|aPalgrave European Film and Media Studies,|x2634-6168
856 40|uhttps://doi.org/10.1007/978-3-319-97157-5
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912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
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001 842438
003 TR_AnAIT
005 20260715025147
007 cr nn 008mamaa
008 190128s2018 sz | s |||| 0|eng d
020 |a9783319971575|9978-3-319-97157-5
024 7 |a10.1007/978-3-319-97157-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1D|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1D|2thema
082 04|a791.4094|223
090 |aEK/5944
245 10|aEuropean Film and Television Co-production|h[electronic resource] :|bPolicy and Practice /|cedited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXXIII, 365 p. 26 illus., 13 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave European Film and Media Studies,|x2634-6168
505 0 |a1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: “Extroversion” as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel, Petar Mitric -- 19. ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. ‘European Television Co-productions’—an interview with Klaus Zimmermann, Benjamin Harris -- 21. ‘Co-production Case Study: Ida by Pawel Pawlikowski’— an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont, Katell Leon.
520 |aThis volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
650 0|aMotion picture plays, European.
650 0|aMotion picture industry.
650 0|aTelevision broadcasting.
650 0|aCultural policy.
650 0|aCommunication.
650 0|aCulture|xStudy and teaching.
650 14|aEuropean Film and TV.
650 24|aFilm and Television Industry.
650 24|aCultural Policy and Politics.
650 24|aMedia and Communication.
650 24|aCultural Studies.
700 1 |aHammett-Jamart, Julia.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMitric, Petar.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNovrup Redvall, Eva.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319971568
776 08|iPrinted edition:|z9783319971582
830 0|aPalgrave European Film and Media Studies,|x2634-6168
856 40|uhttps://doi.org/10.1007/978-3-319-97157-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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