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020 |a9783030937836|9978-3-030-93783-6
024 7 |a10.1007/978-3-030-93783-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN715-749
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090 |aEK/5570
245 10|aOnscreen Allusions to Shakespeare|h[electronic resource] :|bInternational Films, Television, and Theatre /|cedited by Alexa Alice Joubin, Victoria Bladen.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXV, 225 p. 13 illus., 11 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aGlobal Shakespeares,|x2947-891X
505 0 |aChapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006) -- Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in Australian Film -- Chapter 3. Othello Surfing: Fragments of Shakespeare in South Africa -- Chapter 4. Shakespeare in Bits and Bites in Indian Cinema -- Chapter 5. What “doth grace for grace and love for love allow”?: Recreations of the Balcony Scenes on Brazilian Screens -- Chapter 6. “Mon petit doigt m’a dit …”: Referencing Shakespeare or Agatha Christie? -- Chapter 7. Shakespeare’s Julius Caesar in Federico Fellini’s Roma -- Chapter 8. “Still Our Contemporary” in East Central Europe? Post-socialist Shakespearean Allusions and Frameworks of Reference -- Chapter 9. Soviet and Post-Soviet References to Hamlet on Film and Television.
520 |aAllusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare’s plays and motifs have been appropriated in fragmentary forms onstage and onscreen since motion pictures were invented in 1893. This collection of essays extends beyond a US-UK axis to bring together an international group of scholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works. Alexa Alice Joubin is founding Co-Director of the Digital Humanities Institute and Professor of English, Women’s, Gender and Sexuality Studies, Theatre, East Asian Languages and Literatures, and International Affairs at George Washington University in Washington, D.C., USA. Her latest book is Shakespeare and East Asia (2021). Victoria Bladen teaches literary studies and adaptation at the University of Queensland, Australia. Her latest book is The Tree of Life and Arboreal Aesthetics in Early Modern Literature (2021).
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aEarly Modern and Renaissance Literature.
650 24|aAdaptation Studies.
650 24|aFilm and Television Studies.
650 24|aTheatre and Performance Arts.
700 1 |aJoubin, Alexa Alice.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aBladen, Victoria.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030937829
776 08|iPrinted edition:|z9783030937843
776 08|iPrinted edition:|z9783030937850
830 0|aGlobal Shakespeares,|x2947-891X
856 40|uhttps://doi.org/10.1007/978-3-030-93783-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)