Popular Music Scenes [electronic resource] : Regional and Rural Perspectives / edited by Andy Bennett, David Cashman, Ben Green, Natalie Lewandowski.
Erişim Adresi
ISBN
9783031086151
Dil Kodu
İngilizce
Yer Numarası
EK/5565
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XXXI, 253 p. 12 illus., 9 illus. in color. online resource.
Dizi
Pop Music, Culture and Identity, 2634-6621
İçindekiler Notu
1. From regional scenes to national networks: Negotiating between geographical hierarchies in French and American rap music -- 2. Music from the end of the land: Understanding the dynamics of place, culture and heritage in music making in rural Pembrokeshire -- 3. The Station? We play, we eat, we work -- 4. Regional scenes, public service music radio, and the mediatisation of Murcian pop music -- 5. Between EU and Myspace: Évora’s independent music scene in rural Portugal during the 1990s -- 6. Take me to Church: Developing translocal music worlds through the creative peripheral placemaking and programming of Other Voices -- 7. Regional and remote area recording studios in Australia: Local in content but global in reach -- 8. Britain's backroom blues: An ethnographic study of Kent's independent blues club scene -- 9. In the middle of nowhere – Eisenach and its organically grown blues and jazz infrastructure -- 10. “Down in Albury”: A historical overview of the popular music scene in Albury 1960-2018 -- 11. Acting out individualism: The rural rock discotheque in Northern Germany in the 1970s -- 12. Competing to belong: Tourist music workshops as peripheral spaces of belonging -- 13. Dojin Ongaku: Regional musicians influencing national and international music scenes -- 14. Indonesian Jazz: Regional networks, local stages, and an emerging national music -- 15. Fragmented, positive and negative: Live music venues in regional Queensland./.
Özet, vb.
This book examines regional and rural popular music scenes in Europe, Asia, North America and Australia. The book is divided into four parts. Part 1 will focus on the spatial aspects of regional popular music scenes and how place and locality inform the perceptions and discourses of those involved in such scenes. Part 2 focuses on the technologies and forms of distribution whereby regional and rural popular music scenes exist and, in many cases co-exist in forms of trans-local connection with other scenes. Part 3 considers the importance of collective memory in the way that regional and rural popular music scenes are constructed in both the past and the present. Part 4 examines themes of industry and policy, in relation to culture and music, as these impact on the nature and identity of rural and regional popular music scenes. Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University in Queensland, Australia. He has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). David Cashman is an Adjunct Associate Professor of Contemporary Music at Southern Cross University. He writes on regional music scenes, live popular music, and music and tourism. Ben Green is a Postdoctoral Research Fellow of the Griffith Centre for Social and Cultural Research at Griffith University in Queensland, Australia. He is the author of Peak Music Experiences: A New Perspective on Popular Music, Identity and Scenes. Natalie Lewandowski is an Adjunct of the Creative Arts Institute at Griffith University in Queensland, Australia. Her experience working across government, the arts, academia and commercial industries has resulted in publications and engagement with film sound, music sustainability, music and wellbeing.
Konu
Popular music.
Music.
Ethnology.
Culture.
Popular Music.
Music.
Regional Cultural Studies.
Music.
Ethnology.
Culture.
Popular Music.
Music.
Regional Cultural Studies.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis book examines regional and rural popular music scenes in Europe, Asia, North America and Australia. The book is divided into four parts. Part 1 will focus on the spatial aspects of regional popular music scenes and how place and locality inform the perceptions and discourses of those involved in such scenes. Part 2 focuses on the technologies and forms of distribution whereby regional and rural popular music scenes exist and, in many cases co-exist in forms of trans-local connection with other scenes. Part 3 considers the importance of collective memory in the way that regional and rural popular music scenes are constructed in both the past and the present. Part 4 examines themes of industry and policy, in relation to culture and music, as these impact on the nature and identity of rural and regional popular music scenes. Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University in Queensland, Australia. He has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). David Cashman is an Adjunct Associate Professor of Contemporary Music at Southern Cross University. He writes on regional music scenes, live popular music, and music and tourism. Ben Green is a Postdoctoral Research Fellow of the Griffith Centre for Social and Cultural Research at Griffith University in Queensland, Australia. He is the author of Peak Music Experiences: A New Perspective on Popular Music, Identity and Scenes. Natalie Lewandowski is an Adjunct of the Creative Arts Institute at Griffith University in Queensland, Australia. Her experience working across government, the arts, academia and commercial industries has resulted in publications and engagement with film sound, music sustainability, music and wellbeing.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPopular music.
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650 0|aEthnology.
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700 1 |aGreen, Ben.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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776 08|iPrinted edition:|z9783031086175
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049 |aTürk Dil Kurumu Kütüphanesi
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072 7|aMUS029000|2bisacsh
072 7|aAVLP|2thema
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245 10|aPopular Music Scenes|h[electronic resource] :|bRegional and Rural Perspectives /|cedited by Andy Bennett, David Cashman, Ben Green, Natalie Lewandowski.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXXXI, 253 p. 12 illus., 9 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPop Music, Culture and Identity,|x2634-6621
505 0 |a1. From regional scenes to national networks: Negotiating between geographical hierarchies in French and American rap music -- 2. Music from the end of the land: Understanding the dynamics of place, culture and heritage in music making in rural Pembrokeshire -- 3. The Station? We play, we eat, we work -- 4. Regional scenes, public service music radio, and the mediatisation of Murcian pop music -- 5. Between EU and Myspace: Évora’s independent music scene in rural Portugal during the 1990s -- 6. Take me to Church: Developing translocal music worlds through the creative peripheral placemaking and programming of Other Voices -- 7. Regional and remote area recording studios in Australia: Local in content but global in reach -- 8. Britain's backroom blues: An ethnographic study of Kent's independent blues club scene -- 9. In the middle of nowhere – Eisenach and its organically grown blues and jazz infrastructure -- 10. “Down in Albury”: A historical overview of the popular music scene in Albury 1960-2018 -- 11. Acting out individualism: The rural rock discotheque in Northern Germany in the 1970s -- 12. Competing to belong: Tourist music workshops as peripheral spaces of belonging -- 13. Dojin Ongaku: Regional musicians influencing national and international music scenes -- 14. Indonesian Jazz: Regional networks, local stages, and an emerging national music -- 15. Fragmented, positive and negative: Live music venues in regional Queensland./.
520 |aThis book examines regional and rural popular music scenes in Europe, Asia, North America and Australia. The book is divided into four parts. Part 1 will focus on the spatial aspects of regional popular music scenes and how place and locality inform the perceptions and discourses of those involved in such scenes. Part 2 focuses on the technologies and forms of distribution whereby regional and rural popular music scenes exist and, in many cases co-exist in forms of trans-local connection with other scenes. Part 3 considers the importance of collective memory in the way that regional and rural popular music scenes are constructed in both the past and the present. Part 4 examines themes of industry and policy, in relation to culture and music, as these impact on the nature and identity of rural and regional popular music scenes. Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University in Queensland, Australia. He has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). David Cashman is an Adjunct Associate Professor of Contemporary Music at Southern Cross University. He writes on regional music scenes, live popular music, and music and tourism. Ben Green is a Postdoctoral Research Fellow of the Griffith Centre for Social and Cultural Research at Griffith University in Queensland, Australia. He is the author of Peak Music Experiences: A New Perspective on Popular Music, Identity and Scenes. Natalie Lewandowski is an Adjunct of the Creative Arts Institute at Griffith University in Queensland, Australia. Her experience working across government, the arts, academia and commercial industries has resulted in publications and engagement with film sound, music sustainability, music and wellbeing.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPopular music.
650 0|aMusic.
650 0|aEthnology.
650 0|aCulture.
650 14|aPopular Music.
650 24|aMusic.
650 24|aRegional Cultural Studies.
700 1 |aBennett, Andy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aCashman, David.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGreen, Ben.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aLewandowski, Natalie.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031086144
776 08|iPrinted edition:|z9783031086168
776 08|iPrinted edition:|z9783031086175
830 0|aPop Music, Culture and Identity,|x2634-6621
856 40|uhttps://doi.org/10.1007/978-3-031-08615-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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