Vampires on the Silent Screen [electronic resource] : Cinema’s First Age of Vampires 1897-1922 / by David Annwn Jones.
Erişim Adresi
ISBN
9783031386435
Dil Kodu
İngilizce
Yer Numarası
EK/5957
Yazar
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XXVII, 215 p. 20 illus., 8 illus. in color. online resource.
Dizi
Palgrave Gothic, 2634-6222
İçindekiler Notu
1 From Time’s Beginnings -- 2 The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves -- 3 The Vampire as Spirit of Fire: Leopold and Theodore Wharton’s The Mysteries of Myra (1916) -- 4 Count Merlin and the Alchemy of Blood Lust: Alexander Korda’s Mágia/Magic (1917) -- 5 The Blood-Demon and the Scientist: Erich Kober’s Lilith und Ly / Lilith and Ly (1919) -- 6 Dreaming in the Madhouse Károly Lajthay’s Drakula halála / Dracula’s Death (1921) -- 7 Counterfeits and Genuine -- 8 F. W. Murnau’s Nosferatu.
Özet, vb.
This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ The Mysteries of Myra (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula’s death (1920), the first ever filmic female vampire in Erich Kober’s Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there. David Annwn Jones is author of Gothic Machine (2011), Sexuality and the Gothic Magic Lantern (2014), Gothic Effigy (2018), Re-Envisaging the First Age of Cinematic Horror (2018) and ‘Green Trends in Euro-Horror Films of the 1960s and 1970s’ in The Palgrave Handbook of Contemporary Gothic (2020) ‘The Art of Ghostly Projections’ (2021) in The Palgrave Handbook of Gothic Origins and ‘Cinematic Darkness’, in The Palgrave Handbook of Steam Age Gothic (2021).
Konu
Goth culture (Subculture).
Gothic Studies.
Gothic Studies.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 04931nam a22006015i 4500
001 842491
003 TR_AnAIT
005 20260715025408
007 cr nn 008mamaa
008 230915s2023 sz | s |||| 0|eng d
020 |a9783031386435|9978-3-031-38643-5
024 7 |a10.1007/978-3-031-38643-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM646
072 7|aJFCA|2bicssc
072 7|aFIC027040|2bisacsh
072 7|aJBCC1|2thema
082 04|a306|223
082 04|a809.38729|223
090 |aEK/5957
100 1 |aJones, David Annwn.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aVampires on the Silent Screen|h[electronic resource] :|bCinema’s First Age of Vampires 1897-1922 /|cby David Annwn Jones.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
300 |aXXVII, 215 p. 20 illus., 8 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Gothic,|x2634-6222
505 0 |a1 From Time’s Beginnings -- 2 The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves -- 3 The Vampire as Spirit of Fire: Leopold and Theodore Wharton’s The Mysteries of Myra (1916) -- 4 Count Merlin and the Alchemy of Blood Lust: Alexander Korda’s Mágia/Magic (1917) -- 5 The Blood-Demon and the Scientist: Erich Kober’s Lilith und Ly / Lilith and Ly (1919) -- 6 Dreaming in the Madhouse Károly Lajthay’s Drakula halála / Dracula’s Death (1921) -- 7 Counterfeits and Genuine -- 8 F. W. Murnau’s Nosferatu.
520 |aThis book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ The Mysteries of Myra (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula’s death (1920), the first ever filmic female vampire in Erich Kober’s Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there. David Annwn Jones is author of Gothic Machine (2011), Sexuality and the Gothic Magic Lantern (2014), Gothic Effigy (2018), Re-Envisaging the First Age of Cinematic Horror (2018) and ‘Green Trends in Euro-Horror Films of the 1960s and 1970s’ in The Palgrave Handbook of Contemporary Gothic (2020) ‘The Art of Ghostly Projections’ (2021) in The Palgrave Handbook of Gothic Origins and ‘Cinematic Darkness’, in The Palgrave Handbook of Steam Age Gothic (2021).
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aGoth culture (Subculture).
650 14|aGothic Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031386428
776 08|iPrinted edition:|z9783031386442
776 08|iPrinted edition:|z9783031386459
830 0|aPalgrave Gothic,|x2634-6222
856 40|uhttps://doi.org/10.1007/978-3-031-38643-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842491
003 TR_AnAIT
005 20260715025408
007 cr nn 008mamaa
008 230915s2023 sz | s |||| 0|eng d
020 |a9783031386435|9978-3-031-38643-5
024 7 |a10.1007/978-3-031-38643-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM646
072 7|aJFCA|2bicssc
072 7|aFIC027040|2bisacsh
072 7|aJBCC1|2thema
082 04|a306|223
082 04|a809.38729|223
090 |aEK/5957
100 1 |aJones, David Annwn.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aVampires on the Silent Screen|h[electronic resource] :|bCinema’s First Age of Vampires 1897-1922 /|cby David Annwn Jones.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
300 |aXXVII, 215 p. 20 illus., 8 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Gothic,|x2634-6222
505 0 |a1 From Time’s Beginnings -- 2 The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves -- 3 The Vampire as Spirit of Fire: Leopold and Theodore Wharton’s The Mysteries of Myra (1916) -- 4 Count Merlin and the Alchemy of Blood Lust: Alexander Korda’s Mágia/Magic (1917) -- 5 The Blood-Demon and the Scientist: Erich Kober’s Lilith und Ly / Lilith and Ly (1919) -- 6 Dreaming in the Madhouse Károly Lajthay’s Drakula halála / Dracula’s Death (1921) -- 7 Counterfeits and Genuine -- 8 F. W. Murnau’s Nosferatu.
520 |aThis book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ The Mysteries of Myra (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula’s death (1920), the first ever filmic female vampire in Erich Kober’s Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there. David Annwn Jones is author of Gothic Machine (2011), Sexuality and the Gothic Magic Lantern (2014), Gothic Effigy (2018), Re-Envisaging the First Age of Cinematic Horror (2018) and ‘Green Trends in Euro-Horror Films of the 1960s and 1970s’ in The Palgrave Handbook of Contemporary Gothic (2020) ‘The Art of Ghostly Projections’ (2021) in The Palgrave Handbook of Gothic Origins and ‘Cinematic Darkness’, in The Palgrave Handbook of Steam Age Gothic (2021).
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aGoth culture (Subculture).
650 14|aGothic Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031386428
776 08|iPrinted edition:|z9783031386442
776 08|iPrinted edition:|z9783031386459
830 0|aPalgrave Gothic,|x2634-6222
856 40|uhttps://doi.org/10.1007/978-3-031-38643-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
