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020 |a9783030187606|9978-3-030-18760-6
024 7 |a10.1007/978-3-030-18760-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN849.E87-.E872
072 7|aDS|2bicssc
072 7|a1D|2bicssc
072 7|aLIT004130|2bisacsh
072 7|aDS|x1D|2thema
082 04|a809.894|223
090 |aEK/6039
100 1 |aManfredi, Camille.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aNature and Space in Contemporary Scottish Writing and Art|h[electronic resource] /|cby Camille Manfredi.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXII, 217 p. 16 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aGeocriticism and Spatial Literary Studies,|x2634-5188
505 0 |a1. Chapter 1/ ‘Our Land’: an introduction -- 2. Chapter 2/ Keeping the paths beaten: Robert Macfarlane, Linda Cracknell and Stuart McAdam’s hodological Scotland -- 3. Chapter 3 / Land made by walking: Andrew Greig, Thomas A. Clark, Hamish Fulton, or, the art of passing through -- 4. Chapter 4 / Spacings: Gerry Loose and Kathleen Jamie’s interspecies relationalities -- 5. Chapter 5 / Into the Fold: Kathleen Jamie and John Burnside’s oikopoetics -- 6. Chapter 6/ Things of space: Andy Goldsworthy’s Sheepfolds and Alec Finlay’s Company of Mountains, or, materialising as re-siting -- 7. Chapter 7 / Soundmarks and ecotones: ensounding Scotland -- 8. Chapter 8 / Filming Space: transenunciation as re-production. Susan Kemp’s Nort Atlantik Drift: A Portrait of Robert Alan Jamieson and Roseanne Watt’s Quoys -- 9. Chapter 9 / The hyperzone: is there a space on this screen? -- 10. Chapter 10 / Conclusion.
520 |aThis book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland’s twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and intellectually engage with the land and re-present it to themselves and to the world. Through a comprehensive analysis of a variety of site-specific artistic practices, artworks and publications, this book investigates the works of Scotland-based artists including Linda Cracknell, Kathleen Jamie, Thomas A. Clark, Gerry Loose, John Burnside, Alec Finlay, Hamish Fulton, Hanna Tuulikki and Roseanne Watt, with a view to exploring the ongoing re-invention of a territory-bound identity that dwells on an inclusive sense of place, as well as on a complexrenegotiation with the time and space of Scotland.
650 0|aEuropean literature.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aCommunication in the environmental sciences.
650 14|aEuropean Literature.
650 24|aContemporary Literature.
650 24|aEnvironmental Communication.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030187590
776 08|iPrinted edition:|z9783030187613
776 08|iPrinted edition:|z9783030187620
830 0|aGeocriticism and Spatial Literary Studies,|x2634-5188
856 40|uhttps://doi.org/10.1007/978-3-030-18760-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)