Humorality in Early Modern Art, Material Culture, and Performance [electronic resource] / edited by Amy Kenny, Kaara L. Peterson.
Erişim Adresi
ISBN
9783030776183
Dil Kodu
İngilizce
Yer Numarası
EK/6082
Basım Bildirimi
1st ed. 2021.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Fiziksel Niteleme
XIV, 207 p. 11 illus., 10 illus. in color. online resource.
Dizi
Palgrave Studies in Literature, Science and Medicine, 2634-6443
İçindekiler Notu
Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A ‘dummy corpse full of bones and entrails’: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. ‘Having no heart’: the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen’s Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- . Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It” Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- ‘Great Annyoyance to Their Mindes:’ the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library). .
Özet, vb.
Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012).
Konu
European literature __ Renaissance, 1450-1600.
Europe __ History __ 1492-.
Drama.
Medicine and the humanities.
Culture __ Study and teaching.
Performing arts.
Theater.
Early Modern and Renaissance Literature.
History of Early Modern Europe.
Drama.
Medical Humanities.
Visual Culture.
Theatre and Performance Arts.
Europe __ History __ 1492-.
Drama.
Medicine and the humanities.
Culture __ Study and teaching.
Performing arts.
Theater.
Early Modern and Renaissance Literature.
History of Early Modern Europe.
Drama.
Medical Humanities.
Visual Culture.
Theatre and Performance Arts.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |aIntroduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A ‘dummy corpse full of bones and entrails’: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. ‘Having no heart’: the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen’s Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- . Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It” Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- ‘Great Annyoyance to Their Mindes:’ the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library). .
520 |aHumorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012).
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650 0|aEurope|xHistory|x1492-.
650 0|aDrama.
650 0|aMedicine and the humanities.
650 0|aCulture|xStudy and teaching.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aEarly Modern and Renaissance Literature.
650 24|aHistory of Early Modern Europe.
650 24|aDrama.
650 24|aMedical Humanities.
650 24|aVisual Culture.
650 24|aTheatre and Performance Arts.
700 1 |aKenny, Amy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aPeterson, Kaara L.|eeditor.|0(orcid)0009-0002-4062-5198|1https://orcid.org/0009-0002-4062-5198|4edt|4http://id.loc.gov/vocabulary/relators/edt
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001 842566
003 TR_AnAIT
005 20260715025558
007 cr nn 008mamaa
008 210909s2021 sz | s |||| 0|eng d
020 |a9783030776183|9978-3-030-77618-3
024 7 |a10.1007/978-3-030-77618-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN715-749
072 7|aDSB|2bicssc
072 7|aLIT024000|2bisacsh
072 7|aDSB|2thema
082 04|a809.03|223
090 |aEK/6082
245 10|aHumorality in Early Modern Art, Material Culture, and Performance|h[electronic resource] /|cedited by Amy Kenny, Kaara L. Peterson.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXIV, 207 p. 11 illus., 10 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Literature, Science and Medicine,|x2634-6443
505 0 |aIntroduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A ‘dummy corpse full of bones and entrails’: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. ‘Having no heart’: the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen’s Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- . Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It” Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- ‘Great Annyoyance to Their Mindes:’ the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library). .
520 |aHumorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012).
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aEurope|xHistory|x1492-.
650 0|aDrama.
650 0|aMedicine and the humanities.
650 0|aCulture|xStudy and teaching.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aEarly Modern and Renaissance Literature.
650 24|aHistory of Early Modern Europe.
650 24|aDrama.
650 24|aMedical Humanities.
650 24|aVisual Culture.
650 24|aTheatre and Performance Arts.
700 1 |aKenny, Amy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aPeterson, Kaara L.|eeditor.|0(orcid)0009-0002-4062-5198|1https://orcid.org/0009-0002-4062-5198|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030776176
776 08|iPrinted edition:|z9783030776190
776 08|iPrinted edition:|z9783030776206
830 0|aPalgrave Studies in Literature, Science and Medicine,|x2634-6443
856 40|uhttps://doi.org/10.1007/978-3-030-77618-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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