Provocative Screens [electronic resource] : Offended Audiences in Britain and Germany / by Ranjana Das, Anne Graefer.
Erişim Adresi
ISBN
9783319679075
Dil Kodu
İngilizce
Yer Numarası
EK/6036
Yazar
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
X, 136 p. online resource.
İçindekiler Notu
Chapter 1: The Slippery Terrain of Offensive Television -- Chapter 2: Producing the Imagined Audience of Offensive Screens -- Chapter 3: Just Kidding! Negotiating the Line between Humour and Offence -- Chapter 4: Audiences Speak Back: Re-Working Offensive Texts -- Chapter 5: Audiences’ Expectations of Regulators and Producers -- Chapter 6: Provocative Screens.
Özet, vb.
“Offensive media can be upsetting or funny, sought after or avoided, provocative or banal. While regulators debate whether they should be restricted, Das and Graefer reveal that audiences’ responses – variously ethical or evasive – concern less the offensive media than the often hurtful world thereby depicted. In so doing, they also reveal the importance of actually consulting the public on whose behalf so many venture to speak.” –Sonia Livingstone, London School of Economics and Political Science, UK “A perennial delight of good audience research is the way it shows how issues judged ‘simple and obvious’ by the loudest voices in our culture are in fact complex and variable. This book does that in spades with the current fetish of ‘offence’. Das and Graefer prove the need to move the debate away from simple oppositions of ‘free speech’ versus ‘harmful talk’. And then do it.” –Martin Barker, University of Aberystwyth, Wales "The so-called ‘right to offend’ has become one of the most heated, and divisive of debates across modern political, social and cultural life. Ranjana Das and Anne Graefer’s Provocative Screens makes an especially important and timely intervention in this vexed terrain by demonstrating the layers of complexity and ambiguity that lie behind superficially polarised and polarising arguments around the freedom of speech in the 21st century. This book is essential reading for anyone interested in contemporary audience research and the cultural politics of offence." –John Mercer, Birmingham City University, UK This book offers a nuanced understanding of ‘offensive’ television content by drawing on an extensive research project, involving in-depth interviews and focus groups with audiences in Britain and Germany. Provocative Screens asks – what makes something really offensive and to whom in what context? Why it offence felt so differently? And how does offensive content matter in public life, regulation, and institutional understandings?
Konu
Communication.
Popular Culture.
Europe __ Politics and government.
Media and Communication.
Popular Culture.
European Politics.
Popular Culture.
Europe __ Politics and government.
Media and Communication.
Popular Culture.
European Politics.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aProvocative Screens|h[electronic resource] :|bOffended Audiences in Britain and Germany /|cby Ranjana Das, Anne Graefer.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aX, 136 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
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505 0 |aChapter 1: The Slippery Terrain of Offensive Television -- Chapter 2: Producing the Imagined Audience of Offensive Screens -- Chapter 3: Just Kidding! Negotiating the Line between Humour and Offence -- Chapter 4: Audiences Speak Back: Re-Working Offensive Texts -- Chapter 5: Audiences’ Expectations of Regulators and Producers -- Chapter 6: Provocative Screens.
520 |a“Offensive media can be upsetting or funny, sought after or avoided, provocative or banal. While regulators debate whether they should be restricted, Das and Graefer reveal that audiences’ responses – variously ethical or evasive – concern less the offensive media than the often hurtful world thereby depicted. In so doing, they also reveal the importance of actually consulting the public on whose behalf so many venture to speak.” –Sonia Livingstone, London School of Economics and Political Science, UK “A perennial delight of good audience research is the way it shows how issues judged ‘simple and obvious’ by the loudest voices in our culture are in fact complex and variable. This book does that in spades with the current fetish of ‘offence’. Das and Graefer prove the need to move the debate away from simple oppositions of ‘free speech’ versus ‘harmful talk’. And then do it.” –Martin Barker, University of Aberystwyth, Wales "The so-called ‘right to offend’ has become one of the most heated, and divisive of debates across modern political, social and cultural life. Ranjana Das and Anne Graefer’s Provocative Screens makes an especially important and timely intervention in this vexed terrain by demonstrating the layers of complexity and ambiguity that lie behind superficially polarised and polarising arguments around the freedom of speech in the 21st century. This book is essential reading for anyone interested in contemporary audience research and the cultural politics of offence." –John Mercer, Birmingham City University, UK This book offers a nuanced understanding of ‘offensive’ television content by drawing on an extensive research project, involving in-depth interviews and focus groups with audiences in Britain and Germany. Provocative Screens asks – what makes something really offensive and to whom in what context? Why it offence felt so differently? And how does offensive content matter in public life, regulation, and institutional understandings?
650 0|aCommunication.
650 0|aPopular Culture.
650 0|aEurope|xPolitics and government.
650 14|aMedia and Communication.
650 24|aPopular Culture.
650 24|aEuropean Politics.
700 1 |aGraefer, Anne.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319679068
776 08|iPrinted edition:|z9783319679082
776 08|iPrinted edition:|z9783319885087
856 40|uhttps://doi.org/10.1007/978-3-319-67907-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842638
003 TR_AnAIT
005 20260715025752
007 cr nn 008mamaa
008 171115s2017 sz | s |||| 0|eng d
020 |a9783319679075|9978-3-319-67907-5
024 7 |a10.1007/978-3-319-67907-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP87-96
072 7|aJFD|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
082 04|a302.2|223
090 |aEK/6036
100 1 |aDas, Ranjana.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aProvocative Screens|h[electronic resource] :|bOffended Audiences in Britain and Germany /|cby Ranjana Das, Anne Graefer.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aX, 136 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1: The Slippery Terrain of Offensive Television -- Chapter 2: Producing the Imagined Audience of Offensive Screens -- Chapter 3: Just Kidding! Negotiating the Line between Humour and Offence -- Chapter 4: Audiences Speak Back: Re-Working Offensive Texts -- Chapter 5: Audiences’ Expectations of Regulators and Producers -- Chapter 6: Provocative Screens.
520 |a“Offensive media can be upsetting or funny, sought after or avoided, provocative or banal. While regulators debate whether they should be restricted, Das and Graefer reveal that audiences’ responses – variously ethical or evasive – concern less the offensive media than the often hurtful world thereby depicted. In so doing, they also reveal the importance of actually consulting the public on whose behalf so many venture to speak.” –Sonia Livingstone, London School of Economics and Political Science, UK “A perennial delight of good audience research is the way it shows how issues judged ‘simple and obvious’ by the loudest voices in our culture are in fact complex and variable. This book does that in spades with the current fetish of ‘offence’. Das and Graefer prove the need to move the debate away from simple oppositions of ‘free speech’ versus ‘harmful talk’. And then do it.” –Martin Barker, University of Aberystwyth, Wales "The so-called ‘right to offend’ has become one of the most heated, and divisive of debates across modern political, social and cultural life. Ranjana Das and Anne Graefer’s Provocative Screens makes an especially important and timely intervention in this vexed terrain by demonstrating the layers of complexity and ambiguity that lie behind superficially polarised and polarising arguments around the freedom of speech in the 21st century. This book is essential reading for anyone interested in contemporary audience research and the cultural politics of offence." –John Mercer, Birmingham City University, UK This book offers a nuanced understanding of ‘offensive’ television content by drawing on an extensive research project, involving in-depth interviews and focus groups with audiences in Britain and Germany. Provocative Screens asks – what makes something really offensive and to whom in what context? Why it offence felt so differently? And how does offensive content matter in public life, regulation, and institutional understandings?
650 0|aCommunication.
650 0|aPopular Culture.
650 0|aEurope|xPolitics and government.
650 14|aMedia and Communication.
650 24|aPopular Culture.
650 24|aEuropean Politics.
700 1 |aGraefer, Anne.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319679068
776 08|iPrinted edition:|z9783319679082
776 08|iPrinted edition:|z9783319885087
856 40|uhttps://doi.org/10.1007/978-3-319-67907-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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