Contemporary Photography in Iran [electronic resource] / by Aram Mohamadi.
Erişim Adresi
ISBN
9783031790553
Dil Kodu
İngilizce
Yer Numarası
EK/3020
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
XVII, 214 p. 51 illus., 26 illus. in color. online resource.
İçindekiler Notu
Chapter 1. Photography as a New Art Medium: Exploring Early Experiments (1962-1978) -- 1.1 Acknowledging Photography as an Art Form: The Role of Art Institutions -- 1.2 Towards the Independence of Photography in Art and Beyond -- 1.3 Photography's Response to the Rapid Socio-Cultural Transition of the 1970s -- Chapter 2: Experiencing the Reality: Photography as a "Committed Report " (1978-1989) -- 2.1 The Authority of the Reality in Depicting the Revolution -- 2.2 Transparency in War Photography: Exploring the Ethical and Aesthetic Values -- 2.3 Expectations of Art and Education Policy Makers: A Committed Report on Reality -- 2.4 Rethinking Photojournalism from an Aesthetic Perspective: A Fresh Approach to Reporting -- Chapter 3: Experiencing the Media: Photography as a "Playful Report" (1989-2004) -- 3.1 Easing the Intensity of Events: Towards Playful Arrangements in Photography -- 3.2 The Changing Face of Photography: The Role of Education, Theoretical Studies, and Technology -- 3.3 Mastering the Gaze of Art History: Aesthetic Perspectives on Reality -- 3.4 The Rise and Fall of the "Model of the 1990s": A Reflection on Changing Trends -- Chapter 4: Investigating the Reality and the Media: Photography as a "Questioning Report" (2004-) -- 4.1 Challenging Approaches Across All Fields: From Politics to Photography -- 4.2 The New Waves in Photography Driven by Fundamental Developments in Diverse Disciplines -- 4.3 Shifting the Focus from Form to Idea: Transformations in the Boundaries of the Media -- Chapter 5: Experiencing Reality in a Virtual Realm: From the Mid-2010s and Beyond -- 5.1 Photography in the Age of Instagram: Exploring the Impact of Virtual Spaces -- 5.2 The Decline of Meaning-Oriented Trends in Photography: Post-Conceptual era -- 5.3 Exploring a Subversive Movement: Embracing Everyday Life and Privacy.
Özet, vb.
This book deals with Iranian photography from its first photography exhibition in 1964 until the present. Taking an interpretive-historical approach, this book will explain how photographic images in a particular context respond to the socio-political, technological, educational, and other determinants of the time, uncovering the internal logic of the evolution of the language of photographic images. Specifically, the book explores how these Iranian images and artworks have challenged traditional photographic conventions, defamiliarizing them, and how the perception of reality through the lens of photography has evolved in conjunction with changing conditions and perspectives. Aram Mohamadi is a photography critic, holding a bachelor's degree in photography, a master's degree, and a PhD in art studies. Since 2023, he has been serving as an Assistant Professor of Photography at the University of Kurdistan, Iran. His teaching responsibilities encompass photography studio and visual art criticism. His research primarily revolves around contemporary photography in Iran, with a specific emphasis on art photography.
Konu
Photography.
Culture __ Study and teaching.
Ethnology __ Middle East .
Culture.
Art, Modern __ 21st century.
Photography.
Visual Culture.
Middle Eastern Culture.
Contemporary Art.
Culture __ Study and teaching.
Ethnology __ Middle East .
Culture.
Art, Modern __ 21st century.
Photography.
Visual Culture.
Middle Eastern Culture.
Contemporary Art.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aContemporary Photography in Iran|h[electronic resource] /|cby Aram Mohamadi.
250 |a1st ed. 2025.
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300 |aXVII, 214 p. 51 illus., 26 illus. in color.|bonline resource.
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338 |aonline resource|bcr|2rdacarrier
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505 0 |aChapter 1. Photography as a New Art Medium: Exploring Early Experiments (1962-1978) -- 1.1 Acknowledging Photography as an Art Form: The Role of Art Institutions -- 1.2 Towards the Independence of Photography in Art and Beyond -- 1.3 Photography's Response to the Rapid Socio-Cultural Transition of the 1970s -- Chapter 2: Experiencing the Reality: Photography as a "Committed Report " (1978-1989) -- 2.1 The Authority of the Reality in Depicting the Revolution -- 2.2 Transparency in War Photography: Exploring the Ethical and Aesthetic Values -- 2.3 Expectations of Art and Education Policy Makers: A Committed Report on Reality -- 2.4 Rethinking Photojournalism from an Aesthetic Perspective: A Fresh Approach to Reporting -- Chapter 3: Experiencing the Media: Photography as a "Playful Report" (1989-2004) -- 3.1 Easing the Intensity of Events: Towards Playful Arrangements in Photography -- 3.2 The Changing Face of Photography: The Role of Education, Theoretical Studies, and Technology -- 3.3 Mastering the Gaze of Art History: Aesthetic Perspectives on Reality -- 3.4 The Rise and Fall of the "Model of the 1990s": A Reflection on Changing Trends -- Chapter 4: Investigating the Reality and the Media: Photography as a "Questioning Report" (2004-) -- 4.1 Challenging Approaches Across All Fields: From Politics to Photography -- 4.2 The New Waves in Photography Driven by Fundamental Developments in Diverse Disciplines -- 4.3 Shifting the Focus from Form to Idea: Transformations in the Boundaries of the Media -- Chapter 5: Experiencing Reality in a Virtual Realm: From the Mid-2010s and Beyond -- 5.1 Photography in the Age of Instagram: Exploring the Impact of Virtual Spaces -- 5.2 The Decline of Meaning-Oriented Trends in Photography: Post-Conceptual era -- 5.3 Exploring a Subversive Movement: Embracing Everyday Life and Privacy.
520 |aThis book deals with Iranian photography from its first photography exhibition in 1964 until the present. Taking an interpretive-historical approach, this book will explain how photographic images in a particular context respond to the socio-political, technological, educational, and other determinants of the time, uncovering the internal logic of the evolution of the language of photographic images. Specifically, the book explores how these Iranian images and artworks have challenged traditional photographic conventions, defamiliarizing them, and how the perception of reality through the lens of photography has evolved in conjunction with changing conditions and perspectives. Aram Mohamadi is a photography critic, holding a bachelor's degree in photography, a master's degree, and a PhD in art studies. Since 2023, he has been serving as an Assistant Professor of Photography at the University of Kurdistan, Iran. His teaching responsibilities encompass photography studio and visual art criticism. His research primarily revolves around contemporary photography in Iran, with a specific emphasis on art photography.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPhotography.
650 0|aCulture|xStudy and teaching.
650 0|aEthnology|xMiddle East .
650 0|aCulture.
650 0|aArt, Modern|x21st century.
650 14|aPhotography.
650 24|aVisual Culture.
650 24|aMiddle Eastern Culture.
650 24|aContemporary Art.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031790546
776 08|iPrinted edition:|z9783031790560
776 08|iPrinted edition:|z9783031790577
856 40|uhttps://doi.org/10.1007/978-3-031-79055-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 842762
003 TR_AnAIT
005 20260715030200
007 cr nn 008mamaa
008 250218s2025 sz | s |||| 0|eng d
020 |a9783031790553|9978-3-031-79055-3
024 7 |a10.1007/978-3-031-79055-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aTR1-1050
072 7|aAJ|2bicssc
072 7|aPHO000000|2bisacsh
072 7|aAJ|2thema
082 04|a770|223
090 |aEK/3020
100 1 |aMohamadi, Aram.|eauthor.|0(orcid)0009-0003-5586-7146|1https://orcid.org/0009-0003-5586-7146|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aContemporary Photography in Iran|h[electronic resource] /|cby Aram Mohamadi.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aXVII, 214 p. 51 illus., 26 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1. Photography as a New Art Medium: Exploring Early Experiments (1962-1978) -- 1.1 Acknowledging Photography as an Art Form: The Role of Art Institutions -- 1.2 Towards the Independence of Photography in Art and Beyond -- 1.3 Photography's Response to the Rapid Socio-Cultural Transition of the 1970s -- Chapter 2: Experiencing the Reality: Photography as a "Committed Report " (1978-1989) -- 2.1 The Authority of the Reality in Depicting the Revolution -- 2.2 Transparency in War Photography: Exploring the Ethical and Aesthetic Values -- 2.3 Expectations of Art and Education Policy Makers: A Committed Report on Reality -- 2.4 Rethinking Photojournalism from an Aesthetic Perspective: A Fresh Approach to Reporting -- Chapter 3: Experiencing the Media: Photography as a "Playful Report" (1989-2004) -- 3.1 Easing the Intensity of Events: Towards Playful Arrangements in Photography -- 3.2 The Changing Face of Photography: The Role of Education, Theoretical Studies, and Technology -- 3.3 Mastering the Gaze of Art History: Aesthetic Perspectives on Reality -- 3.4 The Rise and Fall of the "Model of the 1990s": A Reflection on Changing Trends -- Chapter 4: Investigating the Reality and the Media: Photography as a "Questioning Report" (2004-) -- 4.1 Challenging Approaches Across All Fields: From Politics to Photography -- 4.2 The New Waves in Photography Driven by Fundamental Developments in Diverse Disciplines -- 4.3 Shifting the Focus from Form to Idea: Transformations in the Boundaries of the Media -- Chapter 5: Experiencing Reality in a Virtual Realm: From the Mid-2010s and Beyond -- 5.1 Photography in the Age of Instagram: Exploring the Impact of Virtual Spaces -- 5.2 The Decline of Meaning-Oriented Trends in Photography: Post-Conceptual era -- 5.3 Exploring a Subversive Movement: Embracing Everyday Life and Privacy.
520 |aThis book deals with Iranian photography from its first photography exhibition in 1964 until the present. Taking an interpretive-historical approach, this book will explain how photographic images in a particular context respond to the socio-political, technological, educational, and other determinants of the time, uncovering the internal logic of the evolution of the language of photographic images. Specifically, the book explores how these Iranian images and artworks have challenged traditional photographic conventions, defamiliarizing them, and how the perception of reality through the lens of photography has evolved in conjunction with changing conditions and perspectives. Aram Mohamadi is a photography critic, holding a bachelor's degree in photography, a master's degree, and a PhD in art studies. Since 2023, he has been serving as an Assistant Professor of Photography at the University of Kurdistan, Iran. His teaching responsibilities encompass photography studio and visual art criticism. His research primarily revolves around contemporary photography in Iran, with a specific emphasis on art photography.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPhotography.
650 0|aCulture|xStudy and teaching.
650 0|aEthnology|xMiddle East .
650 0|aCulture.
650 0|aArt, Modern|x21st century.
650 14|aPhotography.
650 24|aVisual Culture.
650 24|aMiddle Eastern Culture.
650 24|aContemporary Art.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031790546
776 08|iPrinted edition:|z9783031790560
776 08|iPrinted edition:|z9783031790577
856 40|uhttps://doi.org/10.1007/978-3-031-79055-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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