The Coloniality of Catastrophe in Caribbean Theater and Performance [electronic resource] / edited by Camilla Stevens, Jon D. Rossini.
Erişim Adresi
ISBN
9783031857911
Dil Kodu
İngilizce
Yer Numarası
EK/3052
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
XV, 273 p. 7 illus., 4 illus. in color. online resource.
İçindekiler Notu
Chapter 1: Introduction -- Chapter 2: Guy Régis Jr’s Post-Earthquake Vigil: Keeping Watch on Catastrophe in De toute la terre le grand effarement -- Chapter 3: "We Must Face Haiti”: Rawle Gibbons’s 1993 Production of The Black Jacobins -- Chapter 4: Staging the Païdeuma: Nature and Insurrection in Aimé Césaire’s Une tempête -- Chapter 5: The Coloniality of Naufragio and Utopia in Teatro Buendía’s Otra tempestad -- Chapter 6: Making Theater in the Face of the Storm: Shakespeare in Paradise, Healing, and Theater -- Chapter 7: Drowning in the Wake -- Chapter 8: “No more drumming. Nor sticks”: The Colonial Catastrophe that Conditioned Caribbean Performance -- Chapter 9: Interrogating Disaster through Apocalyptic Narratives in Dominican Theater -- Chapter 10: Sensing Catastrophic Realities in Diasporic Puerto Rican Theater -- Chapter 11: PROMESA, Anti-Colonial Drag, and Diasporic Puerto Rican Trans Revolution -- Chapter 12: Beyond Catastrophe: Teresa Hernández and the Puerto Rican Performative Body in the New Millennium -- Chapter 13: Catastrophe, Theater, Performance: Praxes of Re/Making the Caribbean With/Out Coloniality, A Conversation with Eliézer Guérismé, Judith G. Miller, Gaël Octavia, and Gina Athena Ulysse.
Özet, vb.
“This book is essential reading on contemporary pan-Caribbean theater. It is also a fresh take on what it might mean to rethink regional and transnational interconnection through performance. Taken together this rare collection embraces linguistic, national, temporal and geographic differences. They move beyond hackneyed scenarios of the region as a space of perpetual catastrophe and disaster and provoke a reimagination of relations between humans and the more than human world.” --Honor Ford-Smith, York University “Drawing upon plays and performances from the English-, French-, and Spanish-speaking Caribbean this volume both investigates the enduring consequences of colonialism and catastrophe in the region and offers “counter catastrophic” theatrical responses that enable audiences and artists to imagine ways to recuperate and reanimate their communities in the face of catastrophe. The fascinating collection points the way to an understanding of a pan-Caribbean view of theater filled with hope.” --Adam Versenyi, University of North Carolina, Chapel Hill The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise. Engaging multilingual theater from across the Caribbean and its diaspora, the essays foster a pan-Caribbean view of theater, identifying shared tropes and theatrical strategies. Essays address 20th and 21st century works that center the relentless cycle of “natural” disasters such as earthquakes, hurricanes, and floods as well as the catastrophic effects of continuing coloniality more broadly. In doing so, they unsettle the normalization of catastrophe. Exploring the power of theater’s situatedness, its iterative quality, and its special arrangement of time, these works remind us of the impact of embodied co-presence in the political realities of everyday life. Camilla Stevens is Professor in the Departments of Spanish and Portuguese and Latino and Caribbean Studies at Rutgers University-New Brunswick, United States. Jon D. Rossini is Professor in the Department of Theatre and Dance at the University of California, Davis, United States.
Konu
Theater.
Theater __ History.
Latin American literature.
Imperialism.
Global and International Theatre and Performance.
Contemporary Theatre and Performance.
Latin American/Caribbean Literature.
Imperialism and Colonialism.
Theater __ History.
Latin American literature.
Imperialism.
Global and International Theatre and Performance.
Contemporary Theatre and Performance.
Latin American/Caribbean Literature.
Imperialism and Colonialism.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
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245 14|aThe Coloniality of Catastrophe in Caribbean Theater and Performance|h[electronic resource] /|cedited by Camilla Stevens, Jon D. Rossini.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
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505 0 |aChapter 1: Introduction -- Chapter 2: Guy Régis Jr’s Post-Earthquake Vigil: Keeping Watch on Catastrophe in De toute la terre le grand effarement -- Chapter 3: "We Must Face Haiti”: Rawle Gibbons’s 1993 Production of The Black Jacobins -- Chapter 4: Staging the Païdeuma: Nature and Insurrection in Aimé Césaire’s Une tempête -- Chapter 5: The Coloniality of Naufragio and Utopia in Teatro Buendía’s Otra tempestad -- Chapter 6: Making Theater in the Face of the Storm: Shakespeare in Paradise, Healing, and Theater -- Chapter 7: Drowning in the Wake -- Chapter 8: “No more drumming. Nor sticks”: The Colonial Catastrophe that Conditioned Caribbean Performance -- Chapter 9: Interrogating Disaster through Apocalyptic Narratives in Dominican Theater -- Chapter 10: Sensing Catastrophic Realities in Diasporic Puerto Rican Theater -- Chapter 11: PROMESA, Anti-Colonial Drag, and Diasporic Puerto Rican Trans Revolution -- Chapter 12: Beyond Catastrophe: Teresa Hernández and the Puerto Rican Performative Body in the New Millennium -- Chapter 13: Catastrophe, Theater, Performance: Praxes of Re/Making the Caribbean With/Out Coloniality, A Conversation with Eliézer Guérismé, Judith G. Miller, Gaël Octavia, and Gina Athena Ulysse.
520 |a“This book is essential reading on contemporary pan-Caribbean theater. It is also a fresh take on what it might mean to rethink regional and transnational interconnection through performance. Taken together this rare collection embraces linguistic, national, temporal and geographic differences. They move beyond hackneyed scenarios of the region as a space of perpetual catastrophe and disaster and provoke a reimagination of relations between humans and the more than human world.” --Honor Ford-Smith, York University “Drawing upon plays and performances from the English-, French-, and Spanish-speaking Caribbean this volume both investigates the enduring consequences of colonialism and catastrophe in the region and offers “counter catastrophic” theatrical responses that enable audiences and artists to imagine ways to recuperate and reanimate their communities in the face of catastrophe. The fascinating collection points the way to an understanding of a pan-Caribbean view of theater filled with hope.” --Adam Versenyi, University of North Carolina, Chapel Hill The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise. Engaging multilingual theater from across the Caribbean and its diaspora, the essays foster a pan-Caribbean view of theater, identifying shared tropes and theatrical strategies. Essays address 20th and 21st century works that center the relentless cycle of “natural” disasters such as earthquakes, hurricanes, and floods as well as the catastrophic effects of continuing coloniality more broadly. In doing so, they unsettle the normalization of catastrophe. Exploring the power of theater’s situatedness, its iterative quality, and its special arrangement of time, these works remind us of the impact of embodied co-presence in the political realities of everyday life. Camilla Stevens is Professor in the Departments of Spanish and Portuguese and Latino and Caribbean Studies at Rutgers University-New Brunswick, United States. Jon D. Rossini is Professor in the Department of Theatre and Dance at the University of California, Davis, United States.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aLatin American literature.
650 0|aImperialism.
650 14|aGlobal and International Theatre and Performance.
650 24|aContemporary Theatre and Performance.
650 24|aLatin American/Caribbean Literature.
650 24|aImperialism and Colonialism.
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700 1 |aRossini, Jon D.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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776 08|iPrinted edition:|z9783031857904
776 08|iPrinted edition:|z9783031857928
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041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/3052
245 14|aThe Coloniality of Catastrophe in Caribbean Theater and Performance|h[electronic resource] /|cedited by Camilla Stevens, Jon D. Rossini.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aXV, 273 p. 7 illus., 4 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1: Introduction -- Chapter 2: Guy Régis Jr’s Post-Earthquake Vigil: Keeping Watch on Catastrophe in De toute la terre le grand effarement -- Chapter 3: "We Must Face Haiti”: Rawle Gibbons’s 1993 Production of The Black Jacobins -- Chapter 4: Staging the Païdeuma: Nature and Insurrection in Aimé Césaire’s Une tempête -- Chapter 5: The Coloniality of Naufragio and Utopia in Teatro Buendía’s Otra tempestad -- Chapter 6: Making Theater in the Face of the Storm: Shakespeare in Paradise, Healing, and Theater -- Chapter 7: Drowning in the Wake -- Chapter 8: “No more drumming. Nor sticks”: The Colonial Catastrophe that Conditioned Caribbean Performance -- Chapter 9: Interrogating Disaster through Apocalyptic Narratives in Dominican Theater -- Chapter 10: Sensing Catastrophic Realities in Diasporic Puerto Rican Theater -- Chapter 11: PROMESA, Anti-Colonial Drag, and Diasporic Puerto Rican Trans Revolution -- Chapter 12: Beyond Catastrophe: Teresa Hernández and the Puerto Rican Performative Body in the New Millennium -- Chapter 13: Catastrophe, Theater, Performance: Praxes of Re/Making the Caribbean With/Out Coloniality, A Conversation with Eliézer Guérismé, Judith G. Miller, Gaël Octavia, and Gina Athena Ulysse.
520 |a“This book is essential reading on contemporary pan-Caribbean theater. It is also a fresh take on what it might mean to rethink regional and transnational interconnection through performance. Taken together this rare collection embraces linguistic, national, temporal and geographic differences. They move beyond hackneyed scenarios of the region as a space of perpetual catastrophe and disaster and provoke a reimagination of relations between humans and the more than human world.” --Honor Ford-Smith, York University “Drawing upon plays and performances from the English-, French-, and Spanish-speaking Caribbean this volume both investigates the enduring consequences of colonialism and catastrophe in the region and offers “counter catastrophic” theatrical responses that enable audiences and artists to imagine ways to recuperate and reanimate their communities in the face of catastrophe. The fascinating collection points the way to an understanding of a pan-Caribbean view of theater filled with hope.” --Adam Versenyi, University of North Carolina, Chapel Hill The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise. Engaging multilingual theater from across the Caribbean and its diaspora, the essays foster a pan-Caribbean view of theater, identifying shared tropes and theatrical strategies. Essays address 20th and 21st century works that center the relentless cycle of “natural” disasters such as earthquakes, hurricanes, and floods as well as the catastrophic effects of continuing coloniality more broadly. In doing so, they unsettle the normalization of catastrophe. Exploring the power of theater’s situatedness, its iterative quality, and its special arrangement of time, these works remind us of the impact of embodied co-presence in the political realities of everyday life. Camilla Stevens is Professor in the Departments of Spanish and Portuguese and Latino and Caribbean Studies at Rutgers University-New Brunswick, United States. Jon D. Rossini is Professor in the Department of Theatre and Dance at the University of California, Davis, United States.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aLatin American literature.
650 0|aImperialism.
650 14|aGlobal and International Theatre and Performance.
650 24|aContemporary Theatre and Performance.
650 24|aLatin American/Caribbean Literature.
650 24|aImperialism and Colonialism.
700 1 |aStevens, Camilla.|eeditor.|0(orcid)0009-0008-1473-0131|1https://orcid.org/0009-0008-1473-0131|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRossini, Jon D.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031857904
776 08|iPrinted edition:|z9783031857928
776 08|iPrinted edition:|z9783031857935
856 40|uhttps://doi.org/10.1007/978-3-031-85791-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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