Failure, Fascism, and Teachers in American Theatre [electronic resource] : Pedagogy of the Oppressors / by James F. Wilson.
Erişim Adresi
ISBN
9783031340130
Dil Kodu
İngilizce
Yer Numarası
EK/6221
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XIV, 216 p. 15 illus. online resource.
Dizi
Palgrave Studies in Theatre and Performance History, 2947-5775
İçindekiler Notu
Chapter 1 - All the Single Ladies: A Century of School Marms and Spinsters -- Chapter 2 - Unfit to Teach: Morality, Panic, and Hazardous Teachers, 1920s-1940s -- Chapter 3 - Commies on Campus: Radical Liberalism and Academic Freedom, 1940s-1950s -- Chapter 4 - Crème de la Crème of Fascism: Miss Jean Brody, Miss Margarida, and Sister Mary Ignatius Explain It All for You, 1960s-1980s -- Chapter 5 - Failure to Achieve: A Report Card on Male Teachers in the Theatre.
Özet, vb.
In crystalline prose and with astute and compelling insight, James Wilson critically and historically engages the representation of teachers in American drama and performance from the 20th century to the present. With fascinating, rich examples from plays inside and outside the canon, Wilson demonstrates how the character of the beloved or bedeviled pedagogue bears the weight of cultural ambivalence about not just education but also about power and influence, identity and social expectation. Richly observant and delightfully trenchant, Failure, Fascism, and Teachers in American Theatre instructs us all in the enduring power of performance and plays to explicate our history and to inform our present. --Jill Dolan Princeton University Author of The Feminist Spectator as Critic This timely and accessible book explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, Wilson shines the spotlight on both well-known and nearly-forgotten plays. The analysis draws on a range of scholars from cultural and gender studies, queer theory, and critical race discourses to consider teacher characters within notable education movements and periods of political upheaval. Richly illustrated, the book will appeal to theatre scholars and general readers as it delves into plays and performances that reflect cultural fears, desires, and fetishistic fantasies associated with educators. In the process, the scrutiny on the array of characters may help illuminate current attacks on real-life teachers while providing meaningful opportunities for intervention in the ongoing education wars. James F. Wilson is the Executive Officerof the Theatre and Performance Program at the Graduate Center, CUNY, USA. His work has appeared in several chapter anthologies and academic journals, and he is the author of Bulldaggers, Pansies, and Chocolate Babies: Race, Performance, and Sexuality in the Harlem Renaissance (2010). .
Konu
Theater.
Theater __ History.
Education.
Education in literature.
Global and International Theatre and Performance.
Theatre History.
Education.
Literature and Pedagogy.
Theater __ History.
Education.
Education in literature.
Global and International Theatre and Performance.
Theatre History.
Education.
Literature and Pedagogy.
Kurum Adı
Eseri Alıntıla
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245 10|aFailure, Fascism, and Teachers in American Theatre|h[electronic resource] :|bPedagogy of the Oppressors /|cby James F. Wilson.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
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520 |aIn crystalline prose and with astute and compelling insight, James Wilson critically and historically engages the representation of teachers in American drama and performance from the 20th century to the present. With fascinating, rich examples from plays inside and outside the canon, Wilson demonstrates how the character of the beloved or bedeviled pedagogue bears the weight of cultural ambivalence about not just education but also about power and influence, identity and social expectation. Richly observant and delightfully trenchant, Failure, Fascism, and Teachers in American Theatre instructs us all in the enduring power of performance and plays to explicate our history and to inform our present. --Jill Dolan Princeton University Author of The Feminist Spectator as Critic This timely and accessible book explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, Wilson shines the spotlight on both well-known and nearly-forgotten plays. The analysis draws on a range of scholars from cultural and gender studies, queer theory, and critical race discourses to consider teacher characters within notable education movements and periods of political upheaval. Richly illustrated, the book will appeal to theatre scholars and general readers as it delves into plays and performances that reflect cultural fears, desires, and fetishistic fantasies associated with educators. In the process, the scrutiny on the array of characters may help illuminate current attacks on real-life teachers while providing meaningful opportunities for intervention in the ongoing education wars. James F. Wilson is the Executive Officerof the Theatre and Performance Program at the Graduate Center, CUNY, USA. His work has appeared in several chapter anthologies and academic journals, and he is the author of Bulldaggers, Pansies, and Chocolate Babies: Race, Performance, and Sexuality in the Harlem Renaissance (2010). .
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
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650 0|aEducation.
650 0|aEducation in literature.
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650 24|aTheatre History.
650 24|aEducation.
650 24|aLiterature and Pedagogy.
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049 |aTürk Dil Kurumu Kütüphanesi
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245 10|aFailure, Fascism, and Teachers in American Theatre|h[electronic resource] :|bPedagogy of the Oppressors /|cby James F. Wilson.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
300 |aXIV, 216 p. 15 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Theatre and Performance History,|x2947-5775
505 0 |aChapter 1 - All the Single Ladies: A Century of School Marms and Spinsters -- Chapter 2 - Unfit to Teach: Morality, Panic, and Hazardous Teachers, 1920s-1940s -- Chapter 3 - Commies on Campus: Radical Liberalism and Academic Freedom, 1940s-1950s -- Chapter 4 - Crème de la Crème of Fascism: Miss Jean Brody, Miss Margarida, and Sister Mary Ignatius Explain It All for You, 1960s-1980s -- Chapter 5 - Failure to Achieve: A Report Card on Male Teachers in the Theatre.
520 |aIn crystalline prose and with astute and compelling insight, James Wilson critically and historically engages the representation of teachers in American drama and performance from the 20th century to the present. With fascinating, rich examples from plays inside and outside the canon, Wilson demonstrates how the character of the beloved or bedeviled pedagogue bears the weight of cultural ambivalence about not just education but also about power and influence, identity and social expectation. Richly observant and delightfully trenchant, Failure, Fascism, and Teachers in American Theatre instructs us all in the enduring power of performance and plays to explicate our history and to inform our present. --Jill Dolan Princeton University Author of The Feminist Spectator as Critic This timely and accessible book explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, Wilson shines the spotlight on both well-known and nearly-forgotten plays. The analysis draws on a range of scholars from cultural and gender studies, queer theory, and critical race discourses to consider teacher characters within notable education movements and periods of political upheaval. Richly illustrated, the book will appeal to theatre scholars and general readers as it delves into plays and performances that reflect cultural fears, desires, and fetishistic fantasies associated with educators. In the process, the scrutiny on the array of characters may help illuminate current attacks on real-life teachers while providing meaningful opportunities for intervention in the ongoing education wars. James F. Wilson is the Executive Officerof the Theatre and Performance Program at the Graduate Center, CUNY, USA. His work has appeared in several chapter anthologies and academic journals, and he is the author of Bulldaggers, Pansies, and Chocolate Babies: Race, Performance, and Sexuality in the Harlem Renaissance (2010). .
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aEducation.
650 0|aEducation in literature.
650 14|aGlobal and International Theatre and Performance.
650 24|aTheatre History.
650 24|aEducation.
650 24|aLiterature and Pedagogy.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031340123
776 08|iPrinted edition:|z9783031340147
776 08|iPrinted edition:|z9783031340154
830 0|aPalgrave Studies in Theatre and Performance History,|x2947-5775
856 40|uhttps://doi.org/10.1007/978-3-031-34013-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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