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020 |a9789819776481|9978-981-97-7648-1
024 7 |a10.1007/978-981-97-7648-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPJ305.2-489
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090 |aEK/3153
245 10|aEssentials of Chinese Literature and Art Criticism Volume I|h[electronic resource] /|cedited by Xu Yuechun, Wang Ning.
250 |a1st ed. 2025.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Palgrave Macmillan,|c2025.
300 |aXXI, 378 p. 13 illus., 5 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. An Overview of China’s Recent Developments in Art and Literature -- 2. The Chinese Turn in Modern Art -- 3. The Model and Path of Constructing a Chinese School of Critical Discourse -- 4. Live Streaming and the Circulation of Traditional Culture and Art -- 5. “Who Is the Judge of Poetry?" Exploring the Role of Ancient Literary and Art Critics -- 6. “The Breaking Down” and “Establishment” in “Guochao” Dancing -- 7. The Reception and Circulation of Contemporary Art and Literary Criticism in the English Speaking World -- 8. Image Composition and the Construction of Artistic Conception -- 9. Design 2022: The Continuous Construction of Design Capability and Design Spirit -- 10. On the Transformation of Aesthetic Studies from “Literary and Art Aesthetics” to “Art Aesthetics” -- 11. Literary and Art Aesthetics—The Unique Terminologies and Complex Relations in China’s Interaction with the World -- 12.Internet Literature and Art in 2022—Building the Path and Lighting the Sky -- 13. The Path to Building Modern Literature and Art on the Basis of Chinese Tradition -- 14. “Imagined Folk”: On the Story World and Cultural Implications of Chinese Network Costume Drama -- 15. On The Discourse Practice of Localizing Photography and Its Displaced Relations with Art Revolution.
520 |aThis book offers a detailed analysis of China’s original view of literature and art theory and critical practice from the ancient to the modern period, providing views on dancing, image making, the circulation of artifacts, critical theory, creative writing, art design, aesthetic, cyber arts, photography, etc. This book makes visible the traditional Chinese ideas, philosophy and practices on literature and art in the world and contributes to the diversity of current international literary and art studies. All 15 chapters are translations of selected high-quality original theoretical contributions on Chinese literary and art theory published in prestigious peer-reviewed Chinese journals, whose authors are established scholars in Chinese academia. Xu Yuechun is at China Federation of Literary and Art Circles, Center for Literature and Art Criticism, Beijing, China. Wang Ning is at Shanghai Jiao Tong University, School of Humanities, Shanghai, China.
650 0|aOriental literature.
650 0|aComparative literature.
650 0|aPhilosophy, Chinese.
650 14|aAsian Literature.
650 24|aComparative Literature.
650 24|aChinese Philosophy.
700 1 |aYuechun, Xu.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aNing, Wang.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789819776474
776 08|iPrinted edition:|z9789819776498
776 08|iPrinted edition:|z9789819776504
856 40|uhttps://doi.org/10.1007/978-981-97-7648-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)